
The trees are more than landscaping. They are my neighbors, my deep-rooted friends. But our neighborhood, like our climate, is changing.
From 1929 until the mid 1950s, Molly Goldberg was America’s favorite Jewish mother. Her character was written, acted, and embodied by Gertrude Berg, the first female showrunner and the first woman to win an Emmy for television. First on radio, then on television, The Goldbergs was a hit show and the first family sitcom. In this episode of Can We Talk?, New Yorker staff writer Emily Nussbaum introduces us to Gertrude Berg and her lovable character Molly Goldberg. We talk about how Molly remade the image of the Jewish mother, how McCarthy-era persecution led to the show’s downfall, and how the show still resonates today.
The climate crisis has entered an alarming new era. Since President Trump started his second term, the Environmental Protection Agency has fired scores of climate scientists and is trying to roll back climate protections and slash clean energy funding. For organizations like Dayenu: A Jewish Call to Climate Action, it's been a giant step backward. In this episode of Can We Talk?, we speak with Rabbi Jennie Rosenn, CEO of Dayenu, about how climate activists are navigating a new political landscape, how Jewish values fuel her work, and how the fight for climate action echoes the Israelites’ Exodus from Egypt, which Jews will soon mark at our Passover seders.
In this special Purim episode, Talmudic TikToker and storyteller Miriam Anzovin joins us to talk about the darker side of the Purim story, especially the role of gender. We start with a dramatic retelling of the Megillah, with Miriam's very contemporary spin on the traditional tale. Then we take a closer look at the story's gender dynamics, which still resonate 2,500 years later. Happy Purim!

A writer reflects on how learning to cook deepened her connections with her Mountain Jewish ancestors and shares a Purim recipe.
In nineteenth- and early twentieth-century Eastern Europe, Jewish women served their communities as spiritual leaders and paid religious functionaries. The main women’s leadership roles documented in Yiddish literature, memoirs, memorial books, and ethnographic studies include the midwife, the evil eye healer, the cemetery measurer, the prayer leader, and the mourning woman.

The most interesting tension here isn't between the romantic leads, but between Jewish woman's sense of identity and the pull of assimilation.

Every piece of Judaica Dolin creates is an expression of Jewish tradition and intention.

I hadn’t thought much at all about why I engaged with Judaism—or even why I was Jewish beyond having been born that way.

Purim’s festivities celebrate not only Jewish survival but also Jewish resistance.
This Sukkot, we're welcoming a special guest into Can We Talk?’s virtual sukkah: the Talmudic “femme fatale” Homa, one of the women featured in her new book, "The Madwoman in the Rabbi's Attic." In this episode, Talmud scholar Gila Fine tells Homa’s story, reinterprets it from Homa’s perspective, and explains why she thinks Homa makes a fitting symbolic guest for Sukkot.

JWA chats with Orthodox rabbi Dov Linzer and Reform journalist Abigail Pogrebin about their new book,It Takes Two to Torah.

Chef Jerzy Gonzalez-Arroyo takes her clients on a cultural journey of amazing Sephardi flavors.

JWA chats with Persian-American cantor Jacqueline Rafii.

JWA chats with sociology professor and author Helen Kim.
Danielle and Galeet Dardashti grew up in a very musical family—they had a family band, their father was a cantor, their mother was a folk singer, and their grandfather was a famous singer in “the golden age” of Iran in the 1940s, ’50s, and ’60s, with his own show on Iranian national radio. But growing up, they didn’t know much about the Persian side of their musical legacy. In this episode of Can We Talk?, Nahanni speaks with Galeet, an anthropologist, musician, and composer, and Danielle, a journalist and storyteller, about uncovering that legacy in their new podcast series, The Nightingale of Iran. They talk about what it was like to connect with their family’s Persian musical tradition—and what happened to that tradition when the family left Iran.

The British Library shares a fifteenth-century prayer book commissioned by a father to his daughter, Maraviglia, a testament to women’s participation in fifteenth-century Italian Jewish ritual life.

In the awful days since October 7, the people in my tight-knit, mostly Orthodox LA neighborhood have come together to share their sadness, anger, and grief.

JWA talks to Dr. Galeet Dardashti, cultural anthropologist and singer, about her new albumMonajat.

JWA talks to Loolwa Khazzoom, frontwoman of the rock band Iraqis in Pajamas, about the inspiration for her new single.

Megillat Esther reminds us of a different way to lead, a different way to change the world.

Next year in Jerusalem, we like to say. But really, next year, who knows?
Roz Bornstein interviewed Magda Altham Schaloum, on June 5, 2001, in Mercer Island, Washington, for the Weaving Women's Words Oral History Project. Schaloum shares her experiences growing up in Hungary, including enduring antisemitism, the impact of anti-Jewish laws, her family's separation and deportation to Auschwitz, her survival through slave labor camps, and her life after the war, including immigrating to Seattle and building a new life with her husband and children.

When I thought about where I learned how to make amends, I realized it wasn't just from Hebrew school or from my family. It was, instead, one of my most-read books from childhood: Kevin Henkes’Lilly’s Purple Plastic Purse.

Queen Esther used her power to save and lift up other Jews. That’s my version of Jewish power and feminism. But Julia Haart, the star of My Unorthodox Life, uses her power as a weapon against other Jews.