Vijayanagara architecture of 1336–1565 CE was a notable building idiom that developed during the rule of the imperial HinduVijayanagara Empire. The empire ruledSouth India, from their regal capital atVijayanagara, on the banks of theTungabhadra River in modernKarnataka,India. The empire built temples, monuments, palaces and other structures across South India, with the largest concentration in its capital. The monuments in and aroundHampi, in theVijayanagara district, are listed as aUNESCOWorld Heritage Site.
In addition to building new temples, the empire added new structures and made modifications to hundreds of temples across South India. Some structures at Vijayanagara are from the pre-Vijayanagara period. The Mahakuta hill temples are from theWestern Chalukya era. The region around Hampi had been a popular place of worship for centuries before the Vijayanagara period with earliest records dating from 689 CE when it was known as Pampa Tirtha after the local riverGod Pampa.
There are hundreds of monuments in the core area of the capital city. Of these, 56 are protected by UNESCO, 654 monuments are protected by theGovernment of Karnataka and another 300 await protection.[1]
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Vijayanagara architecture can be broadly classified into religious, courtly and civic architecture, as can the associated sculptures and paintings.[2] The Vijayanagara style is a combination of theChalukya,Hoysala,Rashtrakuta,Pandya andChola styles which evolved earlier in the centuries when these empires ruled and is characterised by a return to the simplistic and serene art of the past.[3]Large multi-purpose halls (mandapas) surrounding the main shrine with elaborate and intricately carved pillars and the tall entrance towers (Gopurams, more specifically Rayagopurams named after the ruling Rayas) are two notable Vijayanagara additions to South Indian temple architectural tradition.
For the approximately 400 years during the rule of theWestern Chalukya and theHoysalas empires, the most popular material for temple construction was chloriticschist orsoapstone. This was also true for sculpture as soapstone is soft and easily carved. During the Vijayanagar period the local hardgranite was preferred in theBadamiChalukya style, although soapstone was used for a fewreliefs andsculptures.[4] While the use of granite reduced thedensity of sculptured works, granite was a more durable material for the temple structure. Because granite is prone to flaking, few pieces of individual sculptures reached the high levels of quality seen in previous centuries. To cover the unevenness of the stone used in sculptures, artists employedplaster to give the rough surface a smooth finish and then painted it with lively colours.[5]
Vijayanagara temples are usually surrounded by a strong enclosure. Small shrines consist simply of agarbhagriha (sanctum) and a porch. Medium-sized temples have agarbhagriha,shukanasi (antechamber), anavaranga (antrala) connecting the sanctum and outermandapa (hall), and arangamantapa (enclosed pillared hall). Large temples have tall Rayagopuram built with wood, brick and stucco inChola style. The termRaya is added to indicate agopura built by Vijayanagar Rayas. The top of thegopuram has ashalashikhara resembling a barrel made to rest on its side. Large life-size figures of men, woman, Gods and Goddesses adorn thegopuram. ThisTamil dravida-influenced style became popular during the rule of kingKrishnadevaraya and is seen in South Indian temples constructed over the next 200 years.[6] Examples ofRayagopuram are theChennakesava Temple inBelur and the temples atSrisailam andSrirangam. In addition to these structures, medium-size temples have a closed circumambulatory (Pradakshinapatha) passage around the sanctum, an openmahamantapa (large hall), akalyanamantapa (ceremonial hall) and atemple tank to serve the needs of annual celebrations.[7]
Temple pillars often have engravings of charging horses or hippogryphs (Yali) — horses standing on hind legs with their forelegs lifted and riders on their backs. The horses on some pillars stand seven to eight feet tall. On the other side of the pillar are usually carvings fromHindu mythology.[8] Pillars that do not have such hippogryphs are generally rectangular with mythology-themed decoration on all sides. Some pillars have a cluster of smaller pillars around a central pillar shaft. The bottom supports of these pillars have engravings ofgods and goddesses. Carvings of hippogryphs clearly show the adroitness of the artists who created them.[9]
TheMandapas are built on square or polygonal plinths with carvedfriezes that are four to five feet high and have ornate stepped entrances on all four sides with miniatureelephants or withYali balustrades (parapets).[10] TheMantapas are supported by ornate pillars.[11] The 1,000-pillared style with large halls supported by numerous pillars was popular. The 1,000-pillared Jainbasadi at Mudabidri is an example. Larger temples have a separate shrine for the female deity. Some examples of this are the Hazara Rama, Balakrishna and Vitthala temples at Hampi.
Some shrines in the Vitthalapura area inside Vijayanagara were consecrated specifically for TamilAlwar saints and for the greatVaishnava saint,Ramanujacharya. Architecturally they are different in that each shrine has an image depicting the saint for whose worship the temple was built. Each shrine has its own enclosure and a separate kitchen and pilgrim-feeding hall.[12] The water storage tank inside the royal center, the [stepwell stepped tank] called "Pushkarni", is a recent archaeological discovery. The stepped tank is fashioned with finished chlorite schist slabs arranged in a symmetrical formation with steps and landings descending to the water on all four sides. This is clearly aWestern Chalukya-Hoysala style tank and is seen in many parts of present-dayKarnataka.[13] The inscriptions on the slabs indicate the material was brought from outside the Vijayanagara area.
While the empire is well known for its monuments in the regal capital Vijayanagara (a UNESCO World Heritage Site), it also built temples in other regions of Karnataka including the coastal region (calledKaravali) where the Vijayanagara idiom mingled with local styles. A List of these temples and their approximate time of construction is given in the articleList of Vijayanagara era temples in Karnataka.[citation needed]
InAndhra Pradesh the empire built the Mallikarjuna Temple atSrisailam, Upper Narasimha Temple and Lower Narasimha Temple atAhobilam, Veera Bhadra Temple atLepakshi andVenkateswara Temple atTirupati and others. InTamil Nadu the empire built the Vijayaraghava Permal temple modeled after the famous temples at Tirupati with statues of Krishnadevaraya in Thayar Sanithi pillars facing each other.
Much of what is known today of Vijayanagara palaces is drawn from archaeological excavations at Hampi as no royal palace structures have survived.[14] Most palaces stand in their own compound defined by high tapering walls made of stone or layered earth. Palaces are approached through a sequence of courts with passageways and doorways requiring multiple changes in direction. All palaces face east or north. The larger palaces have side extensions giving the complex a symmetrical shape.
Palaces were built on raised platforms made ofgranite. The platforms have multiple tiers of mouldings with well-decorated friezes.[15] The decorations can be floral,Kirtimukha shapes (demon faces), geese, elephants and occasionally human figures. Pillars, beams and rafters inside the palace were made of wood as evidenced by ash discovered in excavations. The roof was made of brick or lime concrete, while copper and ivory were used for finials. Palaces commonly consisted of multiple levels with each flight of stairs decorated by balustrades on either side, with eitheryali (imaginary beast) or elephant sculptures. The entrance steps into palaces and templemantapas were similarly decorated. Water tanks inside the palace complex have decorative water spouts such as the carved torso of theNandi with a gaping mouth to allow water flow into the tank.[16] Other structures commonly found inside a palace complex are wells and shrines.
The courtly architecture generally show secular styles with Islamic influences. Examples are the Lotus Mahal palace, Elephant stables, and watch towers.[17] Courtly buildings and domed structures were built with mortar mixed with stone rubble.[2]
The impact of this style of architecture was seen well into the 17th century when the successive Nayaka kingdoms continued to encourage pillars with hippogryphs and granite became the main building material.
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