Victor Margolin | |
|---|---|
| Born | 1941 |
| Died | November 27, 2019(2019-11-27) (aged 77–78) Washington D.C., US |
| Academic background | |
| Alma mater | Columbia University,Union Graduate School |
| Academic work | |
| Institutions | University of Illinois, Chicago (1982–2006) |
Victor Margolin (1941–2019)[1][2] was an American design historian, researcher and educator. He was a Professor ofdesign history at theUniversity of Illinois, Chicago, where he taught from 1982 until 2006.[3] Margolin published widely and was the founding editor and co-editor of the academic design journal,Design Issues.[4] A major work was his comprehensiveWorld History of Design.[5]
Victor Margolin was born in 1941 in New York City and at a young age the family moved toWashington, D.C., where he grew up.[1] He studiedEnglish literature andfilm atColumbia University,[6][7] where he graduated in 1963. While a student, he contributed toMad magazine and edited the university humor magazine, theColumbia Jester.[3] After graduation, he studied film directing on aFulbright Fellowship at the Institute of Higher Cinema Studies in Paris. Following his return to the United States, he worked briefly for theNational Broadcasting Company in Washington D.C. and for the public television station,WETA. He moved toNew York City in 1972, where he published his first two books ondesign history anddesign theory,American Poster Renaissance: The Great Age of Poster Design, 1890–1900 (1975) and the edited volume,Propaganda: The Art of Persuasion, WWII (1976).
In 1975, he moved toChicago where he held several jobs in college and university administration before obtaining a PhD in design history from theUnion Graduate School, a non-traditional institution based inCincinnati. His dissertation was on thegraphic design ofAlexander Rodchenko,El Lissitzky, andLászló Moholy-Nagy.
Margolin began teaching art and design history in 1982 at the School of Art and Art History,University of Illinois, Chicago, where he was the first design historian they had hired,[6] and taught there until retiring in 2006.[3]
At the University of Illinois Margolin helped to found the academic design journal,Design Issues, which began publication in 1984. He became the founding editor and later a member of the editorial board. He edited or co-edited a series of anthologies of articles from the journal:Design Discourse (1987),The Idea of Design (1995), andThe Designed World: Images, Objects, Environments (2010). He also co-edited a collection of essays originating in a conference in Chicago in 1990,Discovering Design: Explorations in Design Studies (1995). In 1997 he publishedThe Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917–1946, and in 2002 a volume of his own essays,The Politics of the Artificial: Essays on Design and Design Studies. The title of this volume was a polemical play onHerbert Simon's 1969The Sciences of the Artificial (which had a very influential role withindesign research anddesign science).
Margolin's work was interdisciplinary, crossing between fields ofdesign history,design studies anddesign research, and extending into issues of sustainability and globalisation.[8] In 1992 he initiated a debate on the interaction between design history and design research when he argued in the journalDesign Studies for the incorporation of design history within design research.[9] This led to a special issue ofDesign Issues in 1995, debating the role and nature of design history.[10] He also explored and promoted socially responsible design,[11] for example drawing on the literature of social work in an article written with his wife, Sylvia Margolin (a social worker), proposing a 'social model' of design practice, in contradistinction to the dominant 'market model'.[12]
In the 2000s Margolin began work on a magnum opus, a comprehensive three-volumeWorld History of Design with an international and multi-cultural perspective. The first two volumes were published in 2015, with the third volume remaining uncompleted.[5]
Margolin had a broad view of art, and in his university office he kept a Museum of Corn-temporary Art, a collection of tourist souvenirs and suchlike popular-art ephemera.[13] In 2002 he published a catalogue of the museum,Culture is Everywhere, in collaboration with the photographer Patty Carroll.[14] The museum now resides in the permanent collection of theWolfsonian inMiami Beach, Florida.
Margolin was presented with a Lifetime Achievement Award by the organizers of the LearnXDesign conference in Chicago in 2015, for his 'exemplary contributions to design history, research, education and practice'[15] and a Lifetime Achievement Award by theDesign Research Society in 2016.[16]
Victor Margolin died on November 27, 2019, in Washington, D.C., due to complications from a spinal cord injury and dementia.[1]
