| Up Pompeii | |
|---|---|
.jpg) Theatrical poster | |
| Directed by | Bob Kellett |
| Written by | Sid Colin |
| Based on | an idea byTalbot Rothwell |
| Produced by | Ned Sherrin |
| Starring | Frankie Howerd Michael Hordern Barbara Murray |
| Cinematography | Ian Wilson |
| Edited by | Al Gell |
| Music by | Carl Davis |
Production companies | |
| Distributed by | MGM-EMI |
Release date |
|
Running time | 90 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £200,000[1] |
Up Pompeii is a 1971 Britishsex comedy film directed byBob Kellett and starringFrankie Howerd andMichael Hordern.[2] It was written bySid Colin based on an idea byTalbot Rothwell.
It is based on characters from the British televisionsitcomUp Pompeii! (1969–1975). There were two sequels:Up the Chastity Belt (1971), andUp the Front (1972).
Lurcio becomes the inadvertent possessor of a scroll bearing all the names of the proposed assassins ofNero. The conspirators need to recover the scroll fast, but it has fallen into the hands of Lurcio's master, Ludicrus Sextus, who mistakenly reads the contents of the scroll to the Senate. Farcical attempts are made to retrieve the scroll beforePompeii is eventually consumed by the eruptingVesuvius.
Ned Sherrin and Terry Glinwood formed Virgin Films, which made seven films beginning with this and its sequels.
Frankie Howerd's agentBeryl Vertue sold the idea of a film version ofUp Pompeii toNat Cohen. Sherrin wrote that Cohen "had spotted the potency of cheap TV spin-offs and was envious of the Boulting brothers’ success withTill Death Us Do Part (1968)." Cohen hired Sherrin to produce.[3]
In May 1970 it was announced the film would be the first in a series of comedies produced by Ned Sherrin for Anglo-EMI, the second of which would beThe Last Virgin Left Alive from a script byEleanor Bron andJohn Fortune based on the novelJam Today by Susan Barratt.[4] Anglo-EMI's head Nat Cohen said "I am convinced the key to recapturing large cinema audiences is a good, uproarious comedy."[5] The deal was negotiated by Vertue, a director of London Associated Films Limited with Cohen and Sherrin.[6]
Sherrin felt "Frankie’s unique comic quality had never been captured on the screen. Nor did we, despite the ingenuity of the director, Bob Kellett, really manage to pin it down."[3] Sherrin says this was because Howerd performed best in front of a live audience and struggled without it. "He was often very funny, particularly in the first two films of the series, but still a fraction of his commanding presence on stage."[7]
Talbot Rothwell wrote the scripts to the television series but was busy writingCarry On movies so the screenplay was written by Sid Colin.[citation needed]
TheRobert Stigwood Organisation had money in the film.[8] In March 1972 Stigwood would buy out Virgin Films.[9]
Filming took place at MGM-EMIElstree Film Studios,Borehamwood, in August 1970.Billy Walker the boxer was given his first screen role.[10] The producers were able to use left over sets fromJulius Caesar (1970) which had just finished filming.[11]
A version was made for American audiences with six minutes of additional footage including a prologue and epilogue and Lurcio setting the scene.[1]
It is ironic to note that on television, where the story took place many years before Nero's rule, Lurcio and the others lived on to a further series.
The film was the 10th most popular film at the British box office in 1971.[12][13] By June 1972 it had earned EMI a profit of £20,000.[14]
The Monthly Film Bulletin wrote: "Although the screenplay is credited to Sid Colin,Up Pompeii is distinguishable only by its length from the TV comedy series written by Talbot Rothwell. The jokes are not merely similar but in some cases actually the same; and apart from the clumsily staged eruption of Vesuvius and collapse of Pompeii evidence of an attempt to translate television into cinema is slight. However, the cast is more illustrious than usual, and in addition to Frankie Howerd's asides, fans of the series have an extra treat in Patrick Cargill's accomplished portrayal of boredom in the person of the Emperor Nero."[15]
Filmink called it "hugely fun".[16]
TheRadio Times Guide to Films gave the film 2/5 stars, writing: "Unfortunately, the blatantly obviousCarry On-style formula (the cast even features Carry On regular Bernard Bresslaw) only works sporadically. There's more interest in trying to put names to the plethora of familiar British faces in the cast, among them Patrick Cargill as the Emperor Nero and Michael Hordern as the unfortunate Ludicrus Sextus."[17]
Leslie Halliwell said: "Yawnmaking spinoff of a lively TV comedy series: the jokes just lie there, and die there."[18]