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William Cameron Menzies

From Wikipedia, the free encyclopedia
American filmmaker and production designer (1896-1957)

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This articleis missing information about Menzies life, career, and filmmaking style. Please expand the article to include this information. Further details may exist on thetalk page.(October 2025)
William Cameron Menzies
Menzies in 1925
Born(1896-07-29)July 29, 1896
DiedMarch 5, 1957(1957-03-05) (aged 60)
EducationYale University,University of Edinburgh
Occupation(s)Production designer,film director
Years active1917–1956
AwardsAcademy Award for Best Art Direction
1928The Dove ;Tempest
Academy Honorary Award
1939Gone with the Wind

William Cameron Menzies (July 29, 1896 – March 5, 1957) was an Americanfilmmaker who pioneered the discipline ofproduction design, a job title he invented.[1][2] His career spanned five decades, during which time he also worked as anart director,director, producer, andspecial effects artist. He began his career during thesilent era, and later pioneered the use of color in film for dramatic effect.[2]

Over the course of his career, Menzies was nominated for sixAcademy Awards and won two - one forBest Art Direction, and anHonorary Oscar for his work onGone with the Wind. He is considered one of the most influential figures of theGolden Age of Hollywood,[3] described byMartin Scorsese as a “genius, [whose] influence was incalculable.”[4]

Early years

[edit]

Menzies was born inNew Haven, Connecticut,[5] toScottish immigrant parents, Charles A. and Helen originally fromAberfeldy,Perth and Kinross. He studied atYale and theUniversity of Edinburgh and, after serving in theUnited States Army duringWorld War I, he attended theArt Students League of New York.

Career

[edit]

Menzies joinedFamous Players–Lasky, later to evolve intoParamount Pictures, working in special effects and design. He soon worked on such films asRobin Hood (1922),The Thief of Bagdad (1924),The Bat (1926),The Dove (1927),Sadie Thompson (1928), andTempest (1928). His contributions toThe Dove (1927), as well asTempest (1928) led to Menzies receiving the first Academy Award for Best Production Design, an accolade for achievement in art direction. In 1929, Menzies formed a partnership with producerJoseph M. Schenck to create a series of early sound short films visualizing great works of music, including a 10-minute version of Dukas'sThe Sorcerer's Apprentice, and created the production design and special effects for Schenck's feature filmThe Lottery Bride (1930).

Menzies's work onThe Adventures of Tom Sawyer (1938) promptedDavid O. Selznick to hire him forGone with the Wind (1939).[6] Selznick's faith in Menzies was so great that he sent a memorandum to everyone atSelznick International Pictures who was involved in the production reminding them that "Menzies is the final word" on everything related toTechnicolor,scenic design,set decoration, and the overall look of the production.[7] His work on the film would also net Menzies anHonorary Academy Award "for outstanding achievement in the use of color for the enhancement of dramatic mood."[8]

"Production designer" (which is sometimes used interchangeably with "art director") was coined specifically for Menzies, to refer to his being the final word on the overall look of the production; it was intended to describe his ability to translate Selznick's ideas to drawings and paintings from which he and his fellow directors worked.[citation needed]

Menzies was the director of theburning of Atlanta sequence inGone with the Wind. He also re-shot theSalvador Dalí dream sequence of Alfred Hitchcock'sSpellbound (1945).[9]

In addition, Menzies directed dramas and fantasy films. He made two science-fiction films:Things to Come (1936), basedon a novel byH.G. Wells, for producerAlexander Korda which predicted war and technical advancement; andInvaders from Mars (1953), which mirrored many fears about aliens and outside threats to humanity in the 1950s.

Death

[edit]

Shortly after completing his work as an associate producer onAround the World in 80 Days (1956), Menzies died of cancer. He was interred in theForest Lawn Memorial Park Cemetery inGlendale, California.

Accolades

[edit]

At thefirst Academy Awards, held on May 16, 1929, Menzies won forBest Art Direction forThe Dove andTempest. He was the first to win the Academy Award for art direction. The following year he was nominated in the same categories for his work onBulldog Drummond,Alibi, andThe Awakening, but lost toCedric Gibbons.

At the12th Academy Awards held on February 29, 1940, Menzies won anAcademy Honorary Award "for outstanding achievement in the use of color for the enhancement of dramatic mood" in the production ofGone With the Wind.

Legacy

[edit]

In 2005, Menzies was in the first group of art directors and production designers inducted into theArt Directors Guild Hall of Fame.[10]

Several of Menzies home movies are part of the collection of theAcademy Film Archive and were preserved by the archive in 2015.[11]

Filmography

[edit]

Silent Films, 1918-1930

[edit]
YearTitleStudioDirectorPhotographyNotes
1917The Mark of CainAstra Film/PathéGeorge FitzmauriceArthur C. MillerMenzies assistant to "Settings" directorAnton Grot
1918The NaulahkaAstra Film/PathéGeorge FitzmauriceArthur C. MillerMenzies set associate toAnton Grot
InnocentAstra Film Corp/PathéGeorge FitzmauricePercy HilburnWithAnton Grot; Menzies joined the U.S. Navy before the film's completion.
1919The Test of HonorFamous Players–Lasky/Paramount PicturesJohn S. RobertsonJacques MonteranMenzies reports this "a movie I have staged" (uncredited)
RedheadSelect Pictures Corp./Select Film Corp.Charles MaigneAl LiguoriMenzies reports this "a movie I have staged." (uncredited)
Come Out of the KitchenFamous Players–Lasky/Paramount PicturesJohn S. RobertsonJacques MonteranMenzies reports this "a movie I have staged." (uncredited)
The AvalancheFamous Players–Lasky/Artcraft PicturesGeorge FitzmauriceArthur C. MillerFitzmaurice is credited with set design. Menzies' reports "staging" the picture. (uncredited)
The Firing LineFamous Players–Lasky/Paramount Pictures-ArtcraftGeorge FitzmauriceAl LiguoriMenzies reports this "a movie I have staged." (uncredited)
His Wedding NightSelect Pictures Corp./Select Pictures Corp.George FitzmauriceJacques MonteranMenzies reports this "a movie I have staged." (uncredited)
A Society ExileFamous Players–Lasky/Artcraft PicturesGeorge FitzmauriceArthur C. MillerMenzies reports this "a movie I have staged." (uncredited)
The Misleading WidowFamous Players–Lasky/Paramount Pictures-ArtcraftJohn S. RobertsonRoy OverbaughMenzies reports this "a movie I have staged." (uncredited)
The Witness for the DefenseFamous Players–Lasky/Paramount Pictures-ArtcraftGeorge FitzmauriceHal YoungMenzies credited for "Settings"
The Teeth of the TigerFamous Players–Lasky/Paramount Pictures-ArtcraftChet WitheyAl LiguoriMenzies credited for "Settings"
His Wife's FriendThomas H. Ince/Paramount Pictures-ArtcraftJoseph De GrasseJohn S. StumarMenzies reports this "a movie I have staged [art direction]." (uncredited)
1920SinnersRealart Pictures Inc./Realart Pictures Inc.Kenneth WebbGeorge FolseyMenzies reports this "a movie I have staged [art direction]." (uncredited)
Dr. Jekyll and Mr. HydeFamous Players–Lasky/Paramount Pictures-ArtcraftJohn S. RobertsonRoy OverbaughMenzies provided a draft summary for the film.(uncredited)
The Deep PurpleMayflower Photoplay Company/Realart Pictures Inc.Raoul WalshJacques BizeulMenzies credited for "Settings"
1921Scrambled WivesMargaret Clark Productions/First National PicturesEdward H. GriffithWilliam McCoy,Ray JuneMenzies reports this "a movie I have staged [art direction]." (uncredited)
The OathMayflower Photoplay Corp/Associated First NationalRaoul WalshDal ClawsonMenzies credited for "Settings"
SerenadeR.A.Walsh Productions/Associated First NationalRaoul WalshGeorge PetersMenzies credited for "Settings"
1922Kindred of the DustR.A.Walsh Productions/Associated First NationalRaoul WalshCharles Van Enger,H. Lyman BroeningMenzies credited for "Settings"
1923RositaMary Pickford Company/United ArtistsErnst LubitschCharles RosherMenzies credited as "Art Director"
1924The Thief of BagdadDouglas Fairbanks| Pictures/United ArtistsRaoul WalshArthur EdesonMenzies credited as "Art Director"
The Only WomanJoseph M. Schenck Productions/First National PicturesSidney OlcottAntonio GaudioMenzies credited for "Settings"
Her Night of RomanceNorma Talmadge Production Corporation/First National PicturesSidney FranklinRay Binger,Victor MilnerMenzies credited for "Art Direction"
1925The LadyJoseph M. Schenck Productions/First National PicturesFrank BorzageAntonio GaudioMenzies credited for "Settings"
Learning to LoveNorma Talmadge Production Corporation]]/First National PicturesSidney FranklinVictor MilnerMenzies credited for "Settings"
Her Sister from ParisNorma Talmadge Production Corporation/First National PicturesSidney FranklinArthur EdesonMenzies credited as "Art Director"
GraustarkJoseph M. Schenck Productions/First National PicturesDimitri BuchowetzkiGaetana GaudioMenzies credited for "Settings"
The Dark AngelSamuel Goldwyn Productions/First National PicturesGeorge FitzmauriceGeorge BarnesMenzies credited for "Settings"
The EagleArt Finance Corporation/United Artists]Clarence BrownGeorge BarnesMenzies credited for "Settings"
CobraRitz-Carlton Pictures/Paramount PicturesJoseph HenaberyGeorge BarnesMenzies credited for "Settings"
1926The WandererFamous Players–Lasky/Paramount PicturesRaoul WalshVictor MilnerMenzies credited for "Settings"
The BatFamous Players–Lasky/Paramount PicturesRoland WestArthur EdesonMenzies credited for "Settings"
KikiJoseph M. Schenck Productions/First NationalClarence BrownOliver MarshMenzies credited for "Settings"
The Son of the SheikFeature Productions/United ArtistsGeorge FitzmauriceGeorge BarnesMenzies credited for "Settings"
Fig Leaves20th Century FoxHoward HawksJoseph AugustMenzies andWilliam S. Darling credited for "Settings" Menzie's contribution was only to the Garden of Eden sequence at opening of the picture.
The Duchess of BuffaloTalmadge Production Corporation/First National PicturesSydney FranklinOliver MarshMenzies credited as "Art Director"
1927The Beloved RogueFeature Productions/United ArtistsAlan CroslandJoseph AugustMenzies credited as "Art Director"
Venus of VeniceTalmadge Production Corporation/First National PicturesMarshall NeilanGeorge BarnesMenzies credited as "Art Director"
CamilleJoseph M. SchenckProductions/First National PicturesFred NibloOliver MarshMenzies credited as "Art Director"
Topsy and EvaFeature Productions/United Artists]Del Lord,D. W. Griffith (uncredited)John W. BoyleMenzies credited as "Art Director"
Two Arabian KnightsThe Caddo Company/United ArtistsLewis MilestoneAntonio Guidio,Joseph August (uncredited)Menzies credited as "Art Director"
Sorrell and SonJoseph M. Schenck Productions/First National PicturesHerbert BrenonJames Wong HoweMenzies credited as "Art Director"
Quality StreetJoseph M. Schenck Productions/First National PicturesSydney FranklinHendrik SartovMenzies uncredited, but designed the film's Green Willow Village on the M-G-M lot.
The DoveJoseph M. Schenck Productions/First NationalRoland WestOliver MarshMenzies credited for "Settings"
1928Sadie ThompsonGloria Swanson Productions, Inc./United ArtistsRaoul WalshOliver MarshMenzies credited as "Art Director"
What Price Beauty?S. George Ulman Productions/PatheTom BuckinghamJ.D. JenningsMenzies credited as "Art Director"
Drums of LoveFeature Productions/United ArtistsD. W. GriffithKarl Struss,G.W. BitzerMenzies credited for "Settings"
"The Garden of EdenFeature Productions/United ArtistsLewis MilestoneJohn Arnold (Technicolor sequence)Menzies credited as "Art Director"
The Love of ZeroFlorey-Menzies Productions/(first Los Angeles showing)Robert FloreyEdward FitzgeraldMenzies credited with "Staging"
Drums of LoveFeature Productions/United ArtistsJohn W. Considine Jr.Charles RosherMenzies credited as "Art Director"
The Woman DisputedJoseph M. Schenck Productions/United ArtistsHenry King,Sam TaylorOliver MarshMenzies credited as "Art Director"
The Battle of the SexesArt Cinema Corporation/United ArtistsD. W. GriffithKarl Struss,G.W. BitzerMenzies credited for "Settings"
RevengeEdwin Carewe Productions/United ArtistsEdwin CareweAlbert Kurrie,Alfred E. GreenMenzies credited as "Art Director"
The AwakeningSamuel Goldwyn Productions/United ArtistsVictor FlemingGeorge BarnesMenzies credited as "Art Director""
1929The RescueSamuel Goldwyn Productions/United ArtistsHerbert BrenonGeorge Barnes,Joseph F. BirocMenzies credited as "Art Director""
Lady of the PavementsArt Cinema Corporation/United ArtistsD. W. GriffithKarl Struss,G.W. BitzerMenzies credited for "Settings" Released in an 8-reel silent version
CoquetteMary Pickford Film Corporation]/United ArtistsSam TaylorKarl StrussMenzies credited for "Settings"; silent version planned, Pickford cancelled it
AlibiFeature Productions/United ArtistsRoland WestRay JuneMenzies credited as "Art Director""; released in 8-reel silent version
This is HeavenSamuel Goldwyn Productions/United ArtistsAlfred SantellGeorge Barnes,Gregg TolandMenzies credited as "Art Director""
Bull DrummondSamuel Goldwyn Productions/United ArtistsF. Richard JonesGeorge Barnes,Gregg TolandMenzies credited for "Settings""; released in 7-reel silent version
Three Live GhostsFeature Productions/United ArtistsThornton FreelandRobert PlanckMenzies credited as "Art Director""
Impressions of Tchaikovsky's Overture 1812Feature Productions/United ArtistsHugo Riesenfeld (producer)Karl StrussMenzies credited with "Pictorial Effects"
The Taming of the ShrewMary Pickford Corporation, Elton Corporation/United ArtistsSam TaylorKarl StrussMenzies credited as "Art Director"
The Locked DoorFeature Productions/United ArtistsGeorge FitzmauriceRay JuneMenzies credited with "Settings"
CondemnedSamuel Goldwyn Productions/United ArtistsWesley RugglesGeorge BarnesMenzies credited with "Settings"; also released in an 8-reel silent version
Irish FantasyFeature Productions/United ArtistsOrville O. DullPaul PerryMenzies credited as "Producer" (withHugo Riesenfeld)
New York NightsJoseph M. Schenck Productions/United ArtistsLewis MilestoneRay JuneMenzies credited as "Art Director""; released in 8-reel silent version
1930LummoxFeature Productions/United ArtistsHerbert BrenonKarl StrussMenzies credited with "Settings"

Sound Era: 1930-1955

[edit]
YearTitleStudioDirectorPhotographyNotes
1930Glorious VampsFeature Productions/United ArtistsOrville O. DullRobert PlanckMenzies credited as "Producer" (withHugo Riesenfeld)
Be Yourself!Joseph M. Schenck Productions/United ArtistsThornton FreelandKarl StrussMenzies credited as "Associate Producer" (with John W. Considine Jr.) and for "Settings"
Puttin' on the RitzJoseph M. Schenck Productions/United ArtistsEdward SlomanRay JuneMenzies credited as "Associate Producer" (with John W. Considine Jr.) and for "Settings"
The Wizard's ApprenticeFeature Productions/United ArtistsSydney LeveeAlfred SchmidtMenzies credited as "Producer" with John W. Considine Jr.
One Romantic NightJoseph M. Schenck Productions/United ArtistsPaul S. SteinKarl StrussMenzies credited for "Settings"
The Bad OneJoseph M. Schenck Productions/United ArtistsGeorge FitzmauriceKarl StrussMenzies credited as "Art and Technical Director"
Hungarian RhapsodyFeature Productions/United ArtistsEugene FordeRobert PlanckMenzies credited as "Producer" (withHugo Riesenfeld)
RafflesSamuel Goldwyn Productions/United ArtistsHarry d'Abbadie d'Arrast,George FitzmauriceGeorge Barnes,Gregg TolandMenzies credited for "Art Direction"
Forever YoursMary Pickford Film Corporation/never distributedMarshall NeilanKarl StrussMenzies credited as "Art Director"; project abandoned after 6 weeks of shooting. Reshot asSecrets in 1933
ZampaFeature Productions/United ArtistsEugene FordeKarl StrussMenzies credited as "Producer" (withHugo Riesenfeld)
Du Barry, Woman of PassionFeature Productions/United ArtistsSam TaylorOliver MarshMenzies credited with "Settings"
The Lottery BrideJoseph M. Schenck Productions/United ArtistsPaul L.SteinRay JuneMenzies credited with "Settings and Effects"
Abraham LincolnFeature Productions/United ArtistsD. W. GriffithKarl StrussMenzies credited with "Settings"
1931Reaching for the MoonFeature Productions/United ArtistsEdmund GouldingRay June, Robert PlanckMenzies credited with "Settings"
KikiFeature Productions/United ArtistsEarle BrowneKarl StrussMenzies credited with "Settings"
Always Goodbye20th Century FoxWilliam Cameron Menzies,Kenneth MacKennaArthur EdesonMenzies credited only as co-director,William S. Darling for Art Direction
The Spider20th Century FoxWilliam Cameron Menzies,Kenneth MacKennaJames Wong HoweMenzies credited as co-director,Gordon Wiles for Art Direction
1932Almost Married20th Century FoxWilliam Cameron Menzies,Marcel VarnelJohn J. MescallMenzies credited as co-director,Gordon Wiles for Art Direction
Chandu the Magician20th Century FoxMarcel Varnel, William Cameron MenziesJames Wong HoweMenzies credited as co-director,Max Parker for Art Direction
1933Cavalcade20th Century FoxFrank Lloyd, William Cameron MenziesErnest PalmerMenzies credited with directing "War Scenes",William Darling for Art Direction
Trick for Treat20th Century FoxHamilton MacFaddenO. W. O'ConnellMenzies credited for "Technical Effects",Duncan Cramer for Art Direction
I Loved You Wednesday20th Century FoxHenry King, William Cameron MenziesHal MohrMenzies credited as co-director,Joseph C. Wright for Art Direction
Alice in WonderlandParamount Pictures/Paramount PicturesNorman Z. McLeod, William Cameron Menzies (uncredited)Harry Sharp,Bert GlennonMenzies uncredited co-director and co-screenwriter, Technical Effects byGordon Jennings,Farciot Edouart
1934Wharf AngelParamount Pictures/Paramount PicturesWilliam Cameron Menzies,George SomnesVictor MilnerArt DirectorsHans Dreier,John Goodman
The Notorious Sophie LangParamount Pictures/Paramount PicturesRalph Murphy, William Cameron Menzies (uncredited)Alfred GilksArt DirectorsHans Dreier,Robert Odell
CleopatraParamount Pictures/Paramount PicturesCecil B. DeMille, William Cameron MenziesAlfred GilksMenzies credited with "Montage"; Art DirectorsHans Dreier,Roland Anderson
1936Things to ComeLondon Film Company/United ArtistsWilliam Cameron MenziesGeorges Périnal, Edward CohenSpecial EffectsNed Mann
1937The Green CockatooNew World Pictures/20th Century FoxWilliam Cameron MenziesMutz GreenbaumMenzies uncredited co-producer withWilliam K. Howard
Nothing SacredSelznick International/United ArtistsWilliam A. WellmanW. Howard GreeneMenzies assistant to ProducerDavid O. Selznick
1938The Adventures of Tom SawyerSelznick International/United ArtistsWilliam Cameron MenziesJames Wong HoweArt DirectorLyle R. Wheeler; Cave sequence designed by Menzies
The Young in HeartSelznick International/United ArtistsRichard Wallace,Lewis Milestone (uncredited)Leon ShamroyMenzies credited as "Production Designer";Lyle R. Wheeler Art Director
1939Made for Each OtherSelznick International/United ArtistsJohn CromwellLeon ShamroyMenzies credited as "Production Designer";Lyle R. Wheeler Art Director
Gone With the WindSelznick International/United ArtistsVictor FlemingLeon ShamroyMenzies credited as "Production Designer";Lyle R. Wheeler Art Director
1940Cavalcade of the Academy AwardsAcademy of Motion Pictures Arts and Sciences/Warner Bros.Numerous contributorsNumerous contributorsMenzies appears briefly in this 17 minute production, accepting a special award for Gone With the Wind.
RebeccaSelznick International/United ArtistsAlfred Hitchcock, William Cameron Menzies (uncredited)George BarnesMenzies directed the shots at Manderlay, and the beach cottage scenes with the dog Jasper;Lyle R. Wheeler Art Director
Our TownPrincipal Artists/United ArtistsSam WoodBert GlennonMenzies credited as "Production Designer";Lewis J. Rachmil Art Director
Foreign CorrespondentWalter Wanger Productions/United ArtistsAlfred HitchcockRudolph MateMenzies credited for "Special Production Effects";Alexander Golitzen Art Director
The Thief of BagdadAlexander Korda Productions/United ArtistsMichael Powell, William Cameron Menzies (uncredited)Ludwig Berger,Michael PowellMenzies co-director (uncredited)
1941Meet John DoeFrank Capra Productions/Vitagraph StudiosFrank CapraGeorge BarnesMenzies reports working on this project for a month, and publicity indicated that he was production designer (uncredited),Stephen Goosson Art Director
So Ends Our NightDavid L. Loew-Albert Lewin, Inc./United ArtistsJohn CromwellWilliam DanielsMenzies credited as "Production Designer";Jack Otterson Art Director
The Devil and Miss JonesFrank Ross-Norman Krasna, Inc./RKO PicturesSam WoodHarry StradlingMenzies credited as "Production Designer";Van Nest Polglase Art Director
1942Kings RowWarner Bros./Warner Bros.Sam WoodJames Wong HoweMenzies credited as "Production Designer";Carl Jules Weyl Art Director
1943The Pride of the YankeesSamuel Goldwyn Productions/RKO PicturesSam WoodRudolph MateMenzies credited as "Production Designer";Perry Ferguson Art Director
Mr. LuckyRKO PicturesH. C. PotterGeorge BarnesMenzies credited as "Production Designer";Albert S. D'Agostino,Mark-Lee Kirk Art Directors
For Whom the Bell TollsParamount Pictures/Paramount PicturesSam WoodRay RennahanMenzies credited as "Production Designer";Hans Dreier,Akim Tamiroff Art Directors
The North StarSamuel Goldwyn Productions/RKO Radio PicturesLewis MilestoneJames Wong HoweMenzies credited as "Associate Producer";Perry Ferguson Art Director
1944Address UnknownAddress Unknown, Inc. (Sam Wood)./Columbia PicturesWilliam Cameron MenziesRudolph MatéMenzies listed as "Producer-Director"
1945SpellboundVanguard Films/United ArtistsAlfred HitchcockGeorge BarnesMenzies "consulted on the dream sequence...based on designs bySalvador Dalí.";James Basevi, Art Director
1946Duel in the SunVanguard Films/RKO Radio PicturesKing VidorLee Garmes,Hal RossonMenzies listed as a "Second Unit Director" (uncredited), on loan from RKO, he directed the "barbecue sequence" during his 5 days on the project.
Deadline at DawnRKO Radio Pictures/RKO Radio PicturesHarold Clurman, William Cameron Menzies (uncredited)Nicholas MusuracaAlbert S. D'Agostino,Jack Okey Art Directors
It's a Wonderful LifeLiberty Films/RKO Radio PicturesFrank Capra,Joseph Walker,Joseph BirocMenzies consulted on a number of sequences, and observed some of the shooting. (uncredited),Jack Okey Art Director
1947IvyInter-Wood Productions/Universal InternationalSam WoodRussell MettyMenzies credited as "Producer"Richard H. Riedel, Art Director
1948Arch of TriumphArch of Triumph, Inc. (Enterprise)/Universal InternationalLewis MilestoneRay RennahanMenzies credited as "Production Designer";William E. Flannery, Art Director
1949The Tell-Tale HeartMenzies-Finney/TelepakWilliam Cameron MenziesNominated forEmmy Award for Best Film Made for Television, 1948. Released onABC TVActors Studio
A Terribly Strange BedTelepak/ Post Pictures Corp.William Cameron MenziesNominated forEmmy Award for Best Film Made for Television, 1948.
The Marionette MysteryMenzies-Finney/TelepakWilliam Cameron MenziesWilliam O'ConnellNominated forEmmy Award for Best Film Made for Television, 1948.
Reign of TerrorWalter Wanger Pictures, Inc./Eagle-Lion FilmsAnthony MannRay RennahanMenzies credited as "Producer", film re-titled The Black Book before October 1949 opening in New York
1951The Whip HandRKO Radio Pictures/RKO Radio PicturesWilliam Cameron MenziesNicholas MusuracaMenzies also credited as "Production Designer",Albert S. D'Agostino,Carroll Clark Art Directors
Drums in the Deep SouthKing Brothers Productions/RKO Radio PicturesWilliam Cameron MenziesLionel LindonMenzies also credited as "Production Designer",Frank Paul Sylos Art Director
1952The Zayat KissHerles EnterprisesWilliam Cameron MenziesEdward HylandAirtime for the TV production not established, made in New York, April 1952
The Wild HeartLondon Films,Vanguard Films/RKO Radio PicturesMichael Powell,Emeric Pressburger, William Cameron Menzies (uncredited)Chris ChallisMenzies "made retakes and directed added scenes, February 1951. Titled Gone to Earth in British release.
We're Not Married!20th Century-FoxEdmond GouldingLeo ToverMenzies served as "montage director". At his request, he was not extended any credit or publicity for his work.
1953Androcles and the LionRKO Radio Pictures/RKO Radio PicturesChester ErskineHarry StradlingHarry Horner credited as "Production Designer", Menzies uncredited.Albert S. D'Agostino, Charles F. Pike Art Directors
Invaders from MarsNational Pictures Corp./20th Century-FoxWilliam Cameron MenziesJohn SeitzMenzies also credited as "Production Designer",Boris Leven Art Director
The MazeAllied ArtistsWilliam Cameron MenziesHarry NeumannMenzies also credited as "Production Designer",David Scott Milton Art Director
1954A String of BeadsEverest Productions/Allied ArtistsWilliam Cameron MenziesGeorge E. DiskantA TV pilot for CBS'sFour Star Playhouse
Star Studded RideUniversal PicturesWilliam Cameron MenziesShort subject assembled fromSol Lesser's Three-D Follies
Autumn in RomeSelznick Releasing Organization/Columbia PicturesWilliam Cameron MenziesJames Wong HoweShort film to serve as a prologue toIndiscretion of an American Wife, vocals byPatti Page, scoreAlessandro Cicognini.
The Halls of Ivy, 39-episode TV productionTelevision Programs of AmericaWilliam Cameron Menzies,Norman Z. McLeodRobert Picttack,Alfred GilksMenzies directed half of the episodes that comprised the series.
1955Johnny and the GauchoWilliam Cameron MenziesMenzies directed the pilot for this TV program
1956Around the World in Eighty DaysMichael Todd Co./United ArtistsMichael AndersonLionel LindonMenzies credited as "Associate Producer" and "Production Designer",James W. Sullivan Art Director

Theatre credits

[edit]
YearTitleAuthorTheaterDirectorNotes
1923 (opened 8 October)The LullabyEdward KnoblockKnickerbocker TheatreFred G. LathamScenery and costumes designed by William Cameron Menzies
1931 (Opened 21 January)The Ambulance ChaserBella and Samuel SpewackHollywood PlayhouseScenery designed by William Cameron Menzies
1932 (opened 28 December)Grand GuignolH. F. Maltby,Andre de Lorde, et al.Hollywood Music BoxRobert Vignola,Donald Crisp,Reginald BerkeleyScenery designed by William Cameron Menzies
1941 (opened 30 July)Anna ChristieEugene O'NeillLobero Theatre, (Santa Barbara, CaliforniaJohn HousemanSketches for scenery design by William Cameron Menzies. (Two-week showing in San Francisco'sCurran Theatre, opened 4 August 1941)

DVD release

[edit]

In October 2009,Alpha Video released thepublic domain collectionThe Fantastic World of William Cameron Menzies on DVD,[12] which included four early experimental films created by Menzies andJoseph M. Schenck, shorts that visualize great works of classical music:

According toDave Kehr,The Wizard's Apprentice "clearly influenced Disney's version inFantasia.[12]

See also

[edit]

Footnotes

[edit]
  1. ^Cairns, David (March–April 2011)."The Dreams of a Creative Begetter".The Believer. Archived fromthe original on June 30, 2017. RetrievedMarch 31, 2011.Menzies was an art director, production designer (a title he invented himself), producer, and director, the man who created the look of Gone with the Wind, unifying the work of a posse of directors.
  2. ^abCurtis, James (November 17, 2015).William Cameron Menzies: The Shape of Films to Come. Pantheon.ISBN 978-0375424724.
  3. ^https://smithsonianassociates.org/ticketing/programs/man-who-made-gone-with-wind-glorious-william-cameron-menzies-and-art-of-production-design.{{cite web}}:Missing or empty|title= (help)
  4. ^"WILLIAM CAMERON MENZIES".Film Forum."'Menzies, the man who more or less invented the idea of production design in movies, [was] a genius, pure and simple, and his influence was incalculable.' – Martin Scorsese"
  5. ^Schneider, Steven Jay, ed. (2007).501 Movie Directors. London: Cassell Illustrated. p. 89.ISBN 9781844035731.OCLC 1347156402.
  6. ^Memo from David O. Selznick, selected and edited byRudy Behlmer,Viking Press, 1972, p. 156.
  7. ^Memo from David O. Selznick, p. 196.
  8. ^"Academy of Motion Picture Arts & Sciences Awards – Academic Honors".academichonors.usc.edu. RetrievedJuly 19, 2024.
  9. ^Dalí, Surrealism and cinema byElliott H. King, Kamera Books, 2007, p. 85–86.
  10. ^"Ninth Annual Art Directors Guild Awards for Excellence in Production Design, Saturday, February 12, Beverly Hilton Hotel".Press release.Business Wire viaFindArticles. February 11, 2005. RetrievedMarch 31, 2011.
  11. ^"Preserved Projects".Academy Film Archive.
  12. ^ab"Another Trippy Rabbit Hole".The New York Times. February 26, 2010. RetrievedMarch 31, 2011.
  13. ^"The Fantastic World Of William Cameron Menzies with Rediscovered Shorts of the 1930s DVD info, Oldies.com". RetrievedOctober 23, 2009.

References

[edit]
  • Curtis, James. (2015).William Cameron Menzies: The Shape of Films to Come, Pantheon Books,ISBN 978-0-375-42472-4

External links

[edit]
Wikimedia Commons has media related toWilliam Cameron Menzies.
Films directed byWilliam Cameron Menzies
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