| Woman Alive! | |
|---|---|
| Genre | Variety |
| Original language | English |
| No. of seasons | 3 |
| No. of episodes | 16 |
| Production | |
| Executive producers | Joan Shigekawa Ronnie Eldridge |
| Producers | Susan Lester Candida Harper Joan Fiore Jacqueline Donnet Janis Klein |
| Production location | United States |
| Original release | |
| Network | WNET KERA-TV (pilot) |
| Release | 1974 (1974) – 1977 (1977) |
Woman Alive! was a feminist television show resulting from a collaboration betweenMs. Magazine and Americanpublic television. It consisted of one pilot episode (1974) and two series (1975 and 1977).
In 1974,Ms. Magazine decided that it could reach an even wider audience if they produced a television program.[1] The show was to celebrate women's empowerment by exploring a variety of subjects, including women in politics and sports, job discrimination, and gender differences.[1] The format of the show was meant to mimic a magazine, and featured short documentaries, usually made by independent, women film makers, mixed with short commentaries by and about women, as well as entertainment features of women in the performing arts.[2]
Ms. collaborated with Dallas' public broadcast station,KERA-TV, to create one pilot episode ofWoman Alive!,[1] and went on to collaborate with New York City's public broadcast station,Channel 13, for the following two series produced in 1975 and 1977.[3] All iterations of the show were made possible through a grant from the Corporation for Public Funding.[3]
The initial episode ofWoman Alive! was a one-hour special produced in cooperation with KERA-TV Dallas in 1974.[3] The executive producer wasJoan Shigekawa with associate producers Susan Lester and Candida Harper, and field producer Joan Fiore.
The pilot episode consisted of several short documentaries, comedy sketches, interviews, and entertainment pieces, including: A short documentary about Pat and Charles Sackrey, Texas natives interviewed at their new home inHaydenville, Massachusetts about their attempt to improve their relationship; A consciousness-raising group inDes Moines, Iowa, which includedLouise Noun; An interview withGloria Steinem at the offices of Ms. Magazine; A round-table discussion amongst members of theNational Black Feminist Organization, narrated by Steinem, about their historic first convention; A satirical comedy sketch by feminist comedianLily Tomlin wherein she plays a television psychologist addressing the case of a distraught husband; andMelissa Manchester performing the songs "Home to Myself" and "O Heaven."[4]
The pilot featured working-class women, such asCrystal Lee Jordan [Sutton], and Black women, as it tried to dispel the media representation of the women's movement as white and elitist. One leader of the National Black Feminist Organization criticized the show for marginalizing Black women. Sandra Hollin Flowers wrote that the central episodes—Massachusetts and North Carolina—did not include the “broader representation of that ‘diversity’ we were supposed to have seen.” And the NBFO segment was “totally insufficient”: “There is a great deal more relevance to NBFO … thanWoman Alive! indicated.”[5]
In 1975,Woman Alive! moved to WNET in New York and became a realized television series with ten thirty-minute episodes.[3] The executive producer wasRonnie Eldridge, the producer was Joan Shigekawa, the coordinating producer was Jacqueline Donnet, and the associate producer was Janis Klein.[3]
TheNew York Times reviewed this series, remarking that it was not militantly feminist in nature but rather appealed to a broad audience of American women, and while the New York Times remarked thatWoman Alive! was trite at times, it also praised the show for its "impressive level of effectiveness."[2] The first episode of the 1975 series featured a short documentary calledArmy Wives: Change of Command, filmed by Patricia Sides at the Army base inFort Sill, Oklahoma.[2] The documentary explored the new consciousnesses of Army wives.[2]
In 1977 the show went back on the air in New York through WNET.[3] This series consisted of five episodes, which were sixty-minutes long each.[3] Joan Shigekawa served as both executive producer and producers, while Jacqueline Donnet was coordinating producer and Janis Klein was associate producer.[3] This was the final series of the show, which then went off the air. In 1986, Joan Shigekawa gave the records ofWoman Alive! toSchlesinger Library inCambridge, Massachusetts.[3]
Sue Heinemann. (1996).Timelines of American Women’s History. Berkeley Publishing Group. New York, NY.