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Germany has the second-largestvideo games player base in Europe, with 44.3 million gamers in 2018, afterRussia.^[2][3][4] Consumers in Germany spent €5.87 billion on video games over the course of 2021, a 3 percent year-on-year increase from 2020.^[5] The video game market in Germany grew by 6 percent to €6.2 billion ($6.7 billion) in 2019.^[6]

The annualGamescom inCologne is the world's largest video game expo by number of attendees.^[7]

German production of popular video-games began principally on the16-bit systems such as theCommodoreAmiga andAtariST in the 1980s, although a number of successful titles were also released on theCommodore 64 which dominated the8-bit computer market in the country at the time. Popular developers of the 16-bit era includedThalion,Factor 5 (who were responsible for developing the entireTurrican series) andBlue Byte. Blue Byte and Factor 5 remain in existence in 2006 and produce titles for Windows PCs.

By 2002, German games were heavily tilted towardconstruction and management simulations, accordingDer Spiegel's Frank Patalong. He noted that "nowhere else in the world are simulations as successful as here at home. Titles such asThe Settlers,Die Völker [and]Anno 1602 have dominated the German sales charts for years".^[8] Released in 1998,Anno 1602 bySunflowers Interactive was Germany's best-selling computer game of all time as of December 2002, with sales of 2.5 million copies worldwide and 1.7 million in the German market.^[9] Its sequel,Anno 1503, broke its sales record to become Germany's fastest full-price computer game to reach 500,000 domestic sales.^[10] It ultimately sold over one million units in German-speaking countries,^[11] and, when combined with its predecessor, reached 4.5 million sales worldwide by October 2006.^[12] The titles began theAnno series.

One of the most famed titles to come out of Germany isFar Cry byFrankfurt-basedCrytek, who also producedCrysis. Factor 5 had been concentrating on theStar Wars: Rogue Squadron series of video games from 1999 until 2003, and releasedLair, an action game for thePlayStation 3, in 2007.

Ascaron produced theElite homageDarkstar One, and continued to produce the popularAnstoss (lit. 'Kickoff') series offootball games, the first two installations of which were released under the titleOn the Ball in English-speaking countries.

The German Government, as a part of the Gamescom fair, has introduced an investment programme aimed towards the countrywide online games industry, with a purpose to offer assistance of as much as 50% of the cost of development.^[13]

Within Germany there is a popular taste for historical trade and warfare simulations, notably exceeding that of many other countries. Some German-developed titles in this genre, such as1602 A.D. and its sequels, andThe Patrician, have also been successful abroad.

Vehicle simulator games are also very popular in Germany.^[35] Many add-on developers for established simulator franchises, includingTrain Simulator andMicrosoft Flight Simulator, are based in Germany, with one of the most popular,Aerosoft, being based inNorth Rhine-Westphalia.

First-person shooters have also been traditionally quite popular in recent years, and there has beenconsiderable debate about and censorship of theviolent content of many such games. Consequently these games, especially uncut versions, became highly coveted in gaming circles for many years (though the modern Internet andVPNs allow players virtually anywhere to obtain a game from, or play on a server hosted in, virtually any other jurisdiction today).

From 2002 to 2008 the main video game trade fair in Germany was theGames Convention which was held annually inLeipzig, and was highly recognized by the press. Since 2009 it was discontinued, as theGamescom inCologne took the place of the major video game trade fair in the world.

Violence in video games is a controversial subject in Germany, and German localisations of violent games are often heavily cut by the publishers to permit a public release. Usually this entails a simple removal or reduction of depictions of blood and gore, but often extends to cuts in the content or plot of the game, as was the case inPhantasmagoria,Phantasmagoria: A Puzzle of Flesh,Counter-Strike,Grand Theft Auto,Wolfenstein: The New Order, andSouth Park: The Stick of Truth.

All games that are released to the public are required to carry a certificate given by the USK (Unterhaltungssoftware Selbstkontrolle – Voluntary Monitoring Organisation of Entertainment Software). The compulsory nature of the USK label was a consequence of the 2003 modification of theJugendschutzgesetz or youth protection law. If the USK has not issued a label, a game may be placed upon the "index" of media harmful to youth kept by the BPjM (Federal Department for Media Harmful to Young Persons). This results, at least, in a ban on promoting the game in any way and strict requirements for age checks. As prosecutors are inconsistent on whether reviews are a form of promotion this creates achilling effect on games journalism for the affected titles. The strict requirements for age checks frequently lead to a game being taken off the market entirely, or only being made available in a cut version even for adults, due to economic considerations by developers/publishers. Independently, courts may also issue confiscation orders against games deemed to be especially egregious, resulting in an outright ban.

The 2003 changes to theJugendschutzgesetz also announced an intent to extend the restrictions on the depiction of violence in video games, leaving open the possibility of banning any depiction of violence in video games, which was met by widespread outcry from the video game community in Germany. The then in powerCDU/SPD coalition government announced an intention to enact this in 2005, but in November 2006 such restrictions were not enacted at that time.^{[citation needed]}

• Killerspiel [de]

• Video gaming in Germany

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