Xavier Martinez | |
|---|---|
 Self-Portrait, 1902 | |
| Born | Javier Timoteo Martínez y Orozco (1869-02-07)February 7, 1869 |
| Died | January 13, 1943(1943-01-13) (aged 73) |
| Other names | Xavier Tizoc Martinez, Marty Martinez |
| Education | California School of Design,École des Beaux Arts, AcadémieEugène Carrière |
| Known for | Fine artpainting |
| Movement | California Tonalism |
| Spouse | Elsie Whitaker Martinez |
| Children | Micaela Martinez DuCasse |
| Patrons | Rosalia LaBastida de Coney,Alexander K. Coney |
Xavier Timoteo Martínez (February 7, 1869 – January 13, 1943) was a Mexican-born American artist active inCalifornia the late 19th and early 20th century. He was a well-known bohemian figure inSan Francisco, theEast Bay, and theMonterey Peninsula and one of the co-founders of two California artists' organizations and an art gallery. He painted in atonalist style and also producedmonotypes,etchings, andsilverpoint.[1]
He was originally christenedJavier Timoteo Martínez y Orozco, but later called himselfXavier Tizoc Martinez, the middle name acknowledging hisPurépecha heritage. He was known to his friends as "Marty."[2] Martinez was born inGuadalajara in 1869 to a Mexican father and a Spanish mother.[3] Martinez began drawing his classmates and teachers at a young age while attending public school. After school he worked in his father's bookstorebookbinding and helping with printing chores. He learned French and wrote poetry, admiring the poems ofGoethe,Schiller and various French poets. In his later autobiographical writings he recalled how at age ten his mother would teach him about the movements ofcelestial bodies.
Martinez reflected that at this age he had his first awareness that there was a rhythm in the order of things. At age 13 he began attending theLiceo de Varones (Grammar School for Men), where he studiedpre-Columbian archaeology and hisTaPurépechaascan heritage. He excelled inIndian designs and arts, and painted anoil copy ofEntombment byTitian.[citation needed]
When his biological mother died at age 17, he was fostered and taken in by an aristocratic woman namedRosalia LaBastida de Coney (1844–1897); she was married to an American,Alexander K. Coney (1847–1930) who worked for Mexico's foreign office.[3] When Alexander Coney was appointed Consul-General of Mexico and posted to in San Francisco in 1886, Martinez followed them, sailing through the Golden Gate in 1893.[3]
Upon arrival in San Francisco, in 1893 Martinez enrolled in theCalifornia School of Design, also known as theMark Hopkins Institute of Art or San Francisco Art Institute (SFAI). In 1895 he received the school'sAvery Golden Medal in painting and an honorable mention in drawing.[3] He graduated in 1897, worked briefly as assistant to the head of the institute,Arthur Frank Mathews, and became a member of theBohemian Club.[1]
Martinez entered the ParisÉcole des Beaux Arts, Atelier Gérome in 1897. In 1898 he sent a number of paintings of Paris scenes back to the Bohemian Club for an exhibition in San Francisco. He enjoyed the company ofHenri Matisse and graduated from the École in 1899. In 1900 he entered the Academy ofEugène Carrière and hisPortrait of Miss Marion Holden – a Tonalist work similar toWhistler's Mother – won an honorable mention in the Mexican display at theParis International Exposition.[1][2]
In 1901 he moved back to San Francisco. He shared an art studio withGottardo Piazzoni and that year became a naturalized citizen of the United States.[1] He advertised as a portrait painter, but also continued to painttonalist landscapes. In the subsequent year he helped found theCalifornia Society of Artists with Piazzoni,Maynard Dixon, Charles Peter Neilson and other artists who were disaffected with theSan Francisco Art Association.[4] Their first and only exhibition included seventeen works by Martinez, mostly French scenes.[2] In 1904 he began sharing his Montgomery Street atelier with Maynard Dixon; they held joint studio shows on Saturdays. The two travelled to Arizona andTepic, Mexico, in April 1905; upon their return Martinez held several exhibitions.[1]
In 1905 he spent two months in Guadalajara with Maynard Dixon. Upon his return to San Francisco he held a number of exhibitions, and also gave one show in New York, emphasizing the recent Mexicangenre paintings.[citation needed] That year he produced a painting a critic called a "masterpiece," given the titleThe Prayer of the Earth by his poet friendGeorge Sterling.[5]
After theearthquake of 1906 he moved across the bay toPiedmont, California, and metElsie Whitaker, 20 years his junior, the daughter of the writerHerman Whitaker.[3] On October 17, 1907, he married Elsie Whitaker in Oakland.[2] After their honeymoon inCarmel-by-the-Sea they commenced building a studio in Piedmont. During the summers of 1909 to 1914, they rented a house in Carmel so that Martínez could teach art classes at theHotel Del Monte.[6]
The Martínezes had a daughter on August 13, 1913: Micaela Martinez. She became a fine artist, studying painting withVictor Arnautoff and sculpture withRalph Stackpole; she later studied stone cutting withRuth Cravath. In 1944 she married artistRalph DuCasse and changed her name toMicaela Martinez DuCasse.[7] In 1923, Elsie and Xavier Martínez separated.[8]
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Martinez was one of a group of artists invited to create an art gallery at Monterey'sHotel Del Monte in 1907.[9] He began teaching as a substitute drawing teacher in June 1909 at theCalifornia School of Arts and Crafts (CSAC) in Berkeley.[10] By August he was appointed a permanent member of the faculty with the title "Instructor for Still Life and Landscape Painting in Oil."[1] He published several articles on art history in the CSAC Alumni Magazine. He exhibited with members of the Berkeley art colony between 1906 and 1911. He taught at theCalifornia School of Fine Arts in San Francisco from 1916 to 1917, but his contract was not renewed because the conservative director of that school,Pedro Joseph de Lemos, objected to Martinez's "flamboyant attire and socialist-inspired commentaries."[11] Martinez continued to teach at the CSAC and moved in 1924 to its new Oakland campus where three years later he was appointed a "Professor of Painting." He officially retired in September 1942. The School was renamed theCalifornia College of the Arts (CCA) in 2003. He taught summer classes in the Monterey area from 1910 to 1914. From 1915 through the late 1920s he instructed his summer classes from his Piedmont studio-home.[12] In 1912 he helped found the California Society of Etchers; then, the following year he was elected to the National Geographic Society and given a key to the Capitol Club in Monterey. Also in 1913 he made a painting trip to the Arizona desert withFrancis McComas (painter), which abruptly ended with much animosity and negative publicity in the press.[13][14]
In 1914,ImpressionistsChilde Hassam andEdward Simmons came to Piedmont to view Martinez' desert paintings. The following year he exhibited at thePanama Pacific International Exhibition (where he won honorable mention) and at the Golden Gate Park Museum in San Francisco. Throughout this period he had shows in New York, Philadelphia and San Francisco. Noted paintings of this period areHead of a Girl,The Storm,Piedmont Hills andLake Merritt. Between 1916 and 1920 he had numerous exhibitions including at thePalace of Fine Arts, The San Francisco Art Association and the Hotel Oakland. Martinez became a member of theAmerican Federation of Arts in 1921. In subsequent years he continued to exhibit, but was increasingly called upon to be a juror of other artists' works. In 1935 he showedThe Green Moon at theSan Francisco Museum of Art.[15]
In 1939 he exhibitedPortrait of Elsie at the 1939–1940Golden Gate International Exposition (GGIE), on Treasure Island. Martinez was selected in 1940 to represent California in the Hall of Fame at theWorld's Fair of 1940 in New York as one of three (along with FatherJunipero Serra andWilliam Keith).
Under the influence of his friend the poetGeorge Sterling, Martinez wrote poetry. His poem "Mictlan" was selected for publication in theBook Club of California's prestigious 1925 anthologyContinent's End: An Anthology of Contemporary California Poets.[16]
During the last two decades of his life, Martinez became increasingly interested in his indigenous Mexican heritage. He published poetry and philosophic writings in a column entitled "Notas de un Chichimeca" in theHispano-Americano, San Francisco's Spanish-language newspaper.[17]
In 1941, Martinez became ill. Elsie brought him to Carmel to be with her, their daughter, and Harriet Dean. He was with Elsie for seven months before he died on January 13, 1943.[18]
Xavier Martinez' paintings are held in the following museums:
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