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Capricci armonici sopra la chitarra spagnola, Op.1 (Roncalli, Lodovico)

(Redirected fromCapricci armonici sopra la chitarra spagnola (Roncalli, Lodovico))
Movements/SectionsMov'ts/Sec's9 suites
First Publication1692
Genre CategoriesCapriccios;Suites;For guitar;Scores featuring the guitar;For 1 player;For guitar (arr);Scores featuring the guitar (arr);For 1 player (arr)

Contents

Performances

Sheet Music

Scores

Selections

Suite No.1

For Guitar (Albert)
For Guitar (Manger)

 Suite No.5 (transposed 4th down)
*#380026 - 0.09MB, 9 pp.- 0.0/100.0/100.0/100.0/100.0/100.0/109 suites:

  1. Preludio, p.1
  2. Alemanda, p.2
  3. Corrente, p.3
  4. Gigua, p.5
  5. Sarabanda, p.6
  6. Gavotta, p.7
  1. Preludio, p.8
  2. Alemanda, p.9
  3. Gigua, p.10
  4. Sarabanda, p.12
  5. Gavotta, p.13
  1. Preludio, p.14
  2. Alemanda, p.15
  3. Corrente, p.16
  4. Sarabanda, p.17
  5. Minuet, p.18
  1. Preludio, p.19
  2. Alemanda, p.20
  3. Corrente, p.21
  4. Gigua, p.22
  5. Sarabanda, p.23
  6. Minuet, p.24
  1. Preludio, p.25
  2. Alemanda, p.26
  3. Corrente, p.27
  4. Gigua, p.29
  5. Sarabanda, p.30
  6. Passacaglij, p.31
  1. Preludio, p.33
  2. Alemanda, p.34
  3. Corrente, p.36
  4. Gigua, p.37
  5. Sarabanda, p.38
  6. Minuet, p.39
  7. Gavotta, p.39
  1. Preludio, p.40
  2. Alemanda, p.41
  3. Gigua, p.42
  4. Minuet, p.43
  5. Alemanda, p.44
  6. Corrente, p.45
  7. Sarabanda, p.46
  1. Preludio, p.47
  2. Alemanda, p.48
  3. Corrente, p.49
  4. Gigua, p.50
  5. Minuet, p.52
  6. Gavotta, p.52
  1. Preludio, p.53
  2. Alemanda, p.53
  3. Corrente, p.54
  4. Minuet, p.55
  5. Gavotta, p.56
  6. Passacaglij, p.56
First Publication.1692LanguageItalianDedicationConsagrati all'eminentissimo Principe il Sig. Cardinale Panfilio Gran Priore Gerosolimitano in Roma e Legato meritissimo di Bologna dal Conte Ludovico RoncalliComposer Time PeriodComp. PeriodBaroquePiece StyleBaroqueInstrumentation5 course baroque guitarExtra Information​
  • Roncalli didn't use just a common tablature system and not only a pure abcedario. Both (in the Italian form) are mixed up to explain music for the 5 course baroque guitar.
  • At least in this version of Roncalli'sCapricci armonici sopra la Chitarra Spagnola there is no explanation about the meaning of the abecedario letters. Other authors have to be involved.
  • Italian tuning (mostly used this way): in unison, with no basses (from ⑤ to ①): aa d'd' gg hh e'(e')

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