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We Three Kings

From Wikipedia, the free encyclopedia
Epiphany carol
Not to be confused withThe Three Kings.
For other uses, seeWe Three Kings (disambiguation).
Three Kings of Orient
GenreChristmas carol
Written1857
TextJohn Henry Hopkins Jr.
Based onMatthew 2:1
Meter8.8.4.4.6 with refrain
Melody"Three Kings of Orient" by John Henry Hopkins Jr.
Published1863

"We Three Kings", original title "Three Kings of Orient", also known as "We Three Kings of Orient Are" or "The Quest of the Magi", is aChristmas carol that was written byJohn Henry Hopkins Jr. in 1857. At the time of composing the carol, Hopkins served as the rector ofChrist Episcopal Church inWilliamsport, Pennsylvania, and he wrote the carol for aChristmas pageant inNew York City. It became the first widely popular Christmas carol written in America.[1]

Lyrics

[edit]
Three Kings of Orient

All

WeThree Kings ofOrient are,
Bearing gifts we traverse afar,
Field and fountain,
Moor and mountain,
Following yonderStar.

Refrain

O Star of Wonder, Star of Night,
Star with Royal Beauty bright,
Westward leading,
Still proceeding,
Guide us to Thy perfect Light.

Born aKing onBethlehem plain,
Gold I bring to crownHim again,
King for ever,
Ceasing never
Over us all to reign.
Refrain

Frankincense to offer have I,
Incense owns aDeity nigh:
Prayer and praising
All men raising,
Worship HimGod on High.
Refrain

Myrrh is mine; its bitter perfume
Breathes a life of gathering gloom;—
Sorrowing, sighing,
Bleeding, dying,
Sealed in thestone-cold tomb.
Refrain

All

Glorious now behold Him arise,
King, and God, and Sacrifice;
Heav'n singsHallelujah:
Hallelujah the earth replies.
Refrain[2]

Composition

[edit]

\header { tagline = ##f }
\layout { indent = 0 \set Score.tempoHideNote = ##t
  \context { \Score \remove "Bar_number_engraver" }
  \context { \Voice \consists "Melody_engraver" }
}

global = { \key e \minor \time 3/8 }

chordNames = \chordmode {
  \global \set midiInstrument = #"acoustic guitar (steel)"
  \repeat volta 2 { e4.:m\p | e:m | b:7 | e:m }
  \once \set chordChanges = ##f e:m | d | g | g | a:m | e4:m b8:7 | e4.:m \bar "||"
  d:7 | \repeat volta 2 { g | g | c | g | }
  e:m | d4 g8 | c4 g8 | d4 g8 | g4 c8 | g4. | c | g \bar "|."
}

soprano = \relative c'' {
  \global \set midiInstrument = #"trumpet" \tempo 4=100
  \repeat volta 2 { b4 a8 | g4 e8 | fis g fis | e4 r8 | }
  g4 g8 | a4 a8 | b4 b8 | d (c) b | a b a | g4 fis8 | e4 r8 \bar "||"
  \tempo 4=45 fis4\fermata (\tempo 4=24 a8) | \tempo 4=100 \repeat volta 2 { g4 g8 | g4 d8 | g4 e8 | g4 r8 | }
  g4 g8 | a4 b8 | c4 b8 | a4 b8 |
  g4 g8 | g4 d8 | g4 e8 | g4. \bar "|."
}

alto = \relative c' {
  \global \set midiInstrument = #"trumpet"
  \repeat volta 2 { e4 fis8 | e4 b8 | dis dis dis | b4 r8 | }
  e4 e8 | fis4 fis8 | g4 g8 | g (a) g | e e e |e4 dis8 | b4 r8 \bar "||"
  d4. | \repeat volta 2 { d4 d8 | d4 b8 |e4 c8 | d4 r8 | }
  e4 e8 |fis4 g8 | g4 g8 | fis4 g8 | g4 e8 | d4 d8 | e4 c8 | d4. \bar "|."
}

tenor = \relative c' {
  \global \set midiInstrument = #"french horn"
  \repeat volta 2 { g4 b8 | b4 g8 | a b a | g4 r8 | }
  b4 b8 |d4 d8 | d4 d8 | d4 d8 | c c c | b4 a8 g4 r8 \bar "||"
  c4.\fermata | \repeat volta 2 { b4 b8 | b4 g8 | g4 g8 | b4 r8 | }
  b4 b8 |d4 d8 | e4 d8 |d4 d8 | b4 c8 | b4 g8 | g4 a8 | b4. \bar "|."
}

bass = \relative c {
  \global \set midiInstrument = #"french horn"
  \repeat volta 2 { e4 e8 | e4 e8 | b b b | e4 r8 | }
  e4 e8 |d4 d8 | g4 g8 | b (fis) g | a a a | b4 b,8 | e4 r8 \bar "||"
  d4. | \repeat volta 2 { g4 g8 | g4 g8 | c,4 c8 | g4 r8 | }
  e'4 e8 | d4 g8 | c,4 g'8 | d4 g8 | g4 g8 | g4 b,8 | c4 c8 | <g g'>4. \bar "|."
}

verse = \lyricmode {
  We three kings of O -- ri -- ent are,
  Field and foun -- tain, Moor and moun -- tain,
  Fol -- low -- ing yon -- der star.
    
  O star of won -- der, star of night,
    
  West -- ward lead -- ing,
  Still pro -- ceed -- ing,
  Guide us to Thy per -- fect light.
}
verseR = \lyricmode { % This is a terrible hack to get the lyrics aligned.
  Bear -- ing gifts we tra -- verse a -- far,
  "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" Star with roy -- al beau -- ty bright,
}

chordsPart = \new ChordNames { \set chordChanges = ##t \chordNames }

choirPart = \new ChoirStaff <<
  \new Staff \with { \consists "Merge_rests_engraver" }
  <<
    \new Voice = "soprano" { \voiceOne \soprano }
    \new Voice = "alto" { \voiceTwo \alto }
  >>
  \new Lyrics \lyricsto "soprano" \verse
  \new Lyrics \lyricsto "soprano" \verseR
  \new Staff \with { \consists "Merge_rests_engraver" }
  <<
    \clef bass
    \new Voice = "tenor" { \voiceOne \tenor }
    \new Voice = "bass" { \voiceTwo \bass }
  >>
>>

\score {
  <<
    \chordsPart
    \choirPart
  >>
  \layout { }
}
\score { \unfoldRepeats { << \chordsPart \\ \soprano \alto \\ \tenor \bass >> }
  \midi {
    \context { \Score midiChannelMapping = #'instrument }
    \context { \Staff \remove "Staff_performer" }
    \context { \Voice \consists "Staff_performer" }
  }
}
Source[2]

John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing asolo verse in order to correspond with the three kings.[3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing.[4] Therefrain proceeds to praise the beauty of theStar of Bethlehem.[5] The Magi's solos are typically not observed during contemporary performances of the carol.[3]

The carol's melody has been described as "sad" and "shifting" in nature.[6] Because of this, it highly resembles a song from theMiddle Ages andMiddle Eastern music, both of which it has been frequently compared to.[6]

Context

[edit]

The carol centres around theBiblical Magi, who visitedJesus as a child in a manger (Matthew 2:1) sometime afterhis Nativity and gave him gifts ofgold,frankincense andmyrrh whilepaying homage to him. Though the event is recounted in theGospel of Matthew, there are no further details given in the New Testament with regards to their names, the number of Magi that were present or whether they were even royal.[7][8] There are, however, verses in the Old Testament that foretell of the visitors: Isaiah 60:6: "The wealth of the nations will come to you. A multitude of camels will cover you. The young camels of Midian and Ephah; All those from Sheba will come; They will bring gold and frankincense, and will bear good news of the praises of the Lord." (New American Standard Bible), and two selections from the Psalms – Psalm 72:10: "The kings of Tarshish and of the isles shall pay tribute, and the kings of Arabia and Saba offer gifts" and Psalm 72:15: "...and may there be given to him gold from Arabia" (New American Standard Bible). Hence, the names of the Magi—Melchior,Caspar andBalthazar—and their status as kings from theOrient are legendary and based on tradition.[5][8] The number three stems from the fact that there were three separate gifts that were given.[9] The solo verses and final verse make explicit a tradition according to which the three gifts symbolize three aspects of Jesus, as "King" (gold, representing wealth and power) and "God" (incense, representing worship) and "sacrifice" (myrrh, used to embalm the dead).[8]

Background and influence

[edit]

At the time he was writing "We Three Kings" in 1857,John Henry Hopkins Jr. was serving as the rector ofChrist Episcopal Church inWilliamsport, Pennsylvania.[5][10] Although he originally worked as ajournalist for a New York newspaper and studied to become alawyer,[6][11] he chose to join theclergy upon graduating from theUniversity of Vermont.[12] Hopkins studied at theGeneral Theological Seminary in New York City and after graduating and being ordained adeacon in 1850, he became its first music teacher five years later, holding the post until 1857 alongside his ministry in the Episcopal Church.[9][12]

During his final year of teaching at the seminary,[12] Hopkins wrote "We Three Kings" for aChristmas pageant held at the college.[13] It was noteworthy that Hopkins composed both the lyrics and music; contemporary carol composers usually wrote either the lyrics or music but not both.[10][14] Originally titled "Three Kings of Orient", it was sung within his circle of family and friends. Because of the popularity it achieved among them, Hopkins decided to publish the carol in 1863 in his bookCarols, Hymns, and Songs.[15] It became the first Christmas carol originating from the United States to achieve widespread popularity,[1] as well as the first to be featured inChristmas Carols Old and New,[clarification needed] a collection of carols that was published in the United Kingdom.[14] In 1916, the carol was printed in thehymnal for the Episcopal Church; that year's edition was the first to have a separate section for Christmas songs.[6] "We Three Kings" was also included inThe Oxford Book of Carols published in 1928, which praised the song as "one of the most successful of modern composed carols".[8]

In popular music

[edit]

Jazz, rock, and reggae musicians recorded "We Three Kings".

In the televised cartoonA Claymation Christmas Celebration (1987), the Three Kings sing the verses in traditional choral style, while their camels perform the chorus as adoo-wop song. Credits for the singers are not available.

Parodies

[edit]

Since the 1950s, the carol has been frequently parodied by children. The subject of the lyrics vary widely depending upon the region, with references to smoking explosive rubber cigars, selling counterfeit lingerie, or travelling to anIrish bar by taxi, car, and scooter.[21][22][23]

See also

[edit]

References

[edit]
  1. ^abStorer, Doug (December 17, 1982)."America's first Christmas carol written in Huron".Evening Independent. St. Petersburg, Florida. p. 12B. RetrievedDecember 26, 2013.
  2. ^ab"We Three Kings" (Hopkins): Scores at theInternational Music Score Library Project
  3. ^abCrump, William D. (August 30, 2013).The Christmas Encyclopedia, 3d ed. McFarland. pp. 436–437.ISBN 9781476605739.
  4. ^Lowe, Cody (December 24, 1993)."The Stories Behind The Songs".The Roanoke Times. p. NRV5. Archived fromthe original on January 2, 2014. RetrievedDecember 27, 2013.(subscription required)
  5. ^abcWillson, Ruth (December 24, 1966)."Carol singing popular tradition".The Leader-Post. Regina. p. 6. RetrievedDecember 26, 2013.
  6. ^abcdDunham, Mike (December 19, 1993)."Caroling Into Christmas Insurance Salesmen, Teachers Had A Hand In Writing Songs".Anchorage Daily News. p. G1. Archived fromthe original on December 26, 2022. RetrievedDecember 27, 2013.(subscription required)
  7. ^Bogle, Joanna (1992).A Book of Feasts and Seasons. Gracewing Publishing. p. 65.ISBN 9780852442173.
  8. ^abcdThe Christmas Carolers' Book in Song and Story. Alfred Music Publishing. March 1, 1985. p. 36.ISBN 9781457466618.
  9. ^abOsbeck, Kenneth W. (1999).Joy to the World!: The Stories Behind Your Favorite Christmas Carols. Kregel Publications. p. 97.ISBN 9780825434310.
  10. ^abMulligan, Hugh A. (December 22, 1959)."Bethlehem Inspired American To Write Famous Carol".The Telegraph. Nashua, New Hampshire. p. 13. RetrievedDecember 26, 2013.
  11. ^Pond, Neil (December 19, 2005)."Christmas Classics".McCook Daily Gazette. p. 6. RetrievedDecember 28, 2013.
  12. ^abcShiver, Warren (November 30, 2007)."Stories Behind The Hymns – We Three Kings".The Gaffney Ledger. RetrievedDecember 28, 2013.
  13. ^Higgins, Cathy (December 25, 2006)."Creation of classics".The Albany Herald. p. 6B. RetrievedDecember 26, 2013.
  14. ^abFlanagan, Mike (December 19, 1986)."The origins of Christmas Songs".Ottawa Citizen. p. H1. RetrievedDecember 26, 2013.
  15. ^Hopkins, John Henry Jr. (1863)."Three Kings of Orient".Carols, Hymns, and Songs. New York City: Church Book Depository. pp. 12–13.
  16. ^Percy Faith discography
  17. ^Ramsey Lewis discography
  18. ^Jason Birchmeier. The Beach Boys' Christmas Album atAllMusic
  19. ^Dave Sleger. The Jethro Tull Christmas Album atAllMusic
  20. ^Blondie – "We Three Kings" music video onYouTube
  21. ^Bronner, Simon J. (1988).American Children's Folklore. August House. p. 254.ISBN 978-0-87483-068-2.
  22. ^Kelsey, N. G. N. (2019-02-26).Games, Rhymes, and Wordplay of London Children. Springer. p. 418.ISBN 978-3-030-02910-4.
  23. ^"Child of the 80s". Archived fromthe original on 2021-01-28. Retrieved2021-02-06.

Further reading

[edit]

External links

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