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Willie Smith (alto saxophonist)

From Wikipedia, the free encyclopedia
American saxophonist (1910–1967)
Willie Smith
Smith playing a Conn 6M alto saxophone. Photograph by W.P. Gottlieb
Smith playing a Conn 6M alto saxophone. Photograph by W.P. Gottlieb
Background information
Born
William McLeish Smith

November 25, 1910
DiedMarch 7, 1967(1967-03-07) (aged 56)
GenresJazz
OccupationMusician
InstrumentAlto saxophone
Years active1920s–1960s
Musical artist

William McLeish Smith (November 25, 1910 – March 7, 1967)[1] was an American saxophonist and one of the majoralto saxophone players of theswing era. He also played clarinet and sang.

Early life

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Smith was born inCharleston, South Carolina, United States,[1][2] and raised in Charleston and attendedAvery Institute. His first instrument was clarinet, and his education was in chemistry.[3] He received his chemistry degree fromFisk University, anHBCU.[3]

Career

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In 1929, Smith became an alto saxophonist forJimmie Lunceford's band, becoming one of the main stars in the group.[3] In 1940, he led his own quintet as a side project.[4] His success with Lunceford had lost its charms by 1942, as he now wanted more pay and less travel.[3] Smith moved to theCharlie Spivak orchestra for a year, and was in theUnited States Navy for another year.[3] He then switched toHarry James's orchestra, where he made more money, and stayed with him for seven years.[3] After that he worked withDuke Ellington andBilly May.[3] He was also part of the Gene Krupa Trio, and can be heard on the 1952 liveVerve album,The Drum Battle, part of the Jazz at the Philharmonic series (the 'battle' was withBuddy Rich). In 1954, he returned to Harry James's band.[3]

Personal life

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Smith died of cancer on March 7, 1967, inLos Angeles,California, at the age of 56.[3]

Playing style

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Jazz criticJohn S. Wilson described Smith as "one of the triumvirate of great jazz alto saxophonists before Charlie Parker arrived. The other two wereJohnny Hodges, who had a fat, luscious tone, andBenny Carter, a model of clean, pure-toned playing. Stylistically, Smith fell between Carter and Hodges for he combined some of Carter's clarity and singing directness with a variant of Hodges' gut sound."[5]

Discography

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As sideman

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WithLouis Bellson

WithNat King Cole

  • After Midnight (Capitol, 1956)
  • The Piano Style of Nat King Cole (Capitol, 1956)
  • Nat King Cole and Lester Young (Crown, 1964)

WithHarry James

  • Harry James in Hi-fi (Capitol, 1955)
  • Jazz Session (Columbia, 1955)
  • Juke Box Jamboree (Columbia, 1955)
  • More Harry James in Hi-fi (Capitol, 1956)
  • Wild About Harry! (Capitol, 1957)
  • The New James (Capitol, 1958)
  • Harry's Choice! (Capitol, 1958)
  • Harry James and His New Swingin' Band (MGM, 1959)
  • Harry James...Today! (MGM, 1960)
  • The Spectacular Sound of Harry James (MGM, 1961)
  • Harry James Plays Neal Hefti (MGM, 1961)
  • Requests On-the-Road (MGM, 1962)
  • Double Dixie (MGM, 1963)
  • Harry James and His Orchestra 1948–49 (1969)

WithGene Krupa

  • The Exciting Gene Krupa (Clef, 1953)
  • Drum Boogie (Clef, 1956)
  • The Drum Battle (Verve, 1960)

With others

References

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  1. ^abColin Larkin, ed. (1992).The Guinness Who's Who of Jazz (First ed.).Guinness Publishing. p. 372.ISBN 0-85112-580-8.
  2. ^"Yesterday in Afro-American History". (November 27, 1969)Jet. p. 11
  3. ^abcdefghiYanow, Scott"Artist Biography".AllMusic. Retrieved August 14, 2015.
  4. ^"Classic Jazz Guitar - Recordings". Archived fromthe original on 2006-10-16. Retrieved2006-09-26.
  5. ^Wilson, John S. (December 20, 1970) "Billy Taylor's Big Economy Jazz Band".The New York Times. p. 100.

External links

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Studio albums
Live albums
Collaborations
Compositions
by Billy Strayhorn
by Juan Tizol
Orchestra
members
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