Spigins, 2017
ViewPDF| Publication | Publication Date | Title |
|---|---|---|
| Sætre | Teaching and learning music composition in primary school settings | |
| Lyu et al. | The effect of using digital technology in the music education of elementary school students | |
| Li | Interactive methods for improving musical literacy among students with preschool education Majors at Teacher Training Universities: The effectiveness of the Kodály method | |
| Zhou | Innovative learning environments for choral conducting education | |
| Yeo et al. | 'Putting on a show'non-placement WIL in the performing arts: Documenting professional rehearsal and performance using ePortfolio reflections | |
| Healy | “Play it again, Billy, but this time with more mistakes” divergent improvisation activities for the jazz ensemble | |
| Dos Santos | Ways of using musical knowledge to think about one's piano repertoire learning: three case studies | |
| Fox | Chinese percussion instruction through the lens of Western pedagogy | |
| Kladder | Commercial and popular music in higher education: Expanding notions of musicianship and pedagogy in contemporary education | |
| Niknafs | The use of improvisation by K–8 general music teachers in illinois: A mixed methods study | |
| Spigins | THEORETICAL FUNDAMENTALS OF THE PROCESS OF ACQUIRING THE DIDACTIC MODEL FOR STYLE MODELLING IN MUSICAL IMPROVISATION | |
| Xue | The development of a sense of rhythm in students in the process of choral conducting training | |
| Whitney | Following performance across the research frontier | |
| Eroğlu | Integrating movable numbers into fixed-do system in solfege class: an action research study | |
| Dordzro | Impact of Ghanaian basic school band directors ‘rehearsal strategies on students ‘performance | |
| Ganyata | Pedagogical challenges experienced by teachers of music literacy in Zimbabwe: A case study of five Gweru primary schools | |
| Ramos | Creative strategies for learning Brazilian popular piano | |
| Mason | The effects of Orff Schulwerk instruction on rhythmic achievement in beginning band | |
| van den Dool | Learning with the body: Investigating the link between musical interaction and the acquisition of musical knowledge and skills | |
| Nelson | Piano curriculum: What teachers are using and how it aligns with Jerome Bruner's enactive, iconic, and symbolic learning theory | |
| Burke et al. | Pathways to learning and teaching Indigenous and world music ensembles | |
| Teke et al. | Teachers' Views on Providing Motivation Based on ARCS Model in Online Musical Instrument Education. | |
| Pierpont | Exploring the evolution of choral leadership: A study of situational leadership theory and leader autonomy support as applied within choral settings | |
| Downey | Resonant Bodies: Pauline Oliveros, David Tudor, and Music Mediated, 1950–1980 | |
| Boornazian | Teaching College-Level Jazz Skills Using Interactive Digital Technologies and the Flipped Classroom Model |