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Wrapper (clothing)

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West African dress
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A group of Nigerian women wearing a blouse and wrapper sets with gele.

Thewrapper,lappa, orpagne is a colorful garment widely worn inWest Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.

West African kaftan/boubou

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Further information:National costume

InWest Africa, akaftan orcaftan is a pull-over woman'srobe.[1] In French, this robe is called aboubou[citation needed] , pronouncedboo-boo. The boubou is the traditional female attire in many West African countries includingSenegal andMali. The boubou can be formal or informal attire. The formality of the kaftan depends upon the fabric used to create or design it.

InNigeria and other parts ofYorubaland, the wrapper is commonly called aniro inYoruba, pronouncedi-roh. The literal translation is "the act of wrapping." The wrapper is usually worn with a matchingheadscarf orhead tie that is called agele in Yoruba, pronouncedgeh-leh.[2] A full wrapper ensemble consists of three garments, ablouse, called abuba, pronouncedboo-bah, theiro and aheadscarf called ahead tie calledgele in Yoruba. Traditional male attire is called aagbada.

Pagne

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Pagne (French:[paɲ]) designates a certain cut (two by six yards) and type (single-sided "fancy" or double-sided "wax" prints) of untailored cotton textile,[3] especially in Francophone West and Central Africa.[4] Enormously popular in much of tropical Africa, the pagne cloth's usage and patterns may be used to convey by the wearer a number of social, economic—and sometimes even political—messages.[5] It is similar—though distinct in size, expected pattern, and usage—to theKhanga,Kikoy orChitenge of East and Southern Africa. From the pagne any number of garments may be created (theboubou, dresses, or western style suits) or it can be used untailored as a wrap, headtie, skirt, or tied as a sling for children or goods. The word pagne, likely derived from the Latinpannum, was a term introduced by merchants from the 16th Century and adopted by several African societies to identify often pre-existing textiles or garments distinct from a simple cloth. The Portuguesepano forcloth has become the Frenchpagne , Dutchpaan, and others.[6] It appears to have originally referred to East Asian textiles traded in East and West Africa, before becoming a term for a certain length (a yard, later two by six yards) of commercial printed cloth sold in coastal West Africa.[7][8][9][10]

  • Ewe woman wearing African pagne
    Ewe woman wearing African pagne
  • Plaid silk wrapper (Western)
    Plaid silk wrapper (Western)

In the West

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In the UK and North America,wrapper is also an older term for an informal house garment. Today, words such ashousecoat andbathrobe (US) ordressing gown (UK) are usually employed instead.

Informal fabrics

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A woman wearing a blouse and skirt set, right.
  • Batik—created with hot wax and dye.
  • Fancy print—created by printing patterns on cloth. Unlike expensive wax prints, the design is printed on one side of the cotton fabric. Fancy prints are made inEurope,India, andWest Africa. The most popular fancy print is known as thetraditional print.
  • Kente—traditionally woven by men. Kente is an informal fabric for anyone who is not a member of theAkan people. For Akans and many Ewes, kente is a formal cloth.
  • Mudcloth—created by making mud drawings on cotton.
  • Tie-dye—made by resist tying cotton then dipping in dye. InNigeria, tie-dye is known asadire cloth.

Formal fabrics

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  • Adire—A clothing of theYoruba people of Nigeria
  • African wax prints—traditional cloths in Africa. Most of them are printed in West Africa and China. Some African waxprints are made in theNetherlands, known asDutch wax. In earlier times these were also produced in Great Britain. In a wax print, the pattern or design is printed on both sides of the cotton fabric. Waxprints are more expensive than fancy prints. Famous manufacturers are Vlisco in the Netherlands, Akosombo Textiles Limited in Ghana and Hitarget in China. Some smaller companies still produce genuine African wax prints. A well known brand is ABC Wax from Manchester, UK. Today ABC Wax is part of Akosombo Textiles Limited and printed in Ghana. There are many companies in Africa and China which use the wax print design for similar looking and much cheaper fancy textiles.

Wedding attire

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A group of women wearing kaftans, also known as boubous, inSenegal, West Africa in 1974.

The kaftan is always worn with aheadscarf orhead tie. During awedding ceremony, the bride's kaftan is the same color as the groom'sdashiki. The traditional color for West African weddings is white.[13] The most popular non-traditional color is purple or lavender, the color of African royalty.[14] Blue, the color of love, is also a common non-traditional color.[15] Most women wear black kaftans tofunerals.[16] However, in some parts ofGhana and theUnited States, some women wear black-and-white prints, or black and red. The kaftan is the most popular attire for women ofAfrican descent throughout theAfrican diaspora. African and African-American women wear a wide variety of dresses, and skirt sets made out of formal fabrics asformal wear. However, the kaftan and wrapper are the two traditional choices. It is not uncommon for a woman to wear a whitewedding dress when the groom wears African attire. In theUnited States,African-American women wear the boubou for special occasions. The kaftan or boubou is worn atweddings;funerals;graduations; andKwanzaa celebrations.

The men's robe is also called a boubou, seeSenegalese kaftan for further information.[17]

Buba

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Abuba (pronouncedboo-bah) is atop orblouse. Buba is aYoruba word that means the upper clothing. For women, the buba is worn with theiro (wrapper) andgele (head tie). For men, it is worn withsokoto (trousers) andfila (hat). The buba, sokoto/iro and fila/gele set is the traditional costume of theYoruba people in South Western Nigeria and the other regions of Yorubaland.

See also

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References

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  1. ^"Classy Caftan".
  2. ^"Stylish crown".
  3. ^Karl-Ferdinand Schädler. Weaving in Africa south of the Sahara. Panterra, 1987. p.454
  4. ^Elisha P. Renne. Cloth that does not die: the meaning of cloth in Bùnú social life. University of Washington Press, 1995.ISBN 9780295973920 p.11
  5. ^Egbomi Ayina.Pagnes et politique.Politique Africaine, No.027, Togo authentique. Karthala (Paris) 1987 pp.57-54.
  6. ^Sir James Augustus Henry Murray, Sir William Alexander Craigie, Charles Talbut Onions (eds) A new English dictionary on historical principles: founded mainly on the materials collected by the Philological Society, Volume 7, Part 2, Clarendon Press, 1905 p.375
  7. ^Marianne Gullestad. Picturing Pity: Pitfalls and Pleasures in Cross-Cultural Communication: Image and Word in a North Cameroon Mission. Berghahn Books, 2007. p. 130.ISBN 9781845453435.
  8. ^Henry Ling Roth. Great Benin: its customs, art and horrors. F. King, 1903 pp.139-140
  9. ^Alan Frederick Charles Ryder.Benin and the Europeans, 1485–1897. Ibadan history series. Humanities Press, 1969. p. 57."'Pano' is Portuguese for cloth... References to the yard measure of cloth as the 'lvara acustumada' suggest that it was by this time accepted in Benin as a standard unit of value; from it are derived the pano, pagne, paan and pawn of later centuries."
  10. ^Emizet F. Kisangani; F. Scott Bobb.Historical Dictionary of the Democratic Republic of the Congo. Issue 112 of Historical dictionaries of Africa. 3rd Edition, Scarecrow Press, 2010.ISBN 9780810857612. pp. 88, 142.
  11. ^"From Urhobo with Love".
  12. ^"Allure of Satin Fabric".
  13. ^"African American Wedding Culture". Archived fromthe original on 2017-12-06. Retrieved2009-04-30.
  14. ^"Royal Purple".
  15. ^"Tinge of Blue".
  16. ^"Black is Beautiful".
  17. ^"Native Robes".

Further reading

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  • Diane Hoyt-Goldsmith (1993).Celebrating Kwanzaa. Holiday House.
  • Ronke Luke-Boone (2001).African Fabrics. Krause Publications.
  • Judith Perani and Norma Wolff (1999).Cloth, Dress, and Art Patronage in Africa Berg.
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