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William Grant Still

From Wikipedia, the free encyclopedia
American composer (1895–1978)

William Grant Still
Portrait byMaud Cuney Hare, 1936
Born
William Grant Still Jr.

(1895-05-11)May 11, 1895
DiedDecember 3, 1978(1978-12-03) (aged 83)
Los Angeles, California, U.S.
Education
Occupations
  • Composer
  • conductor
Spouses
Children6
RelativesCeleste Headlee (granddaughter)
Signature

William Grant Still Jr. (May 11, 1895 – December 3, 1978) was an American composer of nearly two hundred works, including fivesymphonies, four ballets, nine operas, and more than thirtychoral works,art songs,chamber music, and solo works. Born in Mississippi and raised inLittle Rock, Arkansas,[1] Still attendedWilberforce University andOberlin Conservatory of Music[2][3] as a student ofGeorge Whitefield Chadwick and then as a student ofEdgard Varèse.[4] Because of his close association and collaboration with prominent African-American literary and cultural figures, Still is considered to be part of theHarlem Renaissance.

Still was the first American composer to have an opera produced by theNew York City Opera.[5] He is known primarily for his first symphony,Afro-American Symphony (1930),[6] which, until 1950,[further explanation needed] was the most widely performed symphony composed by an American.[7] Still often is referred to as the "Dean of Afro-American Composers". He was able to become a leading figure in the field of American classical music as the first African-American to conduct a major Americansymphony orchestra, have a symphony performed by a leading orchestra, have an opera performed by a major opera company, and have an opera performed on national television.[8] The papers of Still and his second wife, the librettist and writerVerna Arvey, are currently held by the University of Arkansas.[9]

Life

[edit]

William Grant Still Jr. was born on May 11, 1895, inWoodville, Mississippi.[1]: 15  He was the son of two teachers,Carrie Lena Fambro Still Shepperson (1872–1927)[10][11] and William Grant Still Sr.[1]: 5  (1871–1895). His father was a partner in a grocery store and performed as a local bandleader.[1]: 5  William Grant Still Sr. died when his infant son was three months old.[1]: 5 

Still's mother and he moved toLittle Rock, Arkansas, where she taught high school English.[1]: 6  In 1904,[10] She met and married Charles B. Shepperson, who nurtured the musical interests of his stepson William by taking him to operettas and buyingRed Seal recordings of classical music that the boy greatly enjoyed.[1]: 6  The two also attended a number of performances by musicians on tour.[12] His maternal grandmother, Anne Fambro,[10] sang African-Americanspirituals to him.[13]: 6, 12 

Still showed a great interest in music and started violin lessons in Little Rock at the age of 15. He taught himself to play theclarinet, saxophone,oboe, double bass, cello, andviola.[14] At 16 years old, he was graduated as class valedictorian fromM. W. Gibbs High School in Little Rock in 1911.[13]: 3 

His mother wanted him to go to medical school, so Still pursued a bachelor of science degree program atWilberforce University, ahistorically black college in Ohio.[15] Still became a member ofKappa Alpha Psi fraternity. He conducted the university band, learned to play various instruments, and started to compose and to perform orchestrations. He left Wilberforce without graduation.[1]: 7 

Using a small amount of money left to him by his father, he began studying at theOberlin Conservatory of Music.[3] Still worked for the school assisting the janitor and at a few small jobs outside of the school, but struggled financially.[3] When Professor Lehmann asked him why he wasn't studying composition, Still replied that he simply couldn't afford to. When this became known, George Whitfield Andrews[16] taught composition to Still, without charge.[3] He also was able to study privately with the modern French composerEdgard Varèse and the American composerGeorge Whitefield Chadwick.[4]: 249 [10]

2012 photograph of the historically designated,
William Grant Still Residence, South Victoria Avenue in Los Angeles, California

On October 4, 1915,[10] Still married Grace Bundy, whom he had met while they were both at Wilberforce.[1]: 1, 7  They had a son, William III, and three daughters, Gail, June, and Caroline.[10] They separated in 1932 and divorced February 6, 1939.[10]

Still had moved to Los Angeles after receiving his first fellowship in 1934.[17]

On February 8, 1939, he married pianistVerna Arvey. They drove toTijuana for the ceremony because at the time, 'interracial' marriage was illegal in California.[1]: 2 [10] They had two children, a daughter, Judith Anne, and a son, Duncan.[1]: 2 [10]Celeste Headlee, a broadcastjournalist, an author, a classically trained soprano, and daughter to Judith Anne, is Still'sgranddaughter.

On December 1, 1976, Still's home at 1262 Victoria Avenue inOxford Square, Los Angeles was designated as Los Angeles Historic-Cultural Monument #169.[18]

He died in Los Angeles in 1978.

Career

[edit]

In 1916, Still worked in Memphis forW.C. Handy's band.[10] He then joined the United States Navy to serve in World War I in 1918, and eventually moved toHarlem after the war, where he continued to work for Handy.[10] During this time, Still was involved with many cultural figures of the Harlem Renaissance including the likes ofLangston Hughes,Alain Locke,Arna Bontemps, andCountee Cullen.[9]

William Grant Still 1949 portrait byCarl Van Vechten

He recorded withFletcher Henderson's Dance Orchestra in 1921,[19]: 85  and later played in thepit orchestra forNoble Sissle andEubie Blake's musical,Shuffle Along[1]: 4  and another pit withSophie Tucker,Artie Shaw, andPaul Whiteman.[20] Under Henderson, he joinedHenry Pace's Pace Phonograph Company, known asBlack Swan Records.[21] Later in the 1920s, Still served as the arranger ofYamekraw, a "Negro Rhapsody", composed by theHarlem stride pianist,James P. Johnson.[22]

In the 1930s, Still worked as an arranger of popular music, composing works for popularNBC Radio broadcasts such asWillard Robison'sDeep River Hour and Paul Whiteman'sOld Gold Show.[20]

Still's first major orchestral composition,Symphony No. 1 "Afro-American", was performed in 1931 by theRochester Philharmonic, conducted byHoward Hanson.[10] It was the first time the complete score of a work by an African American was performed by a major orchestra.[10] By the end of World War II, the piece had been performed in orchestras located in New York, Chicago, Los Angeles, Berlin, Paris, and London.[10] The symphony was arguably the most popular of any composed by an American to that time.[23] As a result of his close professional relationship with Hanson, many of Still's compositions were performed for the first time in Rochester.[10]

In 1934, Still moved to Los Angeles after receiving his firstGuggenheim Fellowship,[17] allowing him to start work on the first of his nine operas,Blue Steel.[24] Two years later, Still conducted theLos Angeles Philharmonic Orchestra at the Hollywood Bowl, the first African American to conduct a major American orchestra in a performance of his own works.[25][20]

Still arranged music for films such asPennies from Heaven, starringBing Crosby andMadge Evans, andLost Horizon, starringRonald Colman,Jane Wyatt andSam Jaffe,.[10] For the latter, he arranged the music ofDimitri Tiomkin. Still was also hired to arrange music for the 1943 filmStormy Weather, but left because "Twentieth-Century Fox 'degraded colored people.'"[10]

For the1939 New York World's Fair, Still composedSong of a City for the exhibit "Democracity,"[26] which played continuously during the fair's run.[26] Despite writing music for the fair, he was unable to attend the fair without police protection except on "Negro Day".[27]

A decade after its original composition, his operaTroubled Island aboutJean-Jacques Dessalines and Haiti, was performed in 1949 by theNew York City Opera.[10] It is the first opera by an American to be performed by the company.[28] It also is the first opera by an African American to be performed by a major company.[25] Still was, however, upset by the negative reviews it received.[10]

Still's works were performed internationally by theBerlin Philharmonic Orchestra, theLondon Symphony Orchestra, theTokyo Philharmonic Orchestra, and theBBC Orchestra.[29]

Still was the first African American to conduct a major orchestra in theDeep South, doing so in 1955, where he conducted the New Orleans Philharmonic Orchestra.[25]

He died in Los Angeles in 1978. Three years after his death,A Bayou Legend became the first opera by an African-American composer to be performed on national television.[30]

Legacy and honors

[edit]

Selected compositions

[edit]

Still composed almost 200 works, including nine operas,[38]: 200  five symphonies,[38]: 200  four ballets,[39] plus art songs, chamber music, and works for solo instruments.[10] He composed more than thirty choral works.[20] Many of his works are believed to be lost.[10]: 278 

[46]

See also

[edit]

References

[edit]
  1. ^abcdefghijklStill, Judith Anne; Dabrishus, Michael J.; Quin, Carolyn L. (1996).William Grant Still: A Bio-Bibliography. Westport, Connecticut: Greenwood Press.ISBN 978-0-313-25255-6.OCLC 65339854.
  2. ^abcdefghijklmnoSoll, Beverly (2005).I Dream a World: The Operas of William Grant Still. University of Arkansas Press.ISBN 978-1-55728-789-2.
  3. ^abcd"William Grant Still".publishing.cdlib.org. RetrievedNovember 14, 2020.
  4. ^abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakalamanaoapaqarasatHorne, Aaron (1996).Brass Music of Black Composers: A Bibliography. Greenwood Publishing Group.ISBN 978-0-313-29826-4.
  5. ^Shirely, Wayne.Two Aspects of Troubled Island(PDF). American Music Research Centre. Archived fromthe original(PDF) on September 9, 2023.
  6. ^Thurman, Kira (August 27, 2021)."When Europe Offered Black Composers an Ear – Spurned by institutions in America, artists were sometimes given more opportunities across the Atlantic".The New York Times. RetrievedAugust 27, 2021.
  7. ^"Biographical Sketch of William Grant Still".library.duke.edu. RetrievedMarch 3, 2024.
  8. ^Woolfe, Zachary (September 23, 2021)."A Black Composer Finally Arrives at the Metropolitan Opera".The New York Times. RetrievedSeptember 23, 2021.
  9. ^abMurchison, Gayle (1994). ""Dean of Afro-American Composers" or "Harlem Renaissance Man": "The New Negro" and the Musical Poetics of William Grant Still".The Arkansas Historical Quarterly.53 (1):42–74.doi:10.2307/40030871.ISSN 0004-1823.JSTOR 40030871.
  10. ^abcdefghijklmnopqrstuvwxyzaaabacWhayne, Jeannie M. (2000).Arkansas Biography: A Collection of Notable Lives. University of Arkansas Press. pp. 262,276–278.ISBN 978-1-55728-587-4.
  11. ^"Fraternal gathering". February 24, 2019.
  12. ^Smith, Catherine Parson (2000).William Grant Still: A Study in Contradictions. Berkeley, CA: University of California Press. p. 307.
  13. ^abSmith, Catherine Parsons (2008).William Grant Still. University of Illinois Press.ISBN 978-0-252-03322-3.
  14. ^Still, Dabrishus & Quin 1996, pp. 16–17.
  15. ^William Grant Still at theEncyclopædia Britannica
  16. ^"George Whitfield Andrews". RetrievedSeptember 9, 2023.
  17. ^abc"William Grant Still".John Simon Guggenheim Foundation. Archived fromthe original on September 25, 2020. RetrievedJanuary 7, 2020.
  18. ^ab"Historic-Cultural Monument (HCM) Report".Cityplanning.lacity.org. Department of City Planning, City of Los Angeles. Archived fromthe original on August 17, 2011. RetrievedJanuary 20, 2020.
  19. ^Gibbs, Craig Martin (2012).Black Recording Artists, 1877-1926: An Annotated Discography. McFarland.ISBN 978-0-7864-7238-3.
  20. ^abcdeGriggs-Janower, David (1995). "The Choral Works of William Grant Still".The Choral Journal.35 (10):41–44.ISSN 0009-5028.JSTOR 23550334.
  21. ^Smith, Jessie Carney (December 1, 2012).Black Firsts: 4,000 Ground-Breaking and Pioneering Historical Events. Visible Ink Press.ISBN 978-1-57859-425-2.
  22. ^Willa Rouder (2001). "Johnson, James P(rice)".Grove Music Online (8th ed.).Oxford University Press.doi:10.1093/gmo/9781561592630.article.14409.ISBN 978-1-56159-263-0.
  23. ^Borroff, Edith,"Biographical Sketch of William Grant Still". Duke University Libraries.
  24. ^Southern, Eileen, and William Grant Still. "William Grant Still." The Black Perspective in Music, vol. 3, no. 2, 1975, pp. 172–173
  25. ^abc"William Grant Still, 1895–1978".The Library of Congress. RetrievedApril 19, 2018.
  26. ^ab"Music From The 1939 World's".NPR.org. RetrievedJanuary 20, 2020.
  27. ^"A2Schools.org: PRI Co-Host Celeste Headlee, Conductor John McLaughlin Williams & Singer Daniel Washington in Ann Arbor Jan. 13".AfriClassical. January 16, 2012. RetrievedJanuary 20, 2020.
  28. ^Shirley, Wayne,"Two Aspects ofTroubled Island",American Music Research Center Journal, 2013.
  29. ^Eliza (September 13, 2023)."William Grant Still: 13 Facts About the Great American Composer". RetrievedFebruary 2, 2024.
  30. ^Oglesby, Meghann (February 15, 2018)."Black History Spotlight: William Grant Still".www.classicalmpr.org. RetrievedJanuary 20, 2020.
  31. ^Schiff, Zina (May 2022).Still: Summerlanc – Violin Suite – Pastorela – American Suite (CD). Naxos. Naxos Catalog No. 8.559867.
  32. ^"Awards – Citation of Merit".www.muphiepsilon.org. RetrievedOctober 17, 2022.
  33. ^"William Grant Still Residence".HistoricPlacesLA. Office of Historic Resources, Department of City Planning. RetrievedJanuary 19, 2020.
  34. ^abBorroff, Edith (2021)."Biographical Sketch of William Grant Still".Duke University. RetrievedSeptember 12, 2021.
  35. ^abStaff (2021)."African American Composer William Grant Still is Born".University of Richmond. RetrievedSeptember 13, 2021.
  36. ^Still, Dabrishus & Quin 1996, p. [page needed].
  37. ^Still, William Grant; Adams, Wellington (1937).Twelve Negro spirituals. Handy Brothers Music Co.OCLC 320893340.
  38. ^abKirk, Elise Kuhl (2001),American Opera, pp. 200–204. University of Illinois Press.ISBN 0252026233
  39. ^abc"William Grant Still, African American Composer, Arranger & Oboist".chevalierdesaintgeorges.homestead.com. RetrievedOctober 31, 2018.
  40. ^Staff (2021)."Happy birthday, William Grant Still".Celeste Headlee. RetrievedFebruary 23, 2021.
  41. ^abSmith, Catherine Parson (2000).William Grant Still: A Study in Contradictions. Berkeley, California: University of California Press. p. 310.
  42. ^Staff (2019)."Hesitating Blues, The – W C Handy (arr. William Grant Still)". The Wind Repertory Company. RetrievedFebruary 23, 2021.
  43. ^Smith, Catherine Parson (2000).William Grant Still: A Study in Contradictions. Berkeley, California: University of California Press. p. 224.
  44. ^"Still, W. S.: Symphonies Nos. 2, "Song of a New Race" and 3, "The Sunday Symphony" / Wood Notes (Fort Smith Symphony, Jeter) – 8.559676".www.naxos.com. RetrievedOctober 31, 2018.
  45. ^Walls, Seth Colter (May 28, 2021)."A Black Composer's Intense Opera Gets a Rare Staging – William Grant Still's one-actHighway 1, U.S.A. runs in St. Louis through June 17".The New York Times. RetrievedMay 30, 2021.
  46. ^Gregory, Berg (September–October 2022)."Shall We Gather".Journal of Singing.79 (1):128–129.

Sources

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Further reading

[edit]
  • Reef, Catherine (2003).William Grant Still: African American Composer. Morgan Reynolds.ISBN 1-931798-11-7
  • Sewell, George A., and Margaret L. Dwight (1984).William Grant Still: America's Greatest Black Composer. Jackson: University Press of Mississippi
  • Southern, Eileen (1984).William Grant Still – Trailblazer. Fayetteville: University of Arkansas Press.
  • Still, Verna Arvey (1984).In One Lifetime. Fayetteville: University of Arkansas Press.
  • Still, Judith Anne (2006).Just Tell the Story. The Master Player Library.
  • Still, William Grant (2011).My Life My Words, a William Grant Still autobiography. The Master Player Library.

External links

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Operas (9)
Ballets (4)
Symphonies (5)
Concertos
Piano
Orchestra works
Chamber music
Piano music
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