TheNew England Science Fiction Association is an old and activeclub based in theBoston area. It sponsorsBoskone and ran NESFA Press. It has significant membership in common withMCFI andNESFAns have been behind theBoston Worldcons.

Website.

History[edit]

The Early Days[edit]

NESFA coalesced in the aftermath of the collapse of the short-livedBoston Science Fiction Society and its (utterly) failedBoston in '67Worldcon bid. Prompted by discussions atNYcon 3, the 1967Worldcon, an organizational meeting was held September 23, 1967, atBill Desmond's house.Tony Lewis was elected ActingChairman and NESFA held its first meeting a couple weeks later on October 8, 1967.

The founding members wereTruman Brown,Claire Cabral,Gerald Clarke,Bill Desmond,Edmund Galvin,Paul Galvin,Richard Harter,Judy Krupp,Roy Krupp,Anthony Lewis,Suford Lewis,Ed Meskys,Ed Meyer,Greg Mironchuk,Anne Nelson,Robert Nelson,Marilyn Niven,Cory Panshin,Linda Rosenstein,Harry Stubbs,Leslie Turek,Dave Vanderwerf,Mark Walsted,Mike Ward, andDrew Whyte.

Naturally, the first order of business was to select a name. The existingBoston Science Fiction Society was rejected because it had developed a troubled reputation. Also rejected were "Massachusetts Science Fiction Association", "Bay State Science Fiction Association", "Massachusetts Bay Science Fiction Association" and "The Boskonians" orThe Eddoreans (The Eddoreans was actually used for a time as an alternative name, but didn't catch on.) The latter two were a deliberate following the tradition ofThe Lunarians.

NESFA's early projects includedBoskone (though the first four of the modern series were run by people who would be NESFA members before NESFA had been organized) and indexes to the SF Magazines. To start with, NESFA stepped in to saveErwin Strauss'sMITSFS Index, raising money by sellingBoskone Life Memberships, but it then continued the Strauss index with annualNESFA Indexes.

Another major event in NESFA's history wasNoreascon I, the 1971Worldcon chaired byTony Lewis. While Noreascon was technically run by a separate corporation, it was staffed by most of NESFA, and its considerable success was a major boost to the club's self-confidence. (Which was never low.) In fact, a couple years after the convention, its corporation was terminated and its remaining cash given to NESFA to publish theNoreascon Proceedings.

The Crisis[edit]

In the mid-70s, NESFA went through a period later referred to as The Crisis in which interpersonal issues blew up into a grand fight with a consequence that, sadly, many previously active membersgafiated. Few details are publicly known and few, if any, of the participants regret this fact.All [Boston] Fandom Was Plunged into War.

The Years of Rapid Growth[edit]

In the late 70s, NESFA benefited enormously from the rapid growth of the minicomputer industry around Boston, especially the enormous success of DEC. These companies attracted fans and meant that Boston was home to a large number of well-paid, highly competentfen some of whom joined NESFA and many of whom attendedBoskone. (In fact, by the late 70s the influence of DECies (as they were called) was so great that (entirely joking) proposals were tabled to limit DEC employees to no more than 50% of the membership, and potential new members were greeted with the question "DEC or non-DEC?")

1980 sawNoreascon Two, the 1980Worldcon chaired byLeslie Turek which was also a very successful convention. Like Noreascon I, it was run by a separate corporation (MCFI) which was entirely independent of NESFA, but which had significant overlap in its membership, basically those members who really wanted to run a Worldcon.

Boskone grew slowly through the ’70s but, unbeknownst to NESFA, Boskone was about to explode in size. In 1977 it had 900 members growing rapidly in the runup to Noreascon II. The success of Noreascon II, an unusually well-organized Worldcon taught the people who ran Boskone (who were mostly the same people) how to successfully run a large convention. After the Worldcon, growth started again and NESFA -- for a time -- was able to cope with it. By 1995 Boskone was being called the "Winter Worldcon" (in 1985 it was the largest SF convention held anywhere) and reached over 4200 attendees in 1987. This growth had badly overstretched the club and the 1987 Boskone had serious problems which resulted in Boskone being unwelcome at any Boston hotel big enough to hold it.

The Collapse of the Giant Boskones[edit]

This is an interesting, complex matter which has its own article: SeeRise and Fall of the Giant Boskones for a detailed discussion.

Rebirth[edit]

The post-collapse Boskones settled into a more comfortable size of 1000-1300 members. Many NESFA members were part of the third Boston Worldcon,Noreascon Three, which was also quite successful. The major new project for the club was the expansion ofNESFA Press which published a series of hardcover reprints of classic SF under theNESFA's Choice imprint. In 2004,MCFI (again with NESFA members playing a major role) ran the successfulNoreascon 4.

Today Boskone continues, though NESFA Press is diminished and NESFA seems to have lost its appetite for major new projects.

Well-Known NESFAns[edit]

Today[edit]

NESFA is one of the raresf clubs that boasts its ownclubhouse. The club publishes a regularnewsletter,Instant Message, and hosts an annualconvention,Boskone.

NESFAns also present two more or less annualawards, theSkylark Award and theJack Gaughan Award, and dub some members and othersFellow of NESFA.

Their vigor in approachingfan politics and tendency to congregate together atconventions, sometimes in matchingt-shirts, caused some acerbic fans to refer to them as the "Marching NESFAns," and to remark, "NESFA makes the trains run on time."

Organization[edit]

Membership[edit]

From the start, NESFA was set up so that it would be run by the people who did the work. (The founders felt that the previous Boston club had been killed in part because the people doing the work got outvoted by non-workers.) Consequently, NESFA has several types of membership:

• Subscribing Membership: An open class of membership that gets club publications. It is meant for people who normally do not participate in person in club activities.
• General Membership: A class of member which is voted on, but is otherwise essentially the same as Subscribing. It is intended for people who participate in person in some NESFA activities, but who do not wish to be active managing the club or are simply very new.
• Regular Membership: The only class of member with a vote. People normally become Regular Members only after having demonstrated (by working usefully on club activities) that they are seriously interested in being part of the club and are admitted only on a vote of the regular membership. Regular members make all significant (and quite a few insignificant) decisions for the club at the monthly Business meetings.
• Inactive Membership: To keep their membership, Regular members must attend four of the monthly NESFA Business meetings each year. If they fail to do this — perhaps because of work or real life intruding — they can drop to Inactive membership for a time, returning automatically to Regular status when they can again participate.

Meetings[edit]

Pre-Covid 19, the group held weekly meetings most Wednesday evenings, for socializing, projects, and miscellaneous business, plus two weekend meetings each month: a Business Meeting (for administration), and the Other Meeting.

Subgroups[edit]

NESFA Cavalry[edit]

A not-at-all organized subgroup of NESFA that, mainly in the 70s or early 80s, did horseback riding. Members includedLeslie Turek andEllen Franklin.

NESFA Displacement Authority[edit]

Acommittee of the willing dedicated to moving peoples' stuff from one places to another -- almost always with their permission, such as whenfans moved house.

The Authority's finest hour was movingDrew Whyte in 1980 which defined theDrew, the only officialfannish unit of movement.

NESFA Navy[edit]

Not everyone liked horseback riding, so there was another (overlapping) group who enjoyed canoeing around Boston.

Bookshelf Builders[edit]

When NESFA finally acquired itsclubhouse (see below), it had a problem: many, many boxes ofbooks in its library, which were all in boxes in various members' homes, and nobookshelves.

Monty Wells, the member with the most real skills with tools and building who had supervised turning the building NESFA purchased into a fir clubhouse, developed a plan for building a couple dozen sturdy, cheap, 3'x8' bookshelves to line the clubhouse's walls.

That went well enough that NESFA created a temporary bookshelf-building cooperative, and over the course of several summer weekends, club members built around sixty more bookshelves for their own use.

NESFA Clubhouse[edit]

Frank Richards working on the clubhouse, 1987.

NESFA purchased itsclubhouse at 504 Medford St., Somerville, MA, in 1985. It is used for business and other meetings, the NESFA library, game nights,clubzine collations,con worksessions, storage ofCoop crates and a bewildering amount of other stuff, bookcase construction parties, and whatever else localfen need space to do. Oh, there are a lot of books there too.

The clubhouse was a former dry cleaning establishment, and its purchase was finances by the club's available cash, plus a loan raised by means of the NESFA Lunar Realty Trust #1, which raised around $60,000 from club members as well as a generous loan fromSCIFI. The club repaid the loans in full within about three years.

Deconstruction and reconstruction (a huge task -- see the articles below for much more on it) was led by the lateMonty Wells. Manyfen learned valuable skills which they later put to good use when they entered the housing market.

Reports and articles[edit]

• Saga of the NESFA Clubhouse byMark Olson
• Everything I Learned About Buying and Renovating Buildings I Learned from Monty Wells byLaurie Mann
• File 770 56, p. 7 report byMike Glyer
• The Shaft

NESFA Lunar Realty Trust #1[edit]

WhenNESFA decided to purchase aclubhouse (seeSaga of the NESFA Clubhouse), it felt that it had enough income to pay for it, but not enough cash -- it needed a mortgage. But banks are not used to loaning money tofannishclubs (it probably could have been done, but it would have been very hard). Instead, NESFA decided to borrow money from its members and, to keep it formal and above-board, set up the NESFA Lunar Realty Trust #1 (as in Encyclopedia Galactica Foundation #1).

The NLRT was a trust organized under Massachusetts law (and largely set up byDon Eastlake) which collected around $60,000 towards the purchase price. The NLRT sold bonds worth $100 each and paid interest based on the prime rate. Most of the money was raised locally, butS.C.I.F.I., the organization which had just run the huge and financially quite successfulLAcon II, purchased $20,000 worth of NLRT bonds. (It's noteworthy that they paid for it with 100 checks for $137 —it's a long story — plus one more check for $6300.) The NLRT bonds were paid off completely over the next two and a half years.

Publications[edit]

• APA:NESFA
• Instant Message
• NESFA Hymnal
• NESFA Index
• Proper Boskonian

NESFA Press[edit]

NESFA Press is the publishing pseudopod of NESFA. It published annualGoH books in conjunction withBoskone, a series of NESFA's Choice books bringing back into print the works of deserving classicSF writers, and reference books ofscience fiction andscience fiction fandom.

It was founded in the early 1970s whenBill Desmond (with assistance fromRobert Weiner andDonald M. Grant) produced the firstBoskone Book. At about the same time,Tony Lewis started theNESFA Index, a continuation of theMITSFS Index. For many years, these were the nearly exclusive focus of NESFA Press.

By the late ’70s, NESFA Press had become moribund -- theNESFA Index was no longer being published and a combination of limited interest on the part of both NESFA and a series ofBoskoneGoHs, led to theBoskone Book going into hiatus. NESFA Press was revived byChip Hitchcock (nearly singlehandedly) producing aBoskone Book forBoskone 18 in 1981 (Unsilent Night byTanith Lee).

In the early ’90s,Mark Olson pioneered theNESFA's Choice series of books, bringing back into print classicsf in quality hardbacks. This series eventually extended to over 25 volumes.

NESFA Press was given aSpecial Committee Award atDenvention 3 in 2008, but by around 2010, the club had lost interest in publishing and the press's output had declined to about a book a year. However, it still brings aNESFA Press Guest toBoskone.

• SF Encyclopedia entry.
• NESFA Press website.

Fannish NESFA Press publications[edit]

• NESFA Index
• 1976 --Noreascon Proceedings
• 1990 --An Annotated Bibliography of Recursive Science Fiction
• 1992 --Let's Hear It for the Deaf Man byDave Langford
• 1994 --Making Book byTeresa Nielsen Hayden
• 1996 --The Silence of the Langford byDave Langford
• 2004 --Fancestral Voices byJack Speer
• 2004 --With Stars in My Eyes byPeter Weston
• 2016 --Making Conversation byTeresa Nielsen Hayden

Boskone Book[edit]

Starting in 1972 withL. Sprague de Camp'sScribblings atBoskone 10, NESFA Press has usually published a Boskone Book byBoskone'sGoH. The books are sometimes collections of stories, sometimes essays, and sometimes trunk novels.

They are always limited, numbered editions. In the early days, the books were a small size -- just larger than a typical mass-market paperback -- but starting withBoskone 30, the Boskone Book became a more normal size: 8.5"x5.5".

The edition is usually split with the bulk of the edition being simply numbered, while the lower numbers were in some way special. In the early days, they were "finebound" -- low-numbered copies of the regular state rebound in leather. Later they were a state bound in leatherette and slipcased. The special state is always signed by the author and artist.

In recent years, having a Boskone Book at eachBoskone has started to become the exception rather than the rule.

NESFA Press Guest[edit]

At eachBoskone from 2001, NESFA Press brings in a speaker to talk about aspects of a recent book. This can be the author, the person who wrote the introduction, or someone who is expert in a NESFA Press [[author]{'s works. This is not aGoH position.