William Froug | |
|---|---|
| Born | (1922-05-26)May 26, 1922 Brooklyn, New York, U.S. |
| Died | August 25, 2013(2013-08-25) (aged 91) Sarasota, Florida, U.S. |
| Occupation(s) | Radio writer-producer, Television writer-producer, author, professor |
| Known for | |
| Military career | |
| Allegiance | United States |
| Branch | .svg) United States Navy |
| Years of service | 1943–1946 |
| Rank |  LTJG |
William Froug (May 26, 1922 – August 25, 2013) was an American television writer and producer. His producing credits included the seriesThe Twilight Zone,Gilligan's Island, andBewitched. He was a writer for, among other shows,The Dick Powell Show,Charlie's Angels, andAdventures in Paradise. He authored numerous books on screenwriting, includingScreenwriting Tricks of the Trade,Zen and the Art of Screenwriting I and II, The Screenwriter Looks at The Screenwriter, andHow I Escaped from Gilligan's Island: Adventures of a Hollywood Writer-Producer, published in 2005 by the University of Wisconsin Press.[1]
One of Froug's students, actor and screenwriterDan O'Bannon, included a reference to Froug in the 1974 filmDark Star. O'Bannon's character, Sergeant Pinback, claims that his real name is "Bill Froug".[2][better source needed]
William Froug was born inBrooklyn, New York in 1922 and placed for adoption through the Louise Wise agency there. Soon after, he was adopted by William and Rita Froug ofLittle Rock, Arkansas where he spent his childhood before the family moved toTulsa, Oklahoma (Froug's Department Stores). He graduated from Little Rock Senior High School in 1939. The family home of Froug's grandfather, Abraham Froug, has been preserved as a historic home and is located adjacent to the Governor's Mansion in the Little Rock Historic District.[citation needed]
Froug attended and graduated from the renownedMissouri School of Journalism at theUniversity of Missouri in 1943 before enlisting in theU.S. Navy. He was selected for theV-7 Navy College Training Program atColumbia University and graduated as one of the "90 Day Wonders".[citation needed]
He served as an officer aboard a subchaser stationed at Pearl Harbor before taking command of his own ship,USS PC800, in 1945 at Eniwetok Atoll.[3]
After his honorable discharge in 1946, he set to work on his passion and gift for writing. He sold his first novella toTrue Detective Magazine in 1946. He then moved into radio writing and was Vice President of Programs at CBS Radio Hollywood by 1956.
Among his radio work, Froug produced, directed, and adapted for CBS Radio, Aldous Huxley'sBrave New World, which is listed as one of the 50 greatest radio programs of the 20th century. He transitioned into television adapting one of his radio scripts into an episode ofThe Jane Wyman Show in 1955. In the 1958–59 awards period he won both anEmmy and a Producer of the Year award for theAlcoa-Goodyear Theatre production ofEddie. He was also nominated for the Producer of the Year award by theProducers Guild of America for his work onMr. Novak,Playhouse 90 andThe Twilight Zone.[4]
As a writer-producer he went on to write numerous optioned screenplays, one of which was bought by 3 different studios, and wrote and/or produced for such iconic television series asAdventures in Paradise,The Twilight Zone,Bewitched andGilligan's Island.James Michener sent him a telegram congratulating him on the script he wrote forAdventures in Paradise, "Angel of Death," calling it, "A real achievement."
His shows were called must-see TV for millions of viewers and fans. He wrote more than 200 scripts for other series' such asBonanza,Quincy M.E.,Paper Chase andCharlie's Angels, among other top shows. The pilot for which he served as a producer,Adam's Rib, was accepted into the permanent collection of the Museum of Broadcasting in New York.[5]
Froug was nominated for another Emmy as producer onBewitched, became executive producer in charge of drama at CBS, and began lecturing at USC's film school before leaving for UCLA as an adjunct professor.[citation needed] He authored numerous books on screenwriters and screenwriting and continued in leadership positions with the Writers Guild of America West and Producers Guild of America. In 1987 Froug was honored with the prestigious Valentine Davies Award from the Writers Guild of America, West.[citation needed]
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As a tenured professor at UCLA, he revamped the screenwriting program and taught select graduate level courses. In a 1976 interview for theLos Angeles Times, Froug was quoted as saying. "I often tell my students at the first class that if one of them ever sells a screenplay, it will be a minor miracle".
By that time, he had taught more than 500 students at USC and UCLA and said he guessed that fewer than 10 percent of those students would be able to make a career in film, let alone screenwriting. Froug retired from UCLA in 1987.
As an author, Froug's books were used as textbooks in film schools around the world. InThe Ultimate Writer's Guide to Hollywood, author Skip Press describes Froug'sScreenwriting Tricks of the Trade as "one of the best screenwriting books I've ever read" and listed the book in hisTop 10 Hollywood Reads.
In 2011, Froug was selected as one of the Emmy Legends of Television by the Archive of American Television. His interview is available online at EmmyLegends.org
The UCLA Film and Television Archives hold many of his scripts, interviews and legacy items. The UCSB Special Collection Library holds his extensive research documents on the "Oklahoma Run" which he used for a proposed series,El Dorado.
William Froug was a political and social activist and served on the boards of both theWriters Guild of America, West and Producers Guild of America. In addition, he was a founding member of "The Caucus for Producers, Writers and Directors" for which he served as both chair and co-chair over the years. Froug died at the age of 91 in August 2013 inSarasota, Florida.[6]
Roger Ebert once wrote of Froug, "I know an old writer. His name is William Froug, he lives in Florida and if you look him up on Amazon, you will see he is still writing brilliant and useful books about screenwriting and teleplays. He is not merely as sharp as a tack, he is the standard by which they sharpen tacks. If he had been advising the kid [younger actor from the movie 'The Man in the Chair'], the kid would have made a better movie, and if he had been advising the director of 'The Man in the Chair,' we would have been spared the current experience. Just because you're old doesn't mean you have to be a decrepit caricature. One thing that keeps Froug young is that, unlike Flash Madden, he almost certainly does not sit on an expressway overpass guzzling Jack Daniels from a pint bottle."[7]
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