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Le vivant et l’artificiel

Multitudes 74 (1):199-202 (2019)

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  1. How will the state think with ChatGPT? The challenges of generative artificial intelligence for public administrations.Thomas Cantens -forthcoming -AI and Society:1-12.
    This article explores the challenges surrounding generative artificial intelligence (GenAI) in public administrations and its impact on human‒machine interactions within the public sector. First, it aims to deconstruct the reasons for distrust in GenAI in public administrations. The risks currently linked to GenAI in the public sector are often similar to those of conventional AI. However, while some risks remain pertinent, others are less so because GenAI has limited explainability, which, in return, limits its uses in public administrations. Confidentiality, marking (...) of GenAI outputs and errors are specific matters for which responses should be technical as well as cultural, as they are pushing the boundaries of our instrumental conceptions of machines. Second, this article proposes some paradigm shifts in the perspective of using GenAI in public administrations due to the radical change caused by its language-based nature. GenAI represents a profound break from the “numerical” nature of AI systems implemented in public administrations to date. The transformative impact of GenAI on the intellectual production of the state raises fears of the replacement, or rather enslavement, of civil servants to machines. The article argues for the development of critical thinking as a specific skill for civil servants who have become highly specialized and will have to think with a machine that is eclectic by nature. It anticipates a transformation in the political nature of public administrations, which should lead to more considerations for the strategic stake related to training corpus and for our conceptualization of the neutrality of AI. (shrink)
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  • Into the Abyss: Vilém Flusser’s Theories of Art, Nature, and Culture.Martha Schwendener -2025 -Critical Inquiry 51 (2):290-315.
    The Czech-Brazilian philosopher Vilém Flusser was best known for his technical image trilogy, Towards a Philosophy of Photography (1983), Into the Universe of Technical Images (1985), and Does Writing Have a Future? (1987), which expanded photography theory into a radically inclusive philosophy of still and moving images for the digital age. However, he was also fascinated by concurrent developments in biology and biotechnology that were changing notions of nature, materialism, and humans. This essay will look at Flusser’s writing around these (...) ideas, particularly his para-biological fable Vampyroteuthis Infernalis (1987), his “Curie’s Children” column for Artforum (1986–1992), and his collaborations and correspondences with artists impacted by his ideas. (shrink)
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