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The Stoics identified thephantasiawith the impression (typos) in the soul, or the impressing process (typōsis). Alexander of Aphrodisias engages directly with this account atDe anima68.10–21, and argues against the applicability of the impression in a theory of perception inMantissa10, especially 133.25–134.23. I analyse Alexander’s polemic account atDe anima68.10–21, I demonstrate that it differs from Chrysippus’ criticism of Cleanthes (contrary to some commentators), and I show how it fits in the context of his argument. From this analysis it will emerge how (...) Alexander uses Stoic ideas to form his Aristotelian account. Then, I show that Alexander, by taking ‘typos’ metaphorically, not only prefers the term ‘enkataleimma’ over ‘typos’ in his theory ofphantasia, but he keeps the ‘typos’ terminology only to remain faithful to Aristotle’s use (contrary to some commentators). (shrink) No categories | |
Whether Aristotle wrote the treatises of Metaphysics with different conceptions of the science of Being in mind has long puzzled scholars. The particular question that causes them unease is whether Aristotle’s enterprise in establishing the science of Being through the several treatises of Metaphysics is marked by a general science of Being, studying all departments of Being whatsoever, or whether his investigation of this science reflects an attitude towards a special metaphysics seeking knowledge of a special department of Being, in (...) this case, God, and therefore should be regarded as a science that is eminently theological. In this thesis, I aim to show that Aristotle’s enterprise in Metaphysics does not necessarily hinder reconciliation between the universal and the theological dimensions of the science of Being and that although Aristotle's conception of the science of Being is eminently theological it does not conflict with its also being universal. Furthermore, I aim to show that had the conception of the science of Being in Aristotle’s mind not been theological, it would not be universal either. (shrink) No categories |