Iacobus Kerouac locutionemBeat Generation introduxit anno1948 ut perceptamculturam subterraneam describeret, quendam motumiuvenum contra conventiam,Novi Eboraci natum.[5] Cuiusnomen ortum est cum Kerouacsermones cumscriptoreIoanne Clellon Holmes conferret. Licet autem per KerouacHerbertum Huncke, hominem strenuum viarium, primumvocabulobeat ('prostratus') usum esse antea, dum colloquebantur.Nomen adiectivumbeat vulgo intraAfroamericanos illius temporis 'defessus' vel etiam 'demolitus' significare poterat, et ex imaginebeat to his socks ('demolitus adpedalia') deductum erat,[6][7][8] sed Kerouac, imaginem vindicans,significationem mutavit ut connotationesupbeat ('surgentem'),beatific ('beatificam'), eton the beat ('in ictu') inmusica comprehenderet.[9]
Burroughs,moribus scelestis studens, res surreptas etnarcotica venumdare solebat. Seopiatibus mox tradidit. Suus dux inhonestorum (praecipue in Quadrato Times Novi Eboraci conditorum) fuitHerbertus Huncke, sons minor etmedicamentis deditus. Prostrati ad Huncke attracti sunt, qui ipse ad ultimum scribere coepit, plenus persuasionis se vitalem mundiscientiam habere quibus ei, ob eorumeducationes plerumque ex classi media, carebant.
Ginsberg tandem anno1949 in custodiam datus est.Vigiles Ginsberg eum prehendere conati sunt cumautocinetum cum Huncke gubernaret,vehiculo rebus surreptis pleno quas Huncke vendere in animo habebat. Ginsberg effugiensconcursum autocinetorum effecit etpede effugiebant, sed libellos criminantes in vehiculo reliquit. Ei data est optio causaeinsanitatis pro tribunali agendae, ne incarcerem coniceretur, et nonagintadies inBellevue Hospital coniectus est, ubi inCarolum Solomon incidit.[14]
Lectione Pinacothecae Six capitulum secundum nititurThe Dharma Bums,mythistoriae Kerouacanae (1958), cuiusprotagonista est Japhy Ryder,persona quiGary Snyder commemorat. Kerouac, a Snyder magnopere impressus, nonnullos annos cum Snyder intimus erat;vere quidem anni1955, in casa Snyderana inMill Valley una habitabant. Plurimi prostrati fuerunt urbani, quibus Snyder videbatur paene mirificus, ob eius priorem aetatem rusticam etexperientiam desertorum, atque ob eiuseruditionem inanthropologia culturali etlinguis Orientalibus. Laurentius Ferlinghetti eumThoreau Aetatis Prostratae appellavit.[23] Snyder, ut in fine inThe Dharma Bums describitur, adIaponiam anno1955 migraverat, plerumque utZen penitus exerceret et investigaret; ubi proximosdecem annos degebat.Buddhismus est una ex praecipuis rebusThe Dharma Bums, etliber Buddhismum inOccidentali revera iuvit, unusque ex latissime lectis libris Kerouacianis hodie manet.[24]
Ad gregem allatus estBurroughs aDavide Kammerer, eo tempore Lucianum Carr amante. Carr, amicus Allen Ginsbergi nuper factus, eum ad Kammerer et Burroughs tradidit. Carr praetereaEditham Parker novit, amasiam Kerouacianam, per quam Burroughs Kerouac anno1944 obviam ivit.
Die13 Augusti1944, Carr inRiverside Park Kammerercultropuerorum exploratorum necavit, se (ut vindicavit) defendens.[28] Carr,cadavere inHudson Flumen iacto, Burroughs consuluit, qui suasit ut Carr sevigilibus dederet. Kerouac cultrum tollere adiuvit. Carr se vigilibus mane tradidit et deinde pro tribunalihomicidium confessus est. Kerouac conscius argutus est, et Burroughs contestatus est, sed iudices neutrum prosecuti sunt. Kerouac de hoc casu bis in litteris scripsit: primum inThe Town and the City ('Oppidum et Urbs'), sua primamythistoria, et iterum inVanity of Duluoz, una ex ultimis. Una cum Burroughs de hac caede scripsitAnd the Hippos Were Boiled in Their Tanks,mythistoriam collaborativam. . . .
↑Ann Charters, "Introduction," inBeat Down to Your Soul, (Penguin Books, 2001,ISBN 978-0-14-100151-7), xix: "the conclusion of the obscenity trial in San Francisco against Lawrence Ferlinghetti for publishing Ginsberg'sHowl and Other Poems . . . in which JudgeClayton W. Horn concluded for the defendant that 'Howl' had what he called 'redeeming social content'"; xxxiii: "After the successfulHowl trial, outspoken and subversive literary magazines sprung up like wild mushrooms throughout the United States."
↑Ted Morgan,Literary Outlaw (Novi Eboraci: Avon, 1988,ISBN 0-380-70882-5), 347: "The ruling onNaked Lunch in effect marked the end of literary censorship in the United States."
↑"Beat to his socks, which was once the black's most total and despairing image of poverty, was transformed into a thing called the Beat Generation":Iacobus Baldwin, "If Black English Isn't a Language, Then Tell Me, What Is It?"The New York Times, 29 Iulii 1979.
↑"The word 'beat' was primarily in use after World War II by jazz musicians and hustlers as a slang term meaning down and out, or poor and exhausted. The jazz musician Mezz Mezzrow combined it with other words, like 'dead beat'": Ann Charters,The Portable Beat reader (1992,ISBN 0-670-83885-3,ISBN 978-0-670-83885-1).
↑"Hebert Huncke picked up the word [beat] from his show business friends on the Near North Side of Chicago, and in the fall of 1945 he introduced the word to William Burroughs, Allen Ginsberg, and Jack Kerouac": Steve Watson,The Birth of the Beat Generation (1995,ISBN 0-375-70153-2), 3.
↑Redundantia est multo maior in libroOn the Road divulgato quam inmanuscripto (formavoluminis facto). Ait Luc Sante: "In the scroll the use of the wordholy must be 80 percent less than in the novel, and psalmodic references to the author’s unique generation are down by at least two-thirds; uses of the wordbeat, for that matter, clearly favor the exhausted over the beatific";New York Times Book Review, 19 Augusti 2007,.
↑Rick Beard et Leslie Berlowitz,Greenwich Village: Culture and Counterculture (Novi Brunsvici Novae Caesareae: Rutgers University Press pro Museum of the City of New York, 1993), 167.
↑"In this essay 'Beat' includes those American poets considered avant-garde or anti-academic from c. 1955–1965": Lee Hudson, "Poetics in Performance: The Beat Generation" inStudies in interpretation, vol. 2, ed. Esther M. Doyle et Virginia Hastings Floyd (Rodopi, 1977,ISBN 90-6203-070-X, 9789062030705), 59
↑"Resistance is bound to occur in bringing into the academy such anti-academic writers as the Beats": Nancy McCampbell Grace et Ronna Johnson,Breaking the Rule of Cool: Interviewing and Reading Women Beat Writers (University Press of Mississippi, 2004,ISBN 1-57806-654-9,ISBN 978-1-57806-654-4), x.
↑"The Black Mountain school originated at the sometime Black Mountain College of Asheville, North Carolina, in the 1950s and gave rise to an anti-academic academy that was the center of attraction for many of the disaffiliated writers of the period, including many who were known in other contexts as the Beats or the Beat generation and the San Francisco school": Steven R. Serafin et Alfred Bendixen,The Continuum Encyclopedia of American Literature (Continuum International Publishing Group, 2005,ISBN 0-8264-1777-9,ISBN 978-0-8264-1777-0), 901.
↑Fred W. McDarrah et Gloria S. McDarrah,Beat Generation: Glory Days in Greenwich Village (Novi Eboraci: Schirmer Books, 1996).
12Rick Beard et Leslie Berlowitz,Greenwich Village: Culture and Counterculture (Novi Brunsvici Novi Eboraci: Rutgers University Press pro Museum of the City of New York, 1993), 165–198.
↑Jonah Raskin,American Scream: Allen Ginsberg's "Howl" and the Making of the Beat Generation: "Wally Hedrick,pictor et veteranusBelli Coreani, Ginsbergaestate1955 appropinquavit et petivit eum ordinare recitationempoematum in Pinacotheca Sex. . . . Ginsberg primum recusavit, sed simul ac exemplar "Howl" scripserat, suam "mentem futuentem," mutavit, ut dicere solebat."Anglice: "Wally Hedrick, a painter and veteran of the Korean War, approached Ginsberg in the summer of 1955 and asked him to organize a poetry reading at the Six Gallery. . . . At first, Ginsberg refused. But once he’d written a rough draft ofHowl, he changed his "fucking mind," as he put it."
↑Allen Ginsberg,Howl, editio critica, ed. Barry Miles,Original Draft Facsimile, Transcript & Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence, Account of First Public Reading, Legal Skirmishes, Precursor Texts & Bibliography (1986,ISBN 0-06-092611-2).
↑Michael McClure,Scratching the Beat Surface: Essays on New Vision from Blake to Kerouac (Penguin, 1994,ISBN 0-14-023252-4).
↑Bradley J. Stiles,Emerson's contemporaries and Kerouac's crowd: a problem of self-location Fairleigh Dickinson Univ Press, 2003ISBN 0-8386-3960-7,ISBN 978-0-8386-3960-3), 87: "Although Kerouac did not introduce Eastern religion into American culture, his writings were instrumental in popularizing Buddhism among mainstream intellectuals."
Beard, Rick, et Leslie Berlowitz.1993.Greenwich Village: Culture and Counterculture. Novi Brunsvici Novae Caesareae: Rutgers University Press pro Museum of the City of New York.
Campbell, James.2001.This Is the Beat Generation: New York–San Francisco-Paris. Angelopoli: University of California Press.ISBN 0-520-23033-7.
Collins, Ronald, et David Skover.2013.Mania: The Story of the Outraged & Outrageous Lives that Launched a Cultural Revolution. Top-Five Books.
Cook, Bruce.1971.The Beat Generation: The Tumultuous '50s Movement and Its Impact on Today. Novi Eboraci: Charles Scribner's Sons.ISBN 0-684-12371-1.
Espartaco, Carlos.1989.Eduardo Sanguinetti: The Experience of Limits. Buenos Aires: Ediciones de Arte Gaglianone.ISBN 950-9004-98-7.
Gifford, Barry, et Lawrence Lee.1978.Jack's Book: An Oral Biography Of Jack Kerouac. Novi Eboraci: St. Martin's Press.ISBN 0-312-43942-3.