Twelve Devas
(14th-/15th-century hanging scrolls)

Taishakuten

Katen

Enmaten

Rasetsuten

Suiten

Futen

Bishamonten

Ishanaten

Bonten

Jiten

Nitten

Gatten

TheTwelve Devas orJuniten (Japanese:十二天,Jūniten orJapanese:十二大天衆,Jūnidaitenju) are twelveJapanese Buddhist guardiandeities (devas orten), associated with directions and celestial bodies.^[1][2] They are essentiallyHindu gods, incorporated inJapanese Esoteric Buddhism (Mikkyō).^[3]

Initially, the group consisted ofeight deities calledHappoten orHappouten (Japanese:八方天), associated with the four cardinal and four semi-cardinal directions. Later, the deities of Heaven (Zenith) and Earth (Nadir) were added, making the group of ten –Jitten (Japanese:十天). Finally, the Sun and the Moon deities joined the group to form the Twelve Devas.^[3][4]

The Twelve Devas are depicted together in a group, generally in paintings on folding screens which are used in esoteric rituals.

The Twelve Devas are:^[2][3]

No	Name	Japanese	Sanskrit Name	Hindu equivalent	Seed ([Bīja])[clarification needed]	Direction/Association
1	Taishakuten	帝釈天	Indra/Śakra	Indra		East
2	Katen	火天	Agni	Agni		Southeast, Fire
3	Enmaten	焔魔天	Yama	Yama		South
4	Rasetsuten	羅刹天	Rākṣasa/Nirṛti	Rakshasa/Nirrti		Southwest
5	Suiten	水天	Varuṇa	Varuna		West, Water
6	Futen (Fuuten)	風天	Vāyu	Vayu		Northwest, Wind
7	Bishamonten	毘沙門天	Vaiśravaṇa	Kubera (Vaisravana)		North
8	Ishanaten (Izanaten)	伊舎那天	Iśana	Ishana/Shiva[5]		Northeast
9	Bonten	梵天	Brahma(n)	Brahma		Zenith/Heaven
10	Jiten	地天	Pṛthivī	Prithvi		Nadir/Earth
11	Nitten	日天	Sūrya/Āditya	Surya		Sun
12	Gatten	月天	Candra	Chandra		Moon

The Twelve Devas functioned as guardians of Esoteric Buddhist monasteries.^[2] They are generally represented as a group in paintings.^[3] The earliest known Japanese paintings of the Twelve Devas are found inSaidaiji Temple, Nara (earlyHeian period).^[1] Another set is found inToji Temple in Kyoto, where they were used for esoteric rituals like the Latter Seven Days Ritual (Goshichinichi no Mishiho) for the New Year.^[1][2] During the late Heian period (794–1185), a procession of beings, wearing the masks of the Twelve Devas (juuniten men, 十二天面) was part of esoteric initiation rites. Later from the 12th century,^[3] the same was replaced by paintings of the deities, standing in pairs on six-panelled folding screens calledjuuniten byoubu (十二天屏風) during the initiation rituals (abhiṣeka).^[1][3]

The Twelve Devas also appear in themandalas -Taizoukai mandara, juuniten mandara andAnchin mandara.^[3]

Early images of the Twelve Devas depict them seated on animals (choujuuza; e.g, Saidaji) or seated on felt pedestals and with two attendants (e.g., Toji, now in Kyoto National Museum).^[2][3] Later paintings on folding screens usually depict them standing, sometimes on lotus pedestals.^[1][3]

Taishakuten (the king of gods - Indra) and Bonten (the creator god Brahma) are two major Hindu deities who are often depicted as the protector ofthe Buddha, after assimilation in Buddhism. In Buddhism, Taishakuten is theking of the gods and ruler of theTrāyastriṃśa Heaven. Both deities are depicted dressed asBodhisattvas. Both are depicted in life-events of the Buddha, on his either side, almost indistinguishable from each other.^[6][7]

In other depictions, Taishakuten is depicted as martial figure with a thunderbolt (vajra) in his right hand and left hand on his hip. He may be seated on an elephant.^[6]

Bonten may be depicted with one or four heads.^[1] He has a third eye and four arms, holding afly whisk, a lotus, a staff and hand with palm out. He may be seated on a pedestal of four geese.^[7]

Katen (lit. "fire deva") is generally depicted as a serious-faced, aged hermit. His hair and beard are white. His complexion may be red. He is surrounded by a flaming aureole. He may have two or four arms. In his four arms, he generally holds a bamboo stick with some leaves or a staff, a fiery triangle, a rosary and a water vessel. He may ride a blue sheep.^[8][9]

The compassionate-faced Enmaten holds astaff with a head at the top; his other arm is bent with the palm outwards. He may ride a buffalo.^[10][11]

Rasetsuten or Nirichi is the king of the demonicrasetsu (Rakshasa). He may be seated on a lion. He wears an armour. He may be depicted with a fiery halo. In his right hand, he holds a sword and makes a "sword"mudra (hand gesture) with his left hand.^[12][13]

Suiten (lit "water deva") can be depicted as a fair water spirit, in vibrant garments.^[14] He may depicted dressed in armour. He may have a snake-noose in his right hand, while the other hand is held against his waist as a fist. He wears a crown of serpents. His complexion may be depicted as light blue. He may be seated on a tortoise.^[15]

Futen (lit. "wind deva") is depicted as an aged man. He holds the scepter of the wind.^[16]

Bishamonten (Tamonten) is clad in armour and holds a jewelled staff (sansageki) in his right hand and a jewelledpagoda (houtou,stupa) in the other hand.^[17][18]

Ishanaten holds a trident and a bowl, filled with blood.^[19]

Jiten (lit. "earth deva") or Kenrojin (“solid earth deity”) may hold a vase or flowers in a basket in his hand.^[1][20]

Nitten (lit. "sun deva") may be depicted similar to abodhisattva. He may be seated on a cart pulled by three to seven white horses. He may hold a lotus or a sun disc with a three-legged rooster in it.^[1][21][22]

Gatten (lit. "moon deva") may be depicted similar to abodhisattva. He may be seated on a white goose. He sometimes holds a crescent moon with a rabbit on it.^[23]

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