Fleming was born at the Banbury Ranch near what is nowLa Cañada Flintridge, California, the son of Eva (née Hartman) and William Richard Lonzo Fleming.[1]
He served in the photographic section for theUnited States Army duringWorld War I, and acted as chief photographer for PresidentWoodrow Wilson inVersailles, France.[2] Beginning in 1918, Fleming taught at and headedColumbia University's School of Military Cinematography, training over 700 soldiers to cut, edit, shoot, develop, store and ship film; filmmakers that participated in the program includedJosef von Sternberg,Ernest B. Schoedsack, andLewis Milestone.[3] He showed a mechanical aptitude early in life; while working as a car mechanic, he met the directorAllan Dwan, who took him on as a camera assistant. He soon rose to the rank of cinematographer, working with both Dwan andD. W. Griffith, and directed his first film in 1919.[4]
In the opinion of veteran cinematographerArchie Stout, of all the directors he worked with, Fleming was the most knowledgeable when it came to camera angles and appropriate lenses.[5] He was remembered byVan Johnson as being a masterful director but a "tough man" to work for.[6] He was close friends with another veteran cinematographer,Charles Schoenbaum.[7]
“Fleming wasn’t a joking man, he was a very serious, demanding man, and very positive in what he wanted to get, and most of his leading men were patterned after his own behavior; he was a real tough man. I think there was more Fleming inClark Gable at the end than there was Gable in Gable. I think that Gable mimicked Fleming and became that kind of man on the screen.”—FilmmakerHenry Hathaway, from interview inFocus on Film No. 7, 1971[8]
He died en route to a hospital inCottonwood, Arizona,[12] after suffering aheart attack on January 6, 1949. His death occurred shortly after completingJoan of Arc (1948) with Ingrid Bergman, one of the few films that he did not make for MGM. Despite mixed reviews, Fleming's film version of the life ofJoan received sevenOscar nominations, winning two.
It was reported inJames Curtis's bookSpencer Tracy: A Biography[13] thatAnne Revere once said Fleming was "violently pro-Nazi" and strongly opposed to the United States enteringWorld War II. According to the Fleming biographyVictor Fleming: An American Movie Master,[14] by authorMichael Sragow, Fleming had once mocked the UK at the outset of World War II by taking a bet as to how long the country could withstand an attack by Germany.
The accuracy of Revere's characterization of Fleming has been disputed, however. According toVictor Fleming: An American Movie Master, Revere had made her comment because she felt she had been cast in the first attempt to filmThe Yearling in 1941 overFlora Robson[a] because Robson was British. However, at the time of the casting, Fleming was working on the filmDr. Jekyll and Mr. Hyde, which featured a British producer and a cast largely composed of British or British Commonwealth actors. Furthermore, Revere did not know Fleming beyond their professional relationship.[14]
Directed Academy Award performances Under Fleming's direction, these actors have receivedAcademy Award nominations and wins for their performances in their respective roles.
^MGM first attempted to filmThe Yearling in 1941 under the direction of Fleming, but production was abandoned due to numerous production problems. It was successfully resumed with a different cast, under the direction ofClarence Brown, and released in1946.[15][16]
Canham, Kingsley (1973).The Hollywood Professionals: Michael Curtiz, Raoul Walsh, Henry Hathaway, Volume 1. New York: The Tanvity Press, A. S. Barnes Co. p. 200.ISBN978-0900730580.