Ethnically,[10] N'Dour isSerer, born to a Serer father and aToucouleur mother.[5][11] However, culturally, N'Dour isWolof.[11] He was born inDakar.[5] He started performing at the age of 12 and would later perform regularly with theStar Band, Dakar's most popular group during the 1970s.
Despite N'Dour's maternal connection to the traditionalgriot caste, he was not raised in that tradition, which he learned instead from his sibling. Although patrilineally from the noble N'Dour family, his parents' world-view encouraged a modern outlook, leaving him open to two cultures and thereby inspiring N'Dour's identity as a modern griot. As a Mouride disciple, taalibé in Wolof, aMuslim of theMouride brotherhood, one of the large fourSufi orders inSenegambia, he often incorporated aspects ofIslamic music and chants into his work.[12][13]
At the age of 15, Youssou N'Dour joined a band calledDiamono and, in 1975, toured with the band inWest Africa.[3][14]
In 1976 when N'Dour was 16 years old, he signed a contract to sing with Ibra Kasse'sStar Band at Kasse's Miami club in Dakar where he would become a sensation.
In 1978, N'Dour would follow as several members of the Star Band left to formÉtoile de Dakar, a band that made important contributions to Senegal's newly evolving musical style calledmbalax which incorporated traditional Senegalese music into the Latin styles that had dominated Senegalese popular music.[15] Although they quickly became one of the city's most popular bands,[16] the group was short-lived due to internal problems. Étoile de Dakar split into two groups: Étoile 2000 and Super Étoile de Dakar. The latter group included N'Dour, guitaristJimi Mbaye, bassistHabib Faye, andtama (talking drum) player Assane Thiam. Super Étoile de Dakar produced four albums on cassette in just a few months and eventually evolved into N'Dour's backing band.
By 1991, he had opened his own recording studio, and, by 1995, his own record label, Jololi.
The New York Times described his voice as an "arresting tenor, a supple weapon deployed with prophetic authority".[23] N'Dour's work absorbed the entire Senegalese musical spectrum, often filtered through the lens of genre-defying rock or pop music from outside Senegalese culture.
In July 1993,Africa Opera composed by N'Dour premiered at theOpéra Garnier for the French Festival Paris quartier d'été.[24]
In 1994, N'Dour released his biggest international hit single, the trilingual "7 Seconds", a duet sung withNeneh Cherry.
He is the proprietor ofL'Observateur, one of the widest-circulation newspapers in Senegal, the radio station RFM (Radio Future Medias) and the TV channel TFM.
In 2002, N'Dour was honoured with aPrince Claus Award, under that year's theme "Languages and transcultural forms of expression".
In Senegal, N'Dour became a powerful cultural icon, actively involved in social issues. In 1985, he organized a concert for the release ofNelson Mandela. He was a featured performer in the 1988 worldwideAmnesty InternationalHuman Rights Now! Tour collaborating withLou Reed on a version of the Peter Gabriel song "Biko" which was produced byRichard James Burgess and featured on the Amnesty International benefit albumThe Secret Policeman's Third Ball. He worked with the United Nations andUNICEF, and he started Project Joko to openinternet cafés in Africa and to connect Senegalese communities around the world.
In 2003, N'Dour cancelled an upcoming American tour in order to publicly deny support for the upcomingAmerican invasion of Iraq. In a public statement explaining his decision, N'Dour said:
It is my strong conviction that the responsibility for disarming Iraq should rest with the United Nations. As a matter of conscience I question the United States government's apparent intention to commence war in Iraq. I believe that coming to America at this time would be perceived in many parts of the world--rightly or wrongly--as support for this policy, and that, as a consequence, it is inappropriate to perform in the US at this juncture.[34]
In 2008, he joined theFondation Chirac's honour committee.[38] The same year, Youssou N'Dour's microfinance organization named Birima ("Birima" is also a song's title) was launched with the collaboration ofUnited Colors of Benetton.
At the beginning of 2012, he announced plans to stand as a candidate in the2012 Senegalese presidential election, competing against PresidentAbdoulaye Wade.[42][43] However, he was disqualified from running in the election over the legitimacy of the signatures he had collected to endorse his campaign.[44] N'Dour backed the opposition candidateMacky Sall, who defeated Wade in a second round of voting in March 2012. N'Dour was appointed as Minister of Culture and Tourism in April 2012 as part of the cabinet of new Prime MinisterAbdoul Mbaye.[45] The story of N'Dour's presidential campaign was filmed for thePBS TV programSound Tracks: Music Without Borders.[46] Later his portfolio was modified and he was appointed as Minister of Tourism and Leisure. He was dismissed from that post on 2 September 2013, when a new government under Prime MinisterAminata Touré was appointed.[47] N'Dour was instead appointed as Special Adviser to the President, with the rank of minister,[48] and tasked with promoting the country abroad.[49]
As himself, journeying from the island of Gorée to the USA and back, exploring the origins of jazz, which go back to the era ofslave trade in Africa, through a concert performed by an international group of artists.[79][80]
^In theSenegambia region as well as manyAfrican cultures, a person's ethnicity is determined by their father's line or surname.N'Dour and its variationNdure orNdour is a typical Serer surname. See -Mwakikagile, Godfrey,The Gambia and Its People: Ethnic Identities and Cultural Integration in Africa, New Africa Press (2010), p. 136, 141.ISBN9789987160235