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Michael 'Bink' Knowles | |
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 Bink at work in May 2013. Thedigital mixer is a Midas Pro 2. On the microphones at theKhosla Ventures event wereBill Gates in a "fireside chat", mentalistLior Suchard who askedTony Blair some questions, and beatboxerBeardyman who rocked. | |
| Born | Michael Robert Knowles (1961-06-08)June 8, 1961 (age 64) |
| Other names | Bink, Binkster (audio career) Binksternet (on Wikipedia) |
| Alma mater | University of California, San Diego |
| Occupation | Audio engineer |
| Known for | Bink Audio Test CD GEQ Shootout Fixing hoaxes |
| Children | 2 |
| Awards | Emmy |
I amMichael "Bink"Knowles, known asBinksternet on Wikipedia, a California-basedlive audio engineer and Wikipedia editor. I have edited Wikipedia since July 2007, starting 249 new articles, and I have anedit count of more than 500,000.[1]
In 2025, I won anEmmy Award in the category Outstanding Live News Special for taking part in the audio mix for theNASA+ program titled "2024 Total Solar Eclipse: Through the Eyes of NASA", documenting in real time thesolar eclipse of April 8, 2024. I was the second unit audio engineer broadcasting from a planetarium inTorreón, Mexico, sending my mix to the main Texas broadcast site. The award winners were announced at the46th News and Documentary Emmy Awards in late June 2025.
On Wikipedia, my contributions are varied. I make most of my edits in music and audio topics, but I have an interest in architecture, civil rights, California history and military history, especially World War II. I spend a lot of time reverting vandals when I would rather be expanding articles.
My first home was inRialto, California; a breezy city swept by clean desert air coming throughCajon Pass. The little city started as orange groves but in the 1960s it was fast changing to tracts of homes. I was raised in a family of six singers and musicians. All the members of the Knowles family were involved insummer stock plays andlight opera productions in theInland Empire. Some unusual people came through our house: TurbanedKorla Pandit played for a living room full of guests, and left long, curving scratches on the Steinway piano because of his oversized rings. People triedESP experiments, and a medium read theauras of us children. An early version ofThe Ungame was tested on us.
I was an active child except when I was reading books, which was often. I read the family'sWorld Book Encyclopedia, and I probably annoyed people by quoting facts from it. I learned to sing in harmony with others and as a soloist, and I played clarinet. In 1975, my mother moved us four children toIrvine, California; I was in the first class of students atIrvine High School. I earned aNational Merit Scholarship Program grant for college.
At theUniversity of California, San Diego, I began as a biology major but soon swapped major and minor to focus on music. I learned about the physics of sound waves, the characteristics of music perception andpsychoacoustics, and about the new field ofdigital audio. During college, I married my high school sweetheart. The rocky marriage produced a son and a daughter but lasted only four years.
After college, I obtained work withAT&T inSan Francisco, training on old1A2 business telephone systems which were being replaced by digital phones. In the aftermath of thebreakup of the Bell System, I was suddenly in demand as a telephone technician for various independent phone companies all around theSan Francisco Bay Area. I honed my electronics knowledge as well as my trouble-shooting skills.
Despite some success in the telephone business, I longed for a career in the music industry. In 1987 I enrolled in Leo de Gar Kulka's College for Recording Arts, and joined theAudio Engineering Society (AES). After completing the year-long recording program, I was hired by Harry McCune, Jr., president ofMcCune Audio Visual. Instead of working in the recording industry, I took up sound for live events—a field with a one-shot, must-get-it-right performance aspect which reminded me of my youth when I was an actor and singer on stage. This characteristic appealed to me more than the thought of sitting in a recording studio, mixing the same pop song over and over, and I settled into my role as live sound engineer. I helped with sound at theBohemian Club and theBohemian Grove (both Leo de Gar Kulka and Harry McCune were club members) and I assisted on the main stage atMonterey Jazz Festival. I mixed sound for bands, churches, conventions, corporations, and politicians. Notable artists I worked with includeTony Bennett,Rita Rudner,Carlos Santana, thePeninsula Symphony,Peter Duchin,Graham Nash,Bernie Krause,Michelle Shocked,Ozzy Osbourne,Tito Puente, andSteve Miller withNorton Buffalo. One memorable event was mixing sound for theSan Quentin inmates, a special taping ofComic Strip Live in August 1990, whenPaul Rodriguez opened the show by turning his rear toward the prisoners and shouting, "You aren't getting any of this!" I thought, well now, it'son.
In 1994, I left McCune to work as an independent audio engineer; a role that has continued to the present. My focus is on corporate events and tech conventions, but I still mix musical acts. I have worked withJoan Baez,Meklit Hadero,Peter Buffett,the California Honeydrops, funksterGeorge Clinton,Quartet San Francisco,Atsuko Hashimoto,Gerald Clayton, theClayton-Hamilton Jazz Orchestra,Pamela Z,Patti Labelle,Beardyman,Lavay Smith & Her Red Hot Skillet Lickers,Charlie Mars,Eric Lewis (ELEW),Julian Lage,Charlie Haden,Ravi Coltrane,Geri Allen,Houston Person,Warren Hellman,Lenny Williams,Kailasa,Manooghi Hi,Ken Peplowski,Wycliffe Gordon,Rosie Flores,Geographer,the New Mastersounds,Nishat Khan, andMasayuki Koga. People who know me have probably heard the funny stories aboutSlayer,Richard Simmons,Danielle Steele,Andy Grove,Bill Walsh,Larry Ellison, and others.
I stumbled upon Dave Stevens' onlineLive Audio Board (LAB) in 2001; it had been serving as a conversation point for live audio engineers since 1994, starting as aListserv distributed by email. When I encountered LAB it was abulletin board system at www.roaddog.com, which was Dave's domain. I became a frequent contributor to LAB, and in addition to other live sound mixers, I met some professional design engineers working for audio manufacturers. I announced in late December 2001 that I would mail copies of my "Bink Audio Test CD" to LAB members for free as a Christmas gift and promotion. I created the CD usingCool Edit Pro software; some 50 discs were mailed. In response to continuing demand, in February 2002 the audio test CD was offered online by a LAB member who had available server space. Later, other sites mirrored it. The CD proved to have a lasting effect.
In late 2003 I put together a shootout of various makes and models ofgraphic equalizers, with Mike Allen/Butler analyzing them on a test bench, and other volunteers listening to them on a stage. I ran a series of test signals through the units and compared the input to the output by way ofSmaart software. I published the results online, saying that anAudient product had won: the ASP231.[2]
As a member of AES, I have volunteered to lead panel discussions on various live sound topics at AES conventions. I moderated some panels onautomixers, and corporate sound mixing practices, in San Francisco, New York, London, and Los Angeles beginning in 2008.[3]
I started editing Wikipedia in July 2007 after seeing an incomplete list of films featuring tango dancing.[4] My interests are wide-ranging, covering architecture, military history, aviation, film, California, the Bohemian Club, musicians and music, and of course audio engineering. I have taken four articles to the level ofFeatured Article, showcasing Wikipedia's best work. Three of the four articles were ones that I started from scratch, on topics that I knew nothing about until I began research for the article. I find it stimulating to learn just enough about a certain topic to write a good encyclopedia article—the process of reading new books, and searching online, engages me.
In January 2013, I was named in aDaily Dot article about Wikipedia editors working to uncover and correct a series of internal hoaxes created byUser:Legolas2186.[5] Legolas2186 had introduced fabricated references and text on a number of articles, the most prominent beingMadonna (entertainer), which is in the top 500 Wikipedia articles by volume of internet traffic. TheDaily Dot noted that I was the first person to question Legolas2186 about his problematic references. AtUser talk:Legolas2186/Fixing citation problems, I created a page to serve as a place for the community to investigate and fix the problems.
SkepticTim Farley wrote about me in December 2013 in regard to aWP:Conflict of interest noticeboard (COIN) discussion and theDeepak Chopra biography.The COIN thread started out with editor Vivekachudamani accusing me and Alexbrn of having a conflict of interest on Chopra topics. After a misstep by Chopra briefly revealing Vivekachudamani's real name at the Chopra Foundation blog, I searched various online sources and found that Vivekachudamani (under his real name) had stated in a brief biographical blurb that he had been performing research work for Chopra for 15 years. This discovery turned the COIN discussion around 180 degrees, resulting in Vivekachudamani saddled withconflict-of-interest limitations—aWP:Boomerang result.[6]
I live in Oakland with my second wife, a web programmer. We met in early 1996 and married in May 2001. I learned to tango with my wife and we have danced in Washington DC, Berlin, Madrid, Buenos Aires, Puerto Vallarta, Denver, and many cities along the West Coast of the US. From my previous marriage I have a son and daughter, and I have six grandchildren. I like to listen to music, to hike, and to drinkmicrobrews, especially ones with a pronouncedhops flavor.
The nickname "Bink" comes from a gig I had on May 19, 1989, when I was the junior member of a McCune road crew working an event in Chicago. We flew into town the night before and I said I was going to read and get some sleep rather than go drinking and carousing with the others. They said I was doing it all wrong, that road gigs are for cutting loose. The next morning they announced that they had dubbed me "Binky", and that I must answer to that name whether I liked it or not. I didnot like it, and I worked hard the next few years to get people to call me "Bink", which I thought was a better moniker, somewhat more mature-sounding. I had more success with this effort as time progressed. On the positive side, the nickname helped me stand out from all the Mikes and Michaels.
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