Since the end of the last century, there have been several ambitious attempts to naturalize Husserlian phenomenology by way of mathematization. To justify themselves in view of Husserl’s adamant antinaturalism, many of these attempts appeal to the new physico-mathematical tools that were unknown in Husserl’s time and thus allegedly make his position outdated. This paper critically addresses these mathematization proposals and aims to show that Husserl had, in fact, sufficiently good arguments that make his antinaturalistic position sound even today. The (...) starting point of the discussion presented in this paper is the mathematization project introduced by Jean-Michel Roy, Jean Petitot, Bernard Pachoud, and Francisco Varela in their introduction to the book Naturalizing Phenomenology. This proposal was followed by a number of critiques but also by several alternative naturalization attempts clearly inspired by Roy et al.’s ambitious project. The review of some of Husserl’s important arguments often overlooked or misinterpreted by both the naturalization advocates and their critics leads the author of the paper to the twofold conclusion which, on the one hand, explores the deeper reasons for the impossibility of a physical and mathematical treatment of phenomenology, on the other hand, clarifies the sense in which such treatments are possible, namely by way of restriction of the variety of experiential aspects that undergo naturalization and substitution of the aspects amenable to the direct mathematization for the directly unmathematizable ones. In the fourth section of this paper, the author attempts to demonstrate that, contrary to widespread belief, Husserl’s arguments are not obsolete by the standards of the contemporary physico-mathematical approaches employed in the mathematization of phenomenology and indeed stand the test of time. (shrink)

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Several commentators have argued that with his concept of anonymity Merleau-Ponty breaks away from classical Husserlian phenomenology that is methodologically tied to the first person perspective. Many contemporary commentators see Merleau-Ponty’s discourse on anonymity as a break away from Husserl’s framework that is seen as hopelessly subjectivistic and solipsistic. Some judge and reproach it as a disastrous misunderstanding that leads to a confusion of philosophical and empirical concerns. Both parties agree that Merleau-Ponty’s concepts of anonymity mark a divergence from classical (...) Husserlian phenomenology. I will question this view and demonstrate that Merleau-Ponty’s discourse on anonymity remains Husserlian in two important senses: it analyses senses in terms of constituting selves and communities of such selves, and it accounts for the formation of experience by the temporal sedimentation of intentional activity. The argument proceeds in four steps. The first section argues against the widely spread notion according to which Merleau-Ponty’s anonymous subject is collective. In the second section, I offer an alternative reading by demonstrating that Merleau-Ponty uses the term “anonymous” primarily to characterize the lived body of a personal subject. In section three, I introduce Merleau-Ponty’s idea of trace and show that for him both the perceived thing and the perceiving body are traces and as such refer to earlier constitutive acts of alien subjects. I then argue that Husserl’s concepts of sedimentation are crucial for the understanding of this idea. Finally, in section four, I show how Husserl’s theory of depresentation informs Merleau-Ponty’s discourse on anonymity. (shrink)

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Translation (French to English) of Jean-Luc Marion's "La donation en son herméneutique," originally published (in French) as chapter II of Reprise du donné (Paris: PUF, 2016).

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This paper argues that Paul Ricoeur’s hermeneutical philosophy attempts to reopen the question of human transcendence in contemporary terms. While his conception of language as self-transcending is deeply Husserlian, Ricoeur also responds to the analytical challenge when he deploys a basic distinction in Fregean logic in order to clarify Heidegger’s phenomenology of world. Ricoeur’s commitment to a transcendental view is evident in his conception of narrative, which enables him to emphasize the role of the performative in literary reading. The meaning (...) of the self in time provides Ricoeur with a discursive basis for distinguishing his own position from that of Kant and other philosophers in the transcendental tradition. (shrink)

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Investigo la relación filosófica entre Avenarius y Husserl en los años del curso Problemas fundamentales de la fenomenología en relación especial con el concepto natural de mundo. Primero, expongo brevemente los temas fenomenológicos fundamentales: el concepto natural de mundo, la reducción fenomenológica y la unidad del yo. En segundo lugar, sintetizo las ideas básicas de la obra Der menschliche Weltbegriff de Avenarius. En tercer lugar, discuto la coincidencia entre Avenarius y Husserl, poniendo énfasis en la reducción primordial, y planteo las (...) críticas de Husserl a Avenarius, destacando la postura unívoca de Avenarius en contraste con la postura fenomenológica de Husserl. I study the philosophical relationship between Avenarius and Husserl during the years where the later held the lectures The Basic Problems of Phenomenology, taking especially into account the natural concept of the world. First, I expound briefly the basic phenomenological topics of the lectures: the natural concept of the world, the phenomenological reduction and the ego's unity. Second, I tackle the basic ideas of Avenarius' Der menschliche Weltbegriff . Third, I discuss the coincidence between Avenarius and Husserl, paying special attention to the primordial reduction, and also the objections that Husserl made to Avenarius, making a contrast between Avenarius' univocal approach to being and Husserl's phenomenological account. (shrink)

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We investigate the parallelism between aesthetic experience and the practice of phenomenology using Viktor Shklovsky’s theory of “estrangement”. In his letter to Hugo von Hofmannsthal, Husserl claims that aesthetic and phenomenological experiences are similar; in the perception of a work of art we change our attitude in order to concentrate on how the things appear to us instead of what they are. A work of art “forces us into” the aesthetic attitude in the same way as the phenomenological epoché drives (...) us into the phenomenological one. The change of attitudes is a condition of possibility of aesthetic and/or phenomenological experience. Estrangement is an artistic device that breaks the routinized forms of perception: one sees the thing as new and does not just “recognize” it automatically. Shklovsky insists that it is possible if one experiences or feels the form of the work of art—in an affective and even sensuous way. We claim that this is similar to the phenomenological seeing, or intuition, which, according to Husserl, should be devoid of all understanding. Phenomenological epoché can also be described as a philosophical technique that aims to arrest the “ready-made,” “taken for granted,” “pre-given” meanings in order to access a new meaning which is not yet stabilized, the “meaning-in-formation.” It is not enough to turn from what appears to how it appears; one has to oscillate between these conflicting attitudes, or rather to keep them both at the same time thus gaining a kind of a 3D-vision of meaning in its becoming. This double life in two different attitudes can be clarified in terms of Roman Jakobson’s theory of antinomic coexistence between the poetic and communicative functions of language. The notion of “double life in two attitudes” uncovers the role that ostranenie can play in the philosophical transformation of the subject based on variety and essential mobility of the affective components involved. Proposing a phenomenological interpretation of a passage from Samuel Beckett we show how the radicalization of ostranenie can lead even to “meta-estrangement”: to estrangement of the everyday “lack of estrangement.” We conclude with a remark on the productivity of this form of estrangement in the phenomenological context. (shrink)

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Fernando Floresin ja Terry Winogradin Understanding Computers and Cognition poikkeaa perinteisistä ohjelmoinnin lähtökohtien pohdinnoista. Teoksessa asetetaan syrjään lähtökohta, jota tekijät kutsuvat rationalistiseksi perinteeksi, ja syvennytään sen sijaan fenomenologiaan. Keskeinen tekijä tässä siirtymässä on representaationhypoteesin hylkääminen. Kirjoittajat nojaavat lähinnä Martin Heideggerin, Hans-Georg Gadamerin ja Humberto Maturanan tuotantoon, mutta tässä artikkelissa lähden liikkeelle Edmund Husserlin fenomenologisesta reduktiosta. Tulkitsen Floresin suorittaneen reduktion hänen päätyessään hylkäämään representaatiot.

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La obra de Julia V. Iribarne se basa, entre otros, en tres conceptos centrales, intersubjetividad trascendental, ética trascendental y antropología trascendental. En este texto de homenaje a su persona y a su trayectoria intelectual, dado que nuestra autora se basa fundamentalmente en los inéditos de Husserl, aclararé, en primer lugar la posición del legado póstumo [Nachlass] husserliano en la obra de este. A continuación dedicaré un apartado a exponer el desarrollo de cada uno de esos conceptos a lo largo de (...) su trayectoria, desde la intersubjetividad, pasando por la ética, hasta antropología trascendental.Julia V. Iribarne’s lifework rests, among others, on three central concepts, transcendental intersubjectivity, transcendental ethics and transcendental anthropology. In this text in tribute to her person and intellectual trajectory, and because Julia V. Iribarne’s writings are founded basically on Husserl’s Nachlass, I shall first clarify my conception about the relation of this Nachlass to his work. Next I will dedicate a section to explain the development of each of the concepts throughout her career, from intersubjectivity,, to ethics and to transcendental anthropology. (shrink)

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El ensayo trata de presentar la fenomenología de los actos racionales, actos que son fundamentales, en todo caso, para la ciencia. En la primera parte se expone la fenomenología de la razón tal como aparece en la cuarta sección del libro de Husserl Ideas I. En la segunda parte, teniendo a la vista El origen de la geometría, se expone esa fenomenología de la razón aplicada a la explicación de la ciencia histórica, superando el relativismo en que se ve envuelta, (...) superación que también vale para la antropología cultural. Si en la primera parte se desvela la razón como legitimidad de lo que se da en sí mismo, en la segunda se expone la importante elucidación del apriori de la historia con el que cuenta el historiador y frente al cual nada puede el relativismo. Como conclusión se explica de qué manera incide la fenomenología de la razón de la primera parte en las ciencias humanas.The essay tries to present the phenomenology of rational acts, acts that are fundamental, in any case, for science. In the first part the phenomenology of reason is exposed as it appears in the fourth section of Husserl's book Ideas I. In the second part, considering The Origin of Geometry, this phenomenology of reason applied to explanation of historical science, overcoming the relativism in which it is involved, an overcoming that also applies to cultural anthropology. If in the first part reason is revealed as the legitimacy of what is given in itself, in the second part the important elucidation of the apriori of history is exposed with which the historian must count and against which relativism can do nothing. As a conclusion, it is explained how the phenomenology of reason of the first part affects the human sciences. (shrink)

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This thesis wrestles with the normativity of language, its usage and its practices while questioning the signifié-signifiant reality. A structural reading of language designs its translational practices within the source-target framework, thereby essentialising its relationship en passant: everything has meaning as long as we accept the hidden framework of a universal language. Therefore, language outlined as a system of signs is a product of transcendental considerations and consequently it renders practice into a hermeticrealm in which the distinction between eidos and (...) eidolon, right and wrong, familiar and unfamiliar, grammar and gibberish makes perfect sense and in which the translation from A to B is simply a matter of transferring identities. Linguistic power neutralises through its transcendental conditioning ephemera in life and world. We will discover that a phenomenological reading of language is open to layers which questions the dialectic setting of linguistic knowledge production. Phenomenology proposes to study life-world relationships by reducing the power of dialectical denomination to the power of gazing or to the lenses of ambiguity. Theorising language and translational practices within the phenomenological realm follows the concept of being oriented towards body-life-world while laying bare the phenomenon language. This revealing method supersedes empirical considerations since phenomenological methodology questions permanently our very own positioning. Hence, the transfer from A to B will be challenged by possibilities which are temporary: it is about a transfer zone featuring A as A’ to B or A’ in B / C. However, the phenomenological possibility reveals that the price for ephemera is tamed by the condition of its possibilities: indeed, the aporia of linguistic identity in polyvalence requires not only phenomenological brackets but also a transcendental backup. Chapter I and II study the translational practice of language and phenomenology by explaining its analysis via dynamised transcendental conditions. The disillusion of the phenomenological inquiry will be yield by radicalising phenomenological reading of language towards a phenomenographical practice of language. Chapter III goes to the extremes in exposing a language without content. The introduction of the trickster figure Narcissistgrotesque Face will be the anti-metaphor in which the grotesque line up forces us to learn bearing A with B and in which the non-content materiality of linguistic practices resemble le bas matérialisme. Not explanation, understanding and rendering things plausible is the movens for language but it is all about the spur of its enactment, its style and its story telling that renders translational practice visible. Chapter III is a performative practice in which we turn the text into texture. Translation happens then when your are perplex and the translational void enacts you and me. (shrink)

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