| Viva Las Vegas | |
|---|---|
 Theatrical release poster | |
| Directed by | George Sidney |
| Written by | Sally Benson |
| Produced by | |
| Starring | |
| Cinematography | Joseph F. Biroc |
| Edited by | John McSweeney, Jr. |
| Music by | George E. Stoll |
Production company | Jack Cummings Productions |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 85 minutes |
| Country | United States |
| Language | English |
| Budget | $1 million |
| Box office | $9.4 million[1] |
Viva Las Vegas is a 1964 Americanrock and rollmusical film directed byGeorge Sidney, written bySally Benson, choreographed byDavid Winters, and starringElvis Presley,Ann-Margret,Cesare Danova,William Demarest and Nicky Blair. Set inLas Vegas, Nevada, the film is about two competing race car drivers who also compete for the same girl.
The film's theme song "Viva Las Vegas" (written byDoc Pomus andMort Shuman) did well on the year's record sales and has since become a theme song for the titular city.
The film is regarded by Elvis fans and film critics as one of Presley's best films, and it is noted for the real-life on-screen chemistry between Presley and Ann-Margret.
Viva Las Vegas was a hit at film theaters, as it was No. 14 on theVariety entertainment trade magazine's year end box office list of the top-grossing films of 1964.[2]
Lucky Jackson (Elvis) goes toLas Vegas,Nevada to participate in the city's first annualGrand Prix Race. However, his race car, anElva Mark VI, is in need of a new engine to compete in the event.
Lucky raises the necessary money in Las Vegas, but he loses it when he is shoved into the pool by the hotel's young swimming instructor, Rusty Martin (Ann-Margret). Lucky then has to work as a waiter at the hotel to replace the lost money to pay his hotel bill, as well as enter the hotel's talent contest in hopes of winning a cash prize sizable enough to pay for his car's engine.
During all this time, Lucky attempts to win the affections of Rusty. His main competition arrives in the form of Count Elmo Mancini (Cesare Danova) and hisFerrari 250 GT Berlinetta. Mancini attempts to win both the Grand Prix and the affections of Rusty. Rusty soon falls in love with Lucky, and immediately tries to change him into what she wants.
George Sidney later said "that was one of those cases where we had no script and we had a commitment. Originally it was something about an Arabian or something... But we turned it around and we wrote the script in about eleven days... We changed the whole thing and decided to do it in Las Vegas."[3]
In March 1963, Metro-Goldwyn-Mayer president Robert O'Brien announcedViva Las Vegas would be one of 20 films made at the studio the following year.[4] By May, Ann-Margret signed to co-star.[5] She was paid $15,000 a week over ten weeks.[6]Viva Las Vegas was filmed during the summer of 1963, before production of Presley's filmKissin' Cousins, but was released afterKissin' Cousins in the summer of 1964.
In Great Britain, both the film and its soundtrack were sold asLove in Las Vegas, since there was another, different filmMeet Me in Las Vegas calledViva Las Vegas there, that was being shown in British cinemas at the same time that Presley's was released.
The chemistry between the two stars[7] was genuine during filming. Presley and Ann-Margret began an affair, and this received considerable attention from film and musicgossip columnists. This reportedly led to a showdown with Presley's worried girlfriendPriscilla Beaulieu. (Elvis and Priscilla married in 1967.) In her 1985 bookElvis and Me, Priscilla Presley describes the difficulties that she experienced when the gossip columnists erroneously "announced" that Ann-Margret and Presley had become engaged to be married.
In her memoirs, Ann-Margret refers to Elvis Presley as her "soulmate" and stated: "We felt there was a need in 'The Industry' for a female Elvis Presley."[8][9]
In addition, the filming ofViva Las Vegas reportedly produced unusually heated exchanges between the director, film veteranGeorge Sidney, and Presley's manager,Colonel Tom Parker, who was not credited as a "Technical Advisor" in the film's credits.
The arguments reportedly concerned the amount of time and effort allotted by thecinematographer,Joseph Biroc, to the song and dance numbers that featured Ann-Margret, ostensibly on the orders of the director. These scenes include views of Ann-Margret's dancing taken from many different camera angles, the use of multiple cameras for each scene, and several retakes of each of her song-and-dance scenes.
David Winters, the film's choreographer, was recommended for the job by Ann-Margret, who was his dance student at the time.[10] This was Winters's first job as a choreographer.[citation needed] The film presents a set of ten musical song-and-dance scenes.[11]
Because the film went over budget, Parker would slash budgets for all remaining films in Presley's career.
Little Church of the West, the oldest wedding chapel in Las Vegas, is the location used in the closing scene.
The scene where Presley sings "Viva Las Vegas" is performed in one single unedited shot, the only known example of such a technique in Presley's film career.
The film also includes a scene (Lucky and the Count looking for Rusty) with the showgirls of theFolies Bergere at The Tropicana Hotel Las Vegas.[12]
The film grossed $9,442,967 at the box office,[1] earning $5 million in U.S.theatrical rentals.[13]
For his role inViva Las Vegas, Elvis Presley received a third place prize 1965Laurel Award for best male performance in a musical film.Viva Las Vegas was also the 1965 Laurel runner-up in the category of the best musical of 1964. Ann-Margret was praised for her on screen chemistry with Elvis, as she nearly stole the film from him.
Some critics in 1964 were lukewarm aboutViva Las Vegas, such as one forThe New York Times, who wrote: "Viva Las Vegas, the new Elvis Presley vehicle, is about as pleasant and unimportant as a banana split."[14] However, many others deduced the reasons why many members of the North American public liked the movie so much.Variety stated in its review: "Beyond several flashy musical numbers, a glamorous locale, and one electrifying auto race sequence, the production is a pretty trite and 'heavyhanded' affair".[7] Critical reaction notwithstanding,Viva Las Vegas has become one of Elvis Presley's most popular and iconic films.
Contemporary reception for the film has been positive. On review aggregatorRotten Tomatoes, the film holds an approval rating of 87% based on 30 reviews. The site's critics consensus reads, "Ann-Margret keeps Elvis on his toes and together they elevateViva Las Vegas into a naughty and rockin' mild delight."[15]Filmink argued Ann-Margret "had so much energy and pep that she had blown her previous three male co-stars off screen, but Elvis could match her. He was the best on-screen partner she ever had, and she was his. It’s the most purely entertaining Elvis movie ever, a complete delight and it’s unbelievable they were never teamed again."[16]
The film is recognized byAmerican Film Institute in these lists:
This DVD release contains the movie in two formats on a flipper disc. One side contains the movie in the Aspect Ratio: 1.33:1 (4:3), the other side is in Widescreen (Letterbox). The soundtrack is presented in mono.[19]
This film is the first of only two Elvis movies (the other beingJailhouse Rock) to be officially released onto every home media format distributed in the U.S. (Beta, VHS, CED Disc, Laserdisc, DVD, HD DVD and Blu-ray Disc)
In 2001,Warner Bros. were developing a remake ofViva Las Vegas starringRicky Martin as "aPuerto Rican singer who comes to Las Vegas to make it big", alongsideJennifer Lopez. The film was to be produced by Lisa Tornell with a screenplay by Jason Schafer.[21][22] For whatever reason, this project did not eventuate.
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