YamatoTakeru (ヤマトタケルノミコト,Yamato Takeru no Mikoto), originallyPrince Ousu (小碓命,Ousu no Mikoto), was a Japanese folk hero and semi-legendary prince of theimperial dynasty, son ofEmperor Keikō, who is traditionally counted as the 12thEmperor of Japan. Thekanji spelling of his name varies: it appears in theNihon Shoki as 日本武尊 and in theKojiki as 倭建命.
The story of his life and death are told principally in the Japanese chronicles inKojiki (712) andNihon Shoki (720), but also mentioned inKogo Shūi (807) and some histories like theHitachi no Kuni Fudoki (常陸国風土記) (721). One of his sons becameEmperor Chūai, the 14thEmperor of Japan.
His history is uncertain but based on the chronicles his life can be calculated.[citation needed] He was born circa 72 and died in 114. Details are different between the two books, and the version inKojiki is assumed to be loyal to the older form of this legend.
Yamato Takeru dressed as a maidservant, preparing to kill the Kumaso leaders. Woodblock print on paper.Yoshitoshi, 1886.Yamato Takeru attacking the Kumaso leader.Yamato Takeru and his swordKusanagi no Tsurugi
Prince Takeru slew his elder brotherPrince Ōusu (大碓皇子,Ōusu no Miko). His father,Emperor Keikō, feared his brutal temperament. To keep him at a distance, the emperor sent his son to the land ofKumaso, todayKumamoto Prefecture, and then theIzumo Province, today the eastern part ofShimane Prefecture, to defeat rebels. However, Takeru succeeded in defeating his enemies. In the land of the Kumaso, the prince achieved victory bycross-dressing as a maid attendant at a Kumaso drinking party to get close to his targets and slay them. One of the enemies he defeated praised him and gave him the title Yamato Takeru, meaningThe Brave of Yamato. In the Izumo Province, the prince used trickery by befriending his enemy and exchanging swords with him before a duel. Due to receiving a wooden sword, the enemy was slain. The prince also defeated several deities. He returned triumphant, but Emperor Keikō's mind was unchanged.
Keikō sent Yamato Takeru to the eastern land whose people disobeyed the imperial court. The prince was ordered to defeat the rebels and savage deities of that land. Yamato Takeru met his aunt Princess Yamato-hime, the highest priestess ofAmaterasu atIse Grand Shrine (inIse Province) and grieved, "my father wishes I would die?" PrincessYamatohime-no-mikoto showed him compassion and lent him a holy sword namedAme no Murakumo no tsurugi (Kusanagi no tsurugi), whichSusanoo, the brother god of Amaterasu, found in the body of the eight-headed great serpent,Yamata no Orochi.
Yamato Takeru went to the eastern land. He lost his wife Ototachibana-hime during a storm when she sacrificed herself to soothe the anger of the sea god. He defeated many enemies in the eastern land. On one incident, he was lured into a trap by a treacherous lord who tried to burn him alive in an open grassland. Desperately, Yamato Takeru used the Ame-no-Murakumo-no-Tsurugi to cut back the grass and remove fuel from the fire, but in doing so, he discovered that the sword enabled him to control the wind and cause it to move in the direction of his swing. Taking advantage of this magic, Yamato Takeru used his other gift from his aunt, fire strikers, to enlarge the fire in the direction of the lord and his men, and he used the winds controlled by the sword to sweep the blaze toward them. In triumph, Yamato Takeru renamed the sword Kusanagi-no-Tsurugi ("Grass-Cutting Sword") to commemorate his narrow escape and victory. On another incident, he encountered and killed the deity of Ashigara pass.
Legend has it that he and a local old man composed the firstsedōka inKai Province withMount Tsukuba (now inIbaraki Prefecture) as its theme. On his return, Yamato Takeru married Miyazu-hime and challenged a local god ofMount Ibuki, which sits on the border ofŌmi Province andMino Province. He went to fight the god of Mt. Ibuki without his sword, but the god cursed him with disease. He fell ill and died.
The story above is found in theKojiki. In theNihonshoki version, the father and Yamato Takeru keep a good relation.
According to traditional sources, Yamato Takeru died in the 43rd year of Emperor Keiko's reign (景行天皇43年).[1] The possessions of the dead prince were gathered together along with the sword Kusanagi; and his widow venerated his memory in a shrine at her home. Some time later, these relics, including the sacred sword were moved to the current location ofAtsuta Shrine.[2]
Yamato Takeru is believed to have died somewhere in Ise Province. According to the legend, the name ofMie Prefecture was derived from his final words. After death, his soul turned into a great white bird and flew away. His tomb in Ise is known as the Mausoleum of the White Plover. A statue of Yamato Takeru stands inKenroku-en inKanazawa, Ishikawa.
Owing to the legend of Yamato Takeru's death, he is worshiped as Otori-sama (The Great Bird). Otori shrines exist throughout Japan, and every November a festival is held on a day of theRooster known as Tori no Ichi, literally "Market of the Bird". Worshipers pray for prosperity and vendors sell charms on shrine grounds known as kumade, which are miniaturerakes adorned with auspicious objects likeManeki-neko or rice.Hanazono Shrine and Otori Shrine in Asakusa, Tokyo are famous for their large-scale Tori no Ichi. Larger Tori no Ichi can span multiple days and are referred to numerically as Ichi no Tori, Ni no Tori etc.
AnthropologistC. Scott Littleton has described the Yamato Takeru legend as "Arthurian"[3] due to some structural similarities with theKing Arthur legend. Common points include the use of two magic swords, of which the first validates the authority of the hero; the leadership role of a war band; the death to an enemy after giving up the sword to a female figure; a transportation to the after world; and others.[4] Littleton proposed that both legends descend from a common northeast Iranian ancestor, despite evidence to the contrary, with oldest middle eastern equivalent myths springing up after the fall of Byzant (and the subsequent Ottoman translations of texts), while the iconography and heraldry claimed by Covington to be Scythia was brought in from central europe to persian territories in 50~40 BC by troops of the Roman Republic.[5]
In the video gameAge of Empires I, the mission named The Assassins in the campaign for the Yamato civilization takes inspiration from Yamato Takeru's actions, depicting a unit named "Perseus" (Takeru) eliminating the Izumo leader to seize his realm and found a new dynasty.
The second book ofNoriko Ogiwara'sThe Jade Trilogy,Mirror Sword and Shadow Prince, is a retelling of Yamato Takeru's legend. The novel follows Oguna, a.k.a. Prince Ousu, one of the two main protagonists.
Yamato Takeru is seen in a dream in the epilogue to "The Golden Princess", one of theNovels of the Change. The sword itself is the major plot point.
In theDigimon Adventure series, two of the main characters are brothers, and their names are a reference to Yamato Takeru: Yamato Ishida and Takeru Takaishi.
In the infamous OVAGarzey's Wing, the protagonist suspects the involvement of Yamato Takeru in various supernatural events, causing him to awkwardly and inexplicably invoke the full name "Yamato Takeru no Mikoto" from time to time. This is especially confusing to western viewers as Yamato Takeru does not appear in the plot.
Yamato Takeru is a boss within the video gameShin Megami Tensei IV, fought within the Chaos route of the game. In the Law route, he is discovered at death's doorstep, and dies soon after.
Yamato Takeru also appears inPersona 4 and its enhanced remake,Persona 4 Golden. There, Yamato Takeru functions as the evolved form of the initial Persona of the final teammate, Naoto Shirogane, replacingSukuna-Hikona.
InOne Piece, a character named Yamato appears who wields a weapon called Takeru.
In the 2023 video gameFate/Samurai Remnant, Yamato Takeru isMiyamoto Iori's Servant, belonging to the Saber Class. Here Takeru is reimagined as an androgynous youth of unknown gender (as Saber never refers to themself as male or female and also never corrects anybody when referred to as a "damsel", "a young girl" or Iori's "special friend"/girlfriend. Also, Iori and the game's codex never uses any pronouns when referring to Saber whose gender never changes from "?" even after their identity is revealed. However, the folkroric Takeru is still referred to as a man). Takeru also has what is known byType-Moon and the fanbase as a "Saberface" which a face similar to Artoria Pendragon (Saber) ofFate/Stay Night.