Johansson, 2010
ViewPDF| Publication | Publication Date | Title |
|---|---|---|
| Frith | Live music matters | |
| Tschmuck | From record selling to cultural entrepreneurship: The music economy in the digital paradigm shift | |
| Watson et al. | Spaces and networks of musical creativity in the city | |
| Johansson | Beyond ABBA: the globalization of Swedish popular music | |
| Robinson | Putting the charity back into charity singles: Charity singles in Britain 1984–1995 | |
| Johansson | Songs from Sweden: Shaping pop culture in a globalized music industry | |
| O’Reilly et al. | Marketing live music | |
| Bloustien et al. | Sonic synergies: Music, technology, community, identity | |
| Dias et al. | Improvisation in the digital age: New narratives in jazz promotion and dissemination | |
| Kerr | ‘Underground’rap performance, informality and cultural production in Dar es Salaam | |
| Hatschek et al. | Historical Dictionary of the American Music Industry | |
| Mhiripiri | Dancing through the crisis: Survival dynamics and Zimbabwe music industry | |
| Campbell | Australian independent music and the experience economy | |
| White | Growing up under the influence: A sonic genealogy of grime | |
| D’Amico | Original ecology folksongs, myth, and showbiz: a case study of musical sustainability among the Bulang ethnic group in Yunnan, China | |
| Wall | Duke Ellington, radio remotes, and the mediation of big city nightlife, 1927 to 1933 | |
| Johansson | Introduction: The Swedish Music Miracle, from 1.0 to 2.0 | |
| van Poecke et al. | Bringing the banjo back to life: The field of Dutch independent folk music as participatory culture | |
| Kerr | Performing the self: rappers, urban space and identity in Dar es Salaam | |
| Ventsel | Stars without the money: Sakha ethnic music business, upward mobility and friendship | |
| Ahlers | Benjamin's KISS: A Perspective on Music, Spectacle and Aura | |
| Spanu | 6.9. Sing it yourself! Uses and representations of the English language in French popular and underground music | |
| Davies | British Encounters with Blues and Jazz in Transatlantic Circulation, c. 1929-1960 | |
| Bolden | Critical Reflections on Soul: A Conversation with Portia K. Maultsby | |
| Cassiolato et al. | The sounds of Brazil: The popular music and the music industry |