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| Arohanam | S R₂ M₁ P D₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₂ D₂ P M₁ G₃ R₂ S |
| Carnatic music |
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 Tanjavur-style tambura |
| Concepts |
| Compositions |
| Instruments |
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Yadukulakamboji orYadukulakambodi (yadukulakāmbhōji) is arāgam inCarnatic music (musical scale of South Indian classical music). It is ajanya rāgam (derived scale) from the 28thmelakarta scaleHarikambhoji, and is sometimes spelled asYadukulakambhoji orYadukulakambhodi. It is ajanya scale, as it does not have all the sevenswaras (musical notes) in the ascending scale. It is a combination of the pentatonic scaleShuddha Saveri and thesampurna raga scaleHarikambhoji.[1][2]
Yadukulakamboji is an asymmetric rāgam that does not containgandharam andnishadam in the ascending scale. It is anaudava-sampurna rāgam (orowdava rāgam, meaning pentatonic ascending scale).[1][2] Itsārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:
The notes used in this scale areshadjam, chathusruthi rishabham, shuddha madhyamam, panchamam andchathusruthi dhaivatam in ascending scale, withkaisiki nishadham andantara gandharam included in descending scale. For the details of the notations and terms, seeswaras in Carnatic music.
There are many compositions set toYadukula kambojiRaga. Here are some popularkritis composed in thisRaga.
| Song | Movie | Composer | Singer |
|---|---|---|---|
| Kaasikku Pogum Sanyasi... | Chandhrodhayam | M. S. Viswanathan | T. M. Soundararajan,Sirkazhi Govindarajan |
| Adangoppuraane | Kaavalkaaran | T. M. Soundararajan | |
| Kalyana Valayosai | Urimaikural | T. M. Soundararajan,P. Susheela | |
| Vetri Vendumaa | Ethir Neechal | V. Kumar | Sirkazhi Govindarajan |
| Othaiyila | Vanaja Girija | Ilaiyaraaja | K. S. Chithra |
| Nalla Neram | Uthama Raasa | S. P. Balasubrahmanyam | |
| Kuluvalilae(Omana thingal portion only rest in Natabhairavi Ragam) | Muthu | A. R. Rahman | Udit Narayan,K. S. Chithra,Kalyani Menon,G. V. Prakash Kumar |
| Petta Rap(Female Portion only) | Kadhalan | Suresh Peters,Theni Kunjarammal,Shahul Hameed |
This section covers the theoretical and scientific aspect of this rāgam.