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Zuo Zhuan

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Chinese narrative history (4th century BC)

Zuo Zhuan
左傳
The title page of a 16th century Ming print of theZuo Zhuan
Author(trad.)Zuo Qiuming
LanguageClassical Chinese
SubjectHistory of theSpring and Autumn period
Publishedc. late 4th century BC
Publication placeZhou dynasty (China)
Zuo zhuan
"Zuo Zhuan" inseal script (top), traditional (middle), and simplified (bottom) character forms
Chinese name
Traditional Chinese左傳
Simplified Chinese左传
Literal meaning"The Zuo Tradition"
Transcriptions
Standard Mandarin
Hanyu PinyinZuǒ Zhuàn
Bopomofoㄗㄨㄛˊ ㄓㄨㄢˋ
Wade–GilesTso3 Chuan4
IPA[tswò ʈʂwân]
Yue: Cantonese
Yale RomanizationJó Jyuhn
JyutpingZo2 Zyun6
IPA[tsɔ˧˥ tsyn˨]
Southern Min
HokkienPOJChó Toān
Tâi-lôTsó Tuān
Middle Chinese
Middle Chinesetsá ʈüèn
Old Chinese
Baxter (1992)*tsajʔdrjon-s
Baxter–Sagart (2014)*tsˤajʔN-tron-s
Full name
Traditional Chinese春秋左氏傳
Simplified Chinese春秋左氏传
Literal meaning"The Zuo Tradition of the Spring and Autumn Period"
Transcriptions
Standard Mandarin
Hanyu PinyinChūnqiū Zuǒshì Zhuàn
Bopomofoㄔㄨㄣ ㄑㄧㄡ ㄗㄨㄛˊ ㄕˋ ㄓㄨㄢˋ
Wade–GilesCh‘un1-ch‘iu1 Tso3-shih4 Chuan4
IPA[ʈʂʰwə́n.tɕʰjóʊ tswò.ʂɨ̂ ʈʂwân]
Yue: Cantonese
Yale RomanizationChēunchāu Jósih Jyuhn
JyutpingCeon1 Cau1 Zo2 Si6 Zyun6
Vietnamese name
Vietnamese alphabetXuân Thu Tả thị truyện
Chữ Hán春秋左氏傳
Korean name
Hangul춘추좌씨전
Hanja春秋左氏傳
Transcriptions
Revised RomanizationChunchujwassijeon
McCune–ReischauerCh'unch'ujwassijŏn
Japanese name
Kanji春秋左氏伝
Kanaしゅんじゅうさしでん
Transcriptions
RomanizationShunjū Sashiden

TheZuo Zhuan (Chinese:左傳;Wade–Giles:Tso Chuan;[tswò ʈʂwân]), often translated asThe Zuo Tradition or asThe Commentary of Zuo, an ancient Chinese narrative history, is traditionally regarded as a commentary on the ancient Chinese chronicle theSpring and Autumn Annals. It comprises 30 chapters covering the period from 722 to 468 BC, and focuses mainly on political, diplomatic, and military affairs from that era.

For many centuries, theZuo Zhuan was the primary text through which educated Chinese learned their ancient history. TheZuo Zhuan does not simply explain the wording of theSpring and Autumn Annals, but rather expounds upon its historical background with rich and lively accounts of the history and culture of theSpring and Autumn period (771–476 BC). TheZuo Zhuan is the source of moreChinese sayings and idioms than any other classical work, and its concise, flowing style served as a paragon of elegantClassical Chinese. Its tendency towardthird-person narration and portraying characters through direct speech and action became hallmarks of Chinese narrative in general, and its style was imitated by historians, storytellers, and ancient-style prose masters for over 2000 years of subsequent Chinese history.

TheZuo Zhuan has a reputation as "a masterpiece of grand historical narrative",[1] but its early textual history is largely unknown, and the nature of its original composition and authorship have been widely debated. The titular "Zuo" was traditionally identified asZuo Qiuming—an obscure figure of the 5th century BC described as a blind disciple ofConfucius—but there is little actual evidence to support this. Most scholars now generally believe that theZuo Zhuan was originally an independent work, composed during the 4th century BC, that was later rearranged as a commentary to theAnnals.

Textual history

[edit]

Creation

[edit]

Despite its longstanding status as the paragon ofClassical Chinese prose, little is known of theZuo Zhuan′s creation and early history. Bamboo and silk manuscripts excavated from late Warring States period (c. 300 BC) tombs, combined with analyses of its language, diction, chronological references, and philosophical viewpoints, suggest that theZuo Zhuan's composition was largely complete by 300 BC.[2] However, no pre-Han dynasty (202 BC – AD 220) source indicates that theZuo Zhuan had to that point been organized into any coherent form. No pre-Han dynasty texts directly refer to theZuo Zhuan as a source, although a few mention its parent textSpring and Autumn Annals.[3] TheZuo Zhuan seems to have had no distinct title of its own during this period, but seems to have simply been called "Annals (Chunqiu)" along with a larger group of similar texts.[3]

In the 3rd century AD, the Chinese scholarDu Yu intercalated theZuo Zhuan with theAnnals so that eachAnnals entry was followed by the corresponding narrative from theZuo Zhuan. This became the received format of theZuo Zhuan that exists today.[4] Some modern scholars believe that theZuo Zhuan was originally an independent work composed during the latter half of the 4th century BC—though probably incorporating some older material[5]—that was later rearranged as a commentary to theAnnals.[6]

Authorship

[edit]

Sima Qian's 1st century BCRecords of the Grand Historian, the first of China's 24 dynastic histories, refers to theZuo Zhuan as "Zuǒshì chūnqiū" (左氏春秋; "Master Zuo's Spring and Autumn Annals") and attributes it to a man named "Zuo Qiuming" (or possibly "Zuoqiu Ming").[7] According to Sima Qian,Confucius's disciples began disagreeing over their interpretations of theAnnals after Confucius's death. Zuo therefore gathered together Confucius's scribal records and used them to compile theZuo Annals in order to "preserve the true teachings."[8] The "Zuo Qiuming" whom Sima Qian references was traditionally assumed to be theZuo Qiuming who briefly appears in theAnalects of Confucius when Confucius praises him for his moral judgment.[9][10]

Other than this brief mention, nothing is concretely known of the life or identity of the Zuo Qiuming of theAnalects, nor of what connection he might have with theZuo Zhuan.[11] This traditional assumption that the title's "Master Zuo" refers to the Zuo Qiuming of theAnalects is not based on any specific evidence, and was challenged by scholars as early as the 8th century.[9] Some modern scholars have observed that even if the Zuo Qiuming of theAnalects is the "Zuo" referenced in theZuo Zhuan′s title, this attribution is questionable because theZuo Zhuan describes events from the lateSpring and Autumn period (c. 771 – 476 BC) that Zuo could not have known.[7]

Alternatively, a number of scholars, beginning in the 18th century, have suggested that theZuo Zhuan was actually the product ofWu Qi, a military leader who served in theState of Wei and who, according to theHan Feizi, was from a place called左氏;zǔoshì.[7] In 1792, the scholarYao Nai wrote: "The [Zuo Zhuan] did not come from one person. There were repeated accretions and additions, with those of Wu Qi and his followers being especially numerous...."[12]

Ming-era edition of theZuo Zhuan printed in 1616, edited by Min Qiji (閔齊伋; b. 1580). The introduction (left page) notes that theAnnals andZuo Zhuan "were not originally arranged together" (未始相配合也;wèi shǐ xiāng péi hé yě).

Commentary status

[edit]

In the early 19th century, the Chinese scholar Liu Fenglu (劉逢祿; 1776–1829) initiated a long, drawn-out controversy when he proposed, by emphasizing certain discrepancies between it and theAnnals, that theZuo Zhuan was not originally a commentary on theAnnals.[13] Liu's theory was taken much further by the prominent scholar and reformerKang Youwei, who argued that Liu Xin did not really find the "ancient script" version of theZuo Zhuan in the imperial archives, as historical records describe, but actually forged it as a commentary on theAnnals.[14] Kang's theory was that Liu Xin—who with his fatherLiu Xiang, the imperial librarian, was one of the first to have access to the rare documents in the Han dynasty's imperial archives—took theDiscourses of the States and forged it into a chronicle-like work to fit the format of theAnnals in an attempt to lend credibility to the policies of his master, the usurperWang Mang.[14][15]

Kang's theory was supported by several subsequent Chinese scholars in the late 19th century, but was contradicted by many 20th-century studies that examined it from many different perspectives.[15] In the early 1930s, the French SinologistHenri Maspero performed a detailed textual study of the issue, concluding the Han dynasty forgery theory to be untenable.[15] The Swedish SinologistBernhard Karlgren concluded, based on a series of linguistic andphilological analyses he carried out in the 1920s, that theZuo Zhuan is a genuine ancient text "probably to be dated between 468 and 300 BC."[14] While Liu's hypothesis that theZuo Zhuan was not originally anAnnals commentary has been generally accepted, Kang's theory of Liu Xin forging theZuo Zhuan is now considered discredited.[16]

Manuscripts

[edit]

The oldest survivingZuo Zhuan manuscripts are six fragments that were discovered among theDunhuang manuscripts in the early 20th century by the French SinologistPaul Pelliot and are now held at theBibliothèque Nationale de France.[4] Four of the fragments date to theSix Dynasties period (3rd to 6th centuries), while the other two date to the earlyTang dynasty (7th century).[4] The oldest known completeZuo Zhuan manuscript is the "ancient manuscript scroll" preserved at theKanazawa Bunko Museum inYokohama, Japan.[17]

Content and style

[edit]

Content

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TheZuo Zhuan recounts the major political, military, and social events of the Spring and Autumn period from the perspective of theState of Lu. The book is famous "for its dramatic power and realistic details".[18] It contains a variety of tense and dramatic episodes: battles and fights, royal assassinations and murder of concubines, deception and intrigue, excesses, citizens' oppression and insurgences, and appearances of ghosts and cosmic portents.[16]

EachZuo Zhuan chapter begins with theSpring and Autumn Annals (Chunqiu) entry for the year, which is usually terse and brief, followed by theZuo Zhuan content for that year, which often contains long and detailed narratives. The entries follow the strict chronological format of theAnnals, so interrelated episodes and the actions of individual characters are sometimes separated by events that occurred in the intervening years.[19] The following entry, though unusually short, exemplifies the general format of allZuo Zhuan entries.

Annals
三十有一年,春,築臺于郎。夏,四月,薛伯卒。築臺于薛。六月,齊侯來獻戎捷。秋,築臺于秦。冬,不雨。
In the 31st year, in spring, a terrace was built in Lang. In summer, in the 4th month, the Liege[a] of Xue died. A terrace was built at Xue. In the 6th month, the Prince[b] of Qi came to present spoils from the Rong. In autumn, a terrace was built in Qin. In winter, it did not rain.

(Zuo)
三十一年,夏,六月,齊侯來獻戎捷,非禮也。凡諸侯有四夷之功,則獻于王,王以警于夷,中國則否。諸侯不相遺俘。
In the 31st year, in summer, in the 6th month, the Prince of Qi came here to present spoils from the Rong: this was not in accordance with ritual propriety. In all cases when the princes achieve some merit against the Yi of the four directions, they present these spoils to the king, and the king thereby issues a warning to the Yi. This was not done in the central domains. The princes do not present captives to one another.

— 31st year of Lord[c] Zhuang (663 BC) (Durrant, Li, and Schaberg, trans.)[20]
Chapters of theZuo Zhuan
Text

(Chinese)

Ruler of the State of LuReign
Duration
(Years)
Period of Coverage
隱公Duke Yin of Lu (魯隱公)11722 – 712 BC
桓公Duke Huan of Lu (魯桓公)18711 – 694 BC
莊公Duke Zhuang of Lu (魯莊公)32693 – 662 BC
閔公Duke Min of Lu (魯閔公)2661 – 660 BC
僖公Duke Xi of Lu (魯僖公)33659 – 627 BC
文公Duke Wen of Lu (魯文公)18626 – 609 BC
宣公Duke Xuan of Lu (魯宣公)18608 – 591 BC
成公Duke Cheng of Lu (魯成公)18590 – 573 BC
襄公Duke Xiang of Lu (魯襄公)31572 – 542 BC
昭公Duke Zhao of Lu (魯昭公)32541 – 510 BC
定公Duke Ding of Lu (魯定公)15509 – 495 BC
哀公Duke Ai of Lu (魯哀公)27494 – 468 BC

Style

[edit]

Zuo Zhuan narratives have a famously terse and succinct quality that was admired and imitated throughout Chinese history and usually focus either on speeches that illustrate ethical values, or on anecdotes in which the details of the story illuminate specific ethical points.[21] Its narratives are characterized byparataxis, where clauses are juxtaposed with little verbal indication of their causal relationships with each other.[19] On the other hand, the speeches and recorded discourses of theZuo Zhuan are frequently lively, ornate, and verbally complex.[19]

Themes

[edit]

TheZuo Zhuan's overarching theme is that haughty, evil, and stupid people generally bring disaster upon themselves, while those who are good, wise, and humble are usually justly rewarded.[22] The Confucian principle of "ritual propriety" (;) is seen as governing all actions, including war, and to bring bad consequences if transgressed.[22] However, the observance ofli is never shown as guaranteeing victory, and theZuo Zhuan includes many examples of the good and innocent suffering senseless violence.[22] Much of theZuo Zhuan′s status as a literary masterpiece stems from its "relentlessly realistic portrayal of a turbulent era marked by violence, political strife, intrigues, and moral laxity".[22]

The narratives of theZuo Zhuan are highlydidactic and are presented in a way that teaches and illustrates moral principles.[23] The German sinologist Martin Kern observed: "Instead of offering authorial judgments or catechistic hermeneutics, theZuo Zhuan lets its moral lessons unfold within the narrative itself, teaching at once history and historical judgment."[16] Unlike theHistories ofHerodotus or theHistory of the Peloponnesian War ofThucydides, with which it is roughly contemporary, theZuo Zhuan′s narration always remains in thethird person and presents as a dispassionate recorder of facts.[19]

Battles

[edit]

Several of theZuo Zhuan′s most famous sections are those dealing with critical historical battles, such as theBattle of Chengpu and theBattle of Bi.[24] The Battle of Chengpu, the first of theZuo Zhuan′s great battles, took place in the summer of 632 BC at Chengpu (nowJuancheng County,Shandong Province) in theState of Wey.[25] On one side were the troops of the powerfulState of Chu, from what was then far southern China, led by the Chu prime ministerCheng Dechen.[25] They were opposed by the armies of theState of Jin, led byChong'er, Duke of Jin, one of the most prominent and well known figures in theZuo Zhuan.[25] Chu suffered a disastrous defeat in the battle itself, and it resulted in Chong'er being named hegemon (;) of the various states.[25]

     己巳,晉師陳于莘北,胥臣以下軍之佐,當陳蔡;
     On the dayji-si the Jin army encamped at [Chengpu]. The Jin commander Xu Chen, who was acting as assistant to the leader of the lower army, prepared to oppose the troops of Chen and Cai.

     子玉以若敖之六卒,將中軍,曰,今日必無晉矣,子西將左,子上將右;
     On the Chu side, Dechen, with the 600 men of the Ruo'ao family, was acting as commander of the central army. "Today, mark my word, Jin will be wiped out!" he said. Dou Yishen was acting as commander of the left wing of the Chu army, and Dou Bo as commander of the right wing.

     胥臣蒙馬以虎皮,先犯陳蔡,陳蔡奔,楚右師潰;
     Xu Chen, having cloaked his horses in tiger skins, led the attack by striking directly at the troops of Chen and Cai. The men of Chen and Cai fled, and the right wing of the Chu army was thus routed.

     狐毛設二旆而退之,欒枝使輿曳柴而偽遁,楚師馳之,原軫,郤溱,以中軍公族橫擊之,狐毛,狐偃,以上軍夾攻子西,楚左師潰;
     Hu Mao [the commander of the Jin upper army] hoisted two pennons and began to retreat, while Luan Zhi [the commander of the Jin lower army] had his men drag brushwood over the ground to simulate the dust of a general rout. The Chu forces raced after in pursuit, whereupon Yuan Chen and Xi Chen, leading the duke's own select troops of the central army, fell upon them from either side. Hu Mao and Hu Yan, leading the upper army, turned about and likewise attacked Dou Yishen from either side, thereby routing the left wing of the Chu army.

     楚師敗績,子玉收其卒而止,故不敗。
     Thus the Chu army suffered a resounding defeat. Only Dechen, who had kept his troops back and had not attempted to pursue the enemy, as a result managed to escape defeat.

— fromZuo Zhuan, 28th year of Duke Xi (632 BC) (Burton Watson, trans.)[26]

The narrative of the Battle of Chengpu is typical ofZuo Zhuan battle narratives.[25] The description of the battle itself is relatively brief, with most of the narrative being focused on battle preparations, omens and prognostications regarding its outcome, the division of the spoils, and the shifts and defections of the various allied states involved in the conflict.[25] This "official [and] restrained" style, which became typical of Chinese historical writing, is largely due to the ancient Chinese belief that ritual propriety and strategic preparation were more important in determining the outcome of battles than individual valor or bravery.[24]

Succession crises

[edit]

Several of the most notable passages in theZuo Zhuan describesuccession crises, which seem to have been fairly common in China during the Spring and Autumn period.[24] These crises often involved the "tangled affections" of the various rulers, and are described in a dramatic and vivid manner that gives insight into the lives of China's aristocratic elite during the mid-1st millennium BC.[24] The best known of these stories is that ofDuke Zhuang of Zheng, who ruled theState of Zheng from 743 to 701 BC.[24] Duke Zhuang was born "in a manner that startled" his mother (probablybreech birth), which caused her to later seek to persuade her husband to name Duke Zhuang's younger brother as the heir apparent instead of him.[24] The story ends with eventual reconciliation between mother and son, thus exemplifying the traditional Chinese virtues of both;; 'ritual propriety' and;xiào; 'filial piety', which made it consistently popular with Chinese readers over the centuries.[24]

Moral verdicts

[edit]

ManyZuo Zhuan anecdotes end with brief moral comments or verdicts that are attributed to either Confucius or an unnamed君子;jūnzi; 'noble man', 'gentleman', 'atheling', 'superior man'.[27] The chapter on the Battle of Chengpu contains the following ending comment:

君子謂是盟也信,謂晉於是役也,能以德攻。
The gentleman remarks: This alliance accorded with good faith. In this campaign, the ruler of Jin [Chong'er] was able to attack through the power of virtue.

— from 28th year of Duke Xi (632 BC) (Watson, trans.)[28]

These postfaces, which were added later by Confucian scholars, are directed toward those currently in power, reminding them of "the historical precedents and inevitable consequences of their own actions."[27] They speak with the voices of previous ministers, advisers, "old men", and other anonymous figures to remind rulers of historical and moral lessons, and suggest that rulers who heed their advice will succeed, while those who do not will fail.[29]

Fate

[edit]

Several sections of theZuo Zhuan demonstrate the traditional Chinese concept of;mìng; 'fate', 'destiny'—referring either to an individual's mission in life or their allotted lifespan—and attempt to illustrate how benevolent rulers ought to accept 'fate' selflessly, as in the story of Duke Wen moving the capital of thestate of Zhu in 614 BC.[30]

     邾文公卜遷于繹,史曰,利於民而不利於君。邾子曰,苟利於民,孤之利也,天生民而樹之君,以利之也,民既利矣,孤必與焉;
     Duke Wen of Zhudivined by turtle shell to determine if he should move his capital to the city of Yi. The historian who conducted the divination replied, "The move will benefit the people but not their ruler." The ruler of Zhu said, "If it benefits the people, it benefits me. Heaven gave birth to the people and set up a ruler in order to benefit them. If the people enjoy the benefit, I am bound to share in it."

     左右曰,命可長也,君何弗為。邾子曰,命在養民,死之短長,時也,民苟利矣,遷也,吉莫如之;
     Those around the ruler said, "If by taking warning from the divination you can prolong your destiny, why not do so?" The ruler replied, "My destiny lies in nourishing the people. Whether death comes to me early or late is merely a matter of time. If the people will benefit thereby, then nothing could be more auspicious than to move the capital."

     遂遷于繹。五月,邾文公卒。
     In the end he moved the capital to Yi. In the fifth month Duke Wen of Zhu died.

     君子曰,知命。
     The noble person remarks: He understood the meaning of destiny.

— Zuo Zhuan, 13th year of Duke Wen (614 BC) (Watson, trans.)[30]

Influence

[edit]

TheZuo Zhuan has been recognized as a masterpiece of early Chinese prose and "grand historical narrative" for many centuries.[16] It has had an immense influence on Chinese literature and historiography for nearly 2000 years,[31] and was the primary text by which historical Chinese readers gained an understanding of China's ancient history.[5] It enjoyed high status and esteem throughout Chinese history because of its great literary quality, and was often read and memorized because of its role as the preeminent commentary on theAnnals, which nearly all Chinese scholars traditionally ascribed to Confucius.[32] Many Chinese scholars believed that the terse, succinct entries of theAnnals contained cryptic references to Confucius' "profound moral judgments on the events of the past as well as those of his own day and on the relation of human events to those in the natural order", and that theZuo Zhuan was written to clarify or even "decode" these hidden judgments.[33]

From theHan dynasty (206 BC – AD 220) down to the present day, theZuo Zhuan has been viewed as a model of correct, sophisticatedClassical Chinese prose.[34] TheZuo Zhuan′s great influence on the Chinese language is evident from the fact that it is the source of morechengyu than any other work, including theAnalects of Confucius.[35] The well-known Qing dynasty student anthologyGuwen Guanzhi included 34 passages from theZuo Zhuan as paragons of Classical Chinese prose, more than any other source. These passages are still part of the Classical Chinese curriculum in mainland China and Taiwan today.

The 400-year period theZuo Zhuan covers is now known as theSpring and Autumn period, after theSpring and Autumn Annals, but theZuo Zhuan is the most important source for the period.[36] This era was highly significant in Chinese history, and saw a number of developments in governmental complexity and specialization that preceded China's imperial unification in 221 BC by theFirst Emperor of Qin.[31] The latter years of this period also saw the appearance ofConfucius, who later became the preeminent figure in Chinese cultural history.[31] TheZuo Zhuan is one of the only surviving written sources for the history of the Spring and Autumn period, and is extremely valuable as a rich source of information on the society that Confucius and his disciples lived in and from which theConfucian school of thought developed.[31] It was canonized as one of theChinese classics in the 1st century AD, and until modern times was one of the cornerstones of traditional education for men in China and the other lands of theSinosphere such asJapan andKorea.[31]

Translations

[edit]
  • James Legge (1872),The Ch'un Ts'ew, with the Tso Chuen,The Chinese ClassicsV, London: Trübner,Part 1 (books 1–8),Part 2 (books 9–12). Revised edition (1893), London: Oxford University Press.
  • (in French)Séraphin Couvreur (1914),Tch'ouen Ts'iou et Tso Tchouan, La Chronique de la Principauté de Lou [Chunqiu and Zuo Zhuan, Chronicle of the State of Lu], Ho Kien Fou: Mission Catholique.
  • (in Japanese) Teruo Takeuchi 竹内照夫 (1974–75).Shunjū Sashiden 春秋左氏伝 [Chunqiu Zuoshi zhuan].Zenshaku kanbun taikei 全釈漢文体系 [Fully Interpreted Chinese Literature Series]4–6. Tokyo: Shūeisha.
  • Burton Watson (1989).The Tso chuan: Selections from China's Oldest Narrative History. New York: Columbia University Press. Reprinted (1992).
  • Hu Zhihui 胡志挥; Chen Kejiong 陈克炯 (1996).Zuo zhuan 左传. Changsha: Hunan renmin chubanshe. (Contains both English and Mandarin translations)
  • Stephen Durrant; Li Wai-yee; David Schaberg, trans. (2016),Zuo Tradition (Zuozhuan), Seattle: University of Washington Press.

Notes

[edit]
  1. ^;; 'count', 'earl'
  2. ^;hóu; 'marquis'
  3. ^;gōng; 'duke'

References

[edit]

Citations

[edit]
  1. ^Kern 2010, p. 49: "[...] theZuo Tradition is rightfully celebrated as a masterpiece of grand historical narrative."
  2. ^Durrant, Li & Schaberg (2016), p. xxxviii.
  3. ^abDurrant, Li & Schaberg (2016), p. xxxix.
  4. ^abcCheng (1993), p. 72.
  5. ^abGoldin (2001), p. 93.
  6. ^Idema & Haft (1997), p. 78.
  7. ^abcShih (2014), p. 2394.
  8. ^Durrant, Li & Schaberg (2016), p. xx.
  9. ^abCheng (1993), p. 69.
  10. ^Kern (2010), p. 48.
  11. ^Watson (1989), p. xiii.
  12. ^Li (2007), p. 54.
  13. ^Cheng (1993), pp. 69–70.
  14. ^abcShih (2014), p. 2395.
  15. ^abcCheng (1993), p. 70.
  16. ^abcdKern (2010), p. 49.
  17. ^Cheng (1993), pp. 72–73.
  18. ^Wang (1986), p. 804.
  19. ^abcdDurrant (2001), p. 497.
  20. ^Durrant, Li & Schaberg (2016), pp. 218–21.
  21. ^Owen (1996), p. 77.
  22. ^abcdWang (1986), p. 805.
  23. ^Watson (1989), pp. xviii–xix.
  24. ^abcdefgDurrant (2001), p. 499.
  25. ^abcdefWatson (1989), p. 50.
  26. ^Watson (1989), pp. 60–61.
  27. ^abKern (2010), p. 50.
  28. ^Watson (1989), p. 63.
  29. ^Kern (2010), pp. 50–51.
  30. ^abWatson (1999), p. 189.
  31. ^abcdeWatson (1989), p. xi.
  32. ^Durrant (2001), p. 500.
  33. ^Watson (1999), p. 184.
  34. ^Boltz (1999), p. 90.
  35. ^Wilkinson (2015), p. 612.
  36. ^Hsu (1999), p. 547.

Works cited

[edit]
  • Boltz, William G. (1999). "Language and Writing". In Loewe, Michael; Shaughnessy, Edward (eds.).The Cambridge History of Ancient China. Cambridge, England: Cambridge University Press. pp. 74–123.ISBN 0-521-47030-7.
  • Cheng, Anne (1993). "Chun ch'iu 春秋,Kung yang 公羊,Ku liang 穀梁, andTso chuan 左傳". In Loewe, Michael (ed.).Early Chinese Texts: A Bibliographical Guide. Berkeley: Society for the Study of Early China; Institute of East Asian Studies, University of California Berkeley. pp. 67–76.ISBN 1-55729-043-1.
  • Durrant, Stephen (2001). "The Literary Features of Historical Writing". In Mair, Victor H. (ed.).The Columbia History of Chinese Literature. New York: Columbia University Press. pp. 493–510.ISBN 0-231-10984-9.
  • Durrant, Stephen; Li, Wai-yee; Schaberg, David (2016).Zuo Tradition (Zuozhuan): Commentary on the "Spring and Autumn Annals". Seattle: University of Washington Press.ISBN 978-0295999159.
  • Goldin, Paul R. (2001). "The Thirteen Classics". In Mair, Victor H. (ed.).The Columbia History of Chinese Literature. New York: Columbia University Press. pp. 86–96.ISBN 0-231-10984-9.
  • Hsu, Cho-yun (1999). "The Spring and Autumn Period". In Loewe, Michael; Shaughnessy, Edward (eds.).The Cambridge History of Ancient China. Cambridge, England: Cambridge University Press. pp. 545–86.ISBN 0-521-47030-7.
  • Idema, Wilt; Haft, Lloyd (1997).A Guide to Chinese Literature. Ann Arbor: Center for Chinese Studies, University of Michigan.ISBN 0-89264-099-5.
  • Kern, Martin (2010). "Early Chinese literature, Beginnings through Western Han". In Owen, Stephen (ed.).The Cambridge History of Chinese Literature, Volume 1: To 1375. Cambridge, England: Cambridge University Press. pp. 1–115.ISBN 978-0-521-11677-0.
  • Li, Wai-yee (2007).The Readability of the Past in Early Chinese Historiography. Cambridge, MA: Harvard University Asia Center.ISBN 978-0-674-01777-1.
  • Owen, Stephen (1996).An Anthology of Chinese Literature: Beginnings to 1911. New York: W. W. Norton & Company.ISBN 0-393-03823-8.
  • Shih, Hsiang-lin (2014). "Zuo zhuan 左傳". In Knechtges, David R.; Chang, Taiping (eds.).Ancient and Early Medieval Chinese Literature: A Reference Guide, Part Four. Leiden, South Holland: Brill. pp. 2394–99.ISBN 978-90-04-27217-0.
  • Wang, John C. Y. (1986). "Tso-chuan 左傳". In Nienhauser, William H. (ed.).The Indiana Companion to Traditional Chinese Literature. Bloomington: Indiana University Press. pp. 804–6.ISBN 0-253-32983-3.
  • Watson, Burton (1989).The Tso chuan: Selections from China's Oldest Narrative History. New York,NY: Columbia University Press.ISBN 0-231-06714-3.
  • Watson, Burton (1999). "The Evolution of the Confucian Tradition in Antiquity — TheZuozhuan". In de Bary, Wm. Theodore; Bloom, Irene (eds.).Sources of Chinese Tradition, Vol. 1: From Earliest Times to 1600 (2nd ed.). New York: Columbia University Press. pp. 183–89.ISBN 978-0-231-10939-0.
  • Wilkinson, Endymion (2015).Chinese History: A New Manual (4th ed.). Cambridge, MA: Harvard University Asia Center.ISBN 978-0-674-08846-7.

Further reading

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External links

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