Tony Iommi | |
|---|---|
 Iommi performing withHeaven & Hell in 2009 | |
| Born | Anthony Frank Iommi Jr. (1948-02-19)19 February 1948 (age 77) Handsworth, Birmingham, England |
| Citizenship |
|
| Occupations |
|
| Spouses | |
| Children | 2 |
| Musical career | |
| Genres | Heavy metal |
| Instruments | Guitar |
| Years active | 1964–present |
| Labels | |
| Formerly of | |
| Website | iommi |
Musical artist | |
Anthony Frank Iommi Jr.[1] (/aɪˈoʊmi/; born 19 February 1948)[2] is an English musician. He co-founded the pioneeringheavy metal bandBlack Sabbath in 1968, and was the guitarist, leader, maincomposer, and only continuous member during the band's existence for over fifty years, playing guitar onall of their releases. He is considered one of the creators of heavy metal music and has been referred to as the "Godfather of Heavy Metal".[3][4][5]
As a teen, Iommi lost the tips of his right-hand ring and middle fingers in awork accident at asheet metal factory, which influenced his distinct playing style. Hedown-tuned his guitar and used morepower chords (partly to make playing easier), and made much use of thetritone (or 'devil's interval'), resulting in a 'heavier' and 'darker' sound that became a hallmark of heavy metal. As well as Black Sabbath, he was briefly live guitarist forJethro Tull in 1968. Iommi intendedSeventh Star (1986) to be his first solo album, but the record label decided to release it under the Black Sabbath name. In 2000, he released his first official solo albumIommi, followed in 2005 byFused, which featured former bandmateGlenn Hughes. In 2006 Iommi formedHeaven & Hell with former Black Sabbath bandmates. They releasedThe Devil You Know (2009), before disbanding after the death of singerRonnie James Dio in 2010.
Iommi is widely regarded as one of the greatest and most influential rock guitarists of all time. He has won many awards, including threeGrammy Awards and a Lifetime Achievement Award from theNational Guitar Museum, and is honoured on theBirmingham Walk of Stars. In 2011, Iommi published his autobiography, entitledIron Man: My Journey Through Heaven and Hell with Black Sabbath.
Iommi was born at Heathfield Road Maternity Hospital inBirmingham;[2][6] he is the only child ofItalian immigrants Sylvia Maria (née Valenti) fromPalermo, Sicily, and Anthony Frank Iommi Sr. fromMarche.[6][7] Sylvia's family werevineyard owners in Italy.[6] The family wasCatholic, though they rarely attended Mass.[8] Their family home in the Park Lane area ofAston also housed a shop which was a popular meeting place in the neighbourhood,[9] with the living room doubling as the shop'sstockroom.[10] His mother ran the shop while his father was a carpenter by trade.[9]
Born and raised inHandsworth, Birmingham, Iommi attended Birchfield Road School, where future bandmateOzzy Osbourne was also a pupil one year behind him.[11] At age eight or nine, while being chased by another boy, Iommi fell and cut his upper lip.[12] As a result, he gained the nickname "Scarface", which made him self-conscious, so he eventually grew his trademark moustache as a means of covering the scar.[12]
At about age 10, Iommi began working out and learned judo, karate, and laterboxing as a means of protecting himself from the local gangs which congregated in his neighbourhood.[13] He envisioned a future as a bouncer in a nightclub.[14] Iommi initially wanted to play the drums, but due to the excessive noise he chose the guitar instead as a teenager, after being inspired by the likes ofHank Marvin andthe Shadows.[15] After completing school, Iommi worked briefly as a plumber and later in a factory manufacturing rings. He stated that at one point he worked in a music store, but quit after being falsely accused of stealing.[16]
At the age of 17, Iommi lost the tips of the middle and ring fingers of his right hand (his fret-board hand, since he is left-handed) in an industrial accident on his last day of work in asheet metal factory.[17][18] Iommi described how he "was told 'you'll never play again'. It was just unbelievable. I sat in the hospital with my hand in this bag and I thought, that's it – I'm finished. But eventually I thought 'I'm not going to accept that. There must be a way I can play'."[19] After the injury, Iommi's factory foreman played him a recording of famous jazz guitaristDjango Reinhardt, which encouraged him to continue as a musician. As Iommi later wrote:
My friend said, "Listen to this guy play", and I went, "No way! Listening to someone play the guitar is the very last thing I want to do right now!" But he kept insisting and he ended up playing the record for me. I told him I thought it was really good and then he said, "You know, the guy's only playing with two fingers on his fretboard hand because of an injury he sustained in a terrible fire." I was totally knocked back by this revelation and was so impressed by what I had just heard that I suddenly became inspired to start trying to play again.[20]
Inspired by Reinhardt's two-fingered guitar playing, Iommi decided to try playing guitar again, though the injury made it quite painful to do so.[21] Although it was an option, Iommi never seriously considered switching hands and learning to play right-handed. In an interview withGuitar World magazine, he was asked if he was "ever tempted to switch to right-handed playing". Iommi responded:
If I knew what I know now I probably would have switched. At the time I had already been playing two or three years, and it seemed like I had been playing a long time. I thought I'd never be able to change the way I played. The reality of the situation was that I hadn't been playing very long at all, and I probably could have spent the same amount of time learning to play right handed. I did have a go at it, but I just didn't have the patience. It seemed impossible to me. I decided to make do with what I had, and I made some plastic fingertips for myself. I just persevered with it.[22]
To play left-handed, he fitted homemade thimbles to his injured fingers to extend and protect them; the thimbles were made from an oldFairy Liquid bottle – "melted it down, got a hot soldering iron and shaped it like a finger" – and cut sections from a leather jacket to cover his new homemade prosthetic,[19] which created two technical problems. First, the thimbles prevented him from feeling the strings, causing a tendency to press down very hard on them. Second, he had difficulty bending strings, leading him to seek light-gaugeguitar strings to make it easier to do so.[23] However, Iommi recalls that such strings were not manufactured at the time, so he usedbanjo strings instead, until around 1970–71 whenPicato Strings began making light-gauge guitar strings.[24] Furthermore, he used the injured fingers predominantly for fretting chords rather than single-note solos.[25] In 1974, Iommi toldGuitar Player magazine that the thimbles "helped with his technique" because he had to use his little finger more than he had before the accident.[26] Later, he also began tuning his guitar to lower pitches, sometimes as far asthreesemitones below standard guitar tuning (e.g., on "Children of the Grave", "Lord of this World", and "Into the Void", all on the albumMaster of Reality). Although Iommi states that the main purpose of doing so was to create a "bigger, heavier sound", slackening the strings makes it easier to bend them.[27]
Iommi reflected in 2016 saying that his greatest regret is losing his fingertips:
It became a burden. Some people believe the accident invented heavy metal. It helped me invent a new kind of music. I play a new sound and a different style of playing, and a different sort of music. Really, it turned out to be a good thing off a bad thing.[28] But I don't know whether it did. It's just something I've had to learn to live with. It affects your playing style; you can't feel the strings, and there are certain chords I can't play. Right at the beginning I was told by doctors: "You won't be playing guitar." But I believed I could do it, and I did.[29]
Iommi had played in several blues/rock bands, one of the earliest of which was the Rockin' Chevrolets from 1964 to 1965. The band had regular bookings. Iommi later joined The Birds And Bees, and when they were offered work in Germany, Iommi decided to leave his factory job to take up the opportunity.[30] From 1966 to 1967, Iommi played in a band named the Rest. It was in the Rest that Iommi first met future-Black Sabbath drummerBill Ward, who played drums and sang in the band.[31]
From January until July 1968, Iommi was guitarist inMythology, with Ward joining a month later in mid-February. In May 1968 police raided the group's practice flat and found cannabis resin, which resulted in fines for the band members. Most significantly, the incident made it quite difficult for the band to secure future bookings as most club owners avoided bands they viewed as drug users.[32] Mythology subsequently split up after a gig inSilloth on 13 July 1968.
In August 1968 at the same time as the break-up of Mythology, another Birmingham band called Rare Breed also broke up. VocalistOzzy Osbourne joined with Iommi and Ward after the duo responded to an advert in a local music shop proclaiming "Ozzy Zig Requires Gig – has own PA".[33] Requiring a bassist, Osbourne mentioned his former Rare Breed bandmateGeezer Butler, who was subsequently hired along withslide guitarist Jimmy Phillips and saxophonist Alan "Aker" Clarke.[34] The six-piece band were named the Polka Tulk Blues Band.[34] After just two gigs (the last of which was at the Banklands Youth Club in Workington), Phillips and Clarke were dismissed from the band, which soon after shortened its name to Polka Tulk.[35]
Iommi, Butler, Ward, and Osbourne renamed the band Earth in September 1968. The same month Iommi briefly departed to joinJethro Tull, but only gave two performances with them (an appearance onThe Rolling Stones Rock and Roll Circus in which the band mimed "A Song for Jeffrey" whileIan Anderson sang live, and a live appearance at the BBC). Iommi rejoined Earth in November 1968.
Concerning his brief working relationship with Jethro Tull vocalist Ian Anderson, Iommi said:
I learned quite a lot from him, I must say. I learned that you have got to work at it. You have to rehearse. When I came back and I got the band (Earth) back together, I made sure that everybody was up early in the morning and rehearsing. I used to go and pick them up. I was the only one at the time that could drive. I used to have to drive the bloody van and get them up at quarter to nine every morning; which was, believe me, early for us then. I said to them, "This is how we have got to do it because this is how Jethro Tull did it." They had a schedule and they knew that they were going to work from this time till that time. I tried that with our band and we got into doing it. It worked. Instead of just strolling in at any hour, it made it more like we were saying, "Let's do it!"
 | This section of abiography of a living personneeds additionalcitations forverification. Please help by addingreliable sources.Contentious material about living persons that is unsourced orpoorly sourcedmust be removed immediately from the article and its talk page, especially if potentiallylibelous. Find sources: "Tony Iommi" – news ·newspapers ·books ·scholar ·JSTOR(August 2020) (Learn how and when to remove this message) |
.jpg)
In August 1969, after being confused with another group named Earth (who had minor success in England), the group renamed themselves Black Sabbath. His factory accident affected the Black Sabbath sound; Iommi hadtuned down his guitar by 1971'sMaster of Reality album, lowering string tension and easing the pain to his fingertips. Black Sabbath bassistGeezer Butler did the same to match Iommi. Sabbath was among the first bands to utilize lower tunings, and the technique became a mainstay ofheavy metal music. Iommi combinedblues-like guitar solos and dark, minor-key riffing with a revolutionary high-gain, heavily distorted tone with his use ofpower chords, a modifiedtreble-boosting effect-pedal and aGibson SG.
By the late 1970s, Black Sabbath were experiencing problematic substance use, managerial problems, and touring exhaustion. In addition, the band's slow, blues-driven riffs were seen by some as outmoded against the rising generation of metal bands such asJudas Priest andMotörhead. After the albumsTechnical Ecstasy andNever Say Die! were not universally critically well received, Iommi and Butler decided that Sabbath needed a fresh start so, in the summer of 1979, they replaced Osbourne withRonnie James Dio, the former vocalist forRainbow. With Dio, Black Sabbath producedHeaven and Hell, an album that attempted to update Black Sabbath's sound for the 1980s and include the soaring vocals that characterised the NWOBHM (New wave of British heavy metal) scene. Halfway through the 1980 tour, Bill Ward dropped out due to alcohol problems and displeasure with the direction that Dio was taking the band. He was replaced byVinny Appice. With Iommi and Geezer Butler the only original members, this line-up producedMob Rules. Dio quit the following year to begin a solo career, so Sabbath went through a revolving door line-up for the next decade with a succession of frontmen:Ian Gillan,Glenn Hughes,Ray Gillen, andTony Martin. After Ian Gillan (formerly ofDeep Purple) departed the band in 1984, Geezer Butler left as well. With Sabbath in effective hiatus, Iommi recorded his first solo album, entitledSeventh Star. The album featured Glenn Hughes (also formerly of Deep Purple) on vocals, but due to label pressures, it was billed as a release by "Black Sabbath featuring Tony Iommi".
In 1992, Iommi appeared atThe Freddie Mercury Tribute Concert, playing four songs with the remaining members ofQueen and other guest artists. Geezer Butler also returned to Sabbath that year. In the following year Iommi teamed up with fellowBlack Country bandDiamond Head andco-wrote the song "Starcrossed (Lovers in the Night)" for their 1993Death and Progress album. At Osbourne's "farewell" concert at Costa Mesa in 1992, Dio refused to perform and abruptly left the band. As a result,Rob Halford was recruited to perform as the vocalist for two gigs (Halford also sang at one of the dates on the 2004 Ozzfest tour, when Osbourne could not perform due to bronchitis). Following Osbourne's solo set, the show concluded with the other members of the original Black Sabbath line-up joining for a 4-song reunion.
Black Sabbath went on to record two further albums with Tony Martin before the original line-up reunited as a touring band in 1997. While Bill Ward played at the two initial reunion shows at Birmingham NEC in December 1997, he was not present for the following two reunion tours, his second absence due to a heart attack. Ward was replaced byMike Bordin and thenVinny Appice.
On 11 November 2011, Black Sabbath announced that they would be reuniting with the original line-up and would be recording a new album. Bill Ward did not participate and was eventually replaced byRage Against the Machine drummerBrad Wilk for drum sessions.[36] The new album,13, was released in June 2013. They disbanded at the conclusion ofThe End Tour in early 2017.
In October 2006 it was reported that Iommi would tour withRonnie James Dio,Geezer Butler andBill Ward again, but under the nameHeaven & Hell. Later it was announced that Ward had decided not to participate and Vinny Appice was hired as his replacement.[37] Rhino Records releasedThe Dio Years (under the 'Black Sabbath' moniker) album on 3 April 2007. The album showcased older tracks with Dio and also included three brand new songs recorded with Dio and Appice.
The band started an American tour in April 2007 withMegadeth andDown as opening acts. The tour finished in November in England with the prospect of an album to follow in 2008. During this period the band's show at the New York Radio City Music Hall was released as both a live DVD and CD with a vinyl release in the UK in 2008. During the summer of 2008 the band embarked on theMetal Masters Tour along withJudas Priest,Motörhead andTestament.[38] The band's first and only studio album,The Devil You Know, was released on 28 April 2009.[39]
Dio died ofstomach cancer in May 2010, and on 14 June 2010, Iommi announced that Heaven & Hell would perform a one-off tribute to Ronnie James Dio at the High Voltage Festival, London on 24 July 2010. This was the band's last performance under the name.
.jpg)
In 2000, Iommi released his first proper solo album, titledIommi. The album featured several guest vocalists includingIan Astbury,Skin,Henry Rollins,Serj Tankian,Dave Grohl,Billy Corgan,Phil Anselmo,Peter Steele, and Osbourne. In late 2004 Iommi's second solo album was released, entitledThe 1996 DEP Sessions. This album was originally recorded in 1996 but was never officially released. However, a copy with a drum track byDave Holland was available as a bootleg calledEighth Star.Glenn Hughes performed vocals on the album and he furthered his collaboration with Hughes with the release of his third solo album,Fused. Released on 12 July 2005,John Mellencamp drummerKenny Aronoff completed the trio on the album.
In 2009, Iommi signed withMike Fleiss's movie production company Next Films toscore a series of horror films entitledBlack Sabbath.[40]
Starting in 1989, Iommi was involved in theRock Aid Armenia project. In October 2009 Iommi and his colleagueIan Gillan were awarded theOrders of Honor –Armenia's highest order, which were delivered to them by the Prime Minister of Armenia for their help after theSpitak earthquake.[41] They formed thesupergroupWhoCares and recorded a single called "Out of my Mind", which was released 6 May 2011 for the benefit of the music school to be built inGyumri, Armenia. In January 2012, when Iommi was announced to have stage three lymphoma, the Armenian Prime Minister sent a letter of support: "We know your spirit is strong as ever, and we do believe the genius of your inspiration that guides you through the work on the new Black Sabbath album will transform into a boost of strength and energy that you need now, when things look tough".[42] Iommi wrote the song "Lonely Planet" which was sung byDorians forArmenia in the2013 Eurovision Song Contest.[43][44]
Iommi made an appearance in 2020 on the track "Astorolus—The Great Octopus" byCandlemass, which received a Grammy nomination.
November 2021 saw a completely different side to Iommi with the launch of a perfume in collaboration with Italian brandXerjoff. As well as the scent, Iommi created a track and video, his first instrumental single – "Scent of Dark".
In July and August 2022, Iommi performed at both the opening and closing of theCommonwealth Games in Birmingham. At the opening ceremony, Iommi played guitar on a song called "Hear My Voice" performed by British saxophonist and rapperSoweto Kinch. Iommi reunited with Ozzy Osbourne to play at the closing ceremony. They were joined by 2017 Black Sabbath touring musicians Tommy Clufetos and Adam Wakeman for a medley of "Iron Man" and "Paranoid".[45][46]
Iommi performed guitar on two songs for the 2022Ozzy Osbourne albumPatient Number 9, "No Escape from Now" and "Degradation Rules",[47] the latter winning the Best Metal Performance Grammy in February 2023.
He collaborated withBirmingham's Royal Ballet onBlack Sabbath – The Ballet, which proved to be a resounding success.[48] His music from the first few Sabbath albums formed the bedrock that the complete music score was based on.
In 2024, Iommi released the instrumental track "Deified", revisiting his partnership with Xerjoff.[49]
On 21 May 2025, Iommi was featured on English singer-songwriterRobbie Williams' single "Rocket".[50][51]
Iommi holds dual British and Italian citizenship, acquiring the latter due to his parents.[6][7] Iommi purchased his first house inStafford, in 1972. He also purchased an adjacent property for his parents.[52]
Iommi has been married four times.[53] In late 1973, Iommi married Susan Snowden, to whom he had been introduced by Black Sabbath's then-managerPatrick Meehan.[54] The song "Fluff", one of Iommi's instrumental compositions later released on theSabbath Bloody Sabbath album, was played as Snowden walked down the aisle.[55]Led Zeppelin drummerJohn Bonham was Iommi'sbest man for the ceremony.[56] The marriage lasted for three years. Iommi said in a 1991Guitar World interview that the troubled recording and mixing of Black Sabbath's 1976 albumTechnical Ecstasy contributed to the end of his marriage.
Iommi married American model Melinda Diaz in 1980. They had a daughter, Toni-Marie Iommi, in 1983, who was the vocalist for the now-defunct band LunarMile.[57] Iommi divorced Melinda in the mid-1980s.[58] When Toni-Marie was 12 years old, Iommi won custody of her after she was placed infoster care. Toni-Marie has described her early childhood with a mentally unbalanced mother as difficult but says that her father finally "saved her". She has stated that with her father she was able to regain her trust in other people.[59]Mikko "Linde" Lindström, guitarist with Finnish bandHIM, became engaged to Toni-Marie in August 2010.[60] In 2013, the couple were reported to have broken up.[61]
In 1986–1987, Iommi met an English woman named Valery, and after a six-year relationship they married. She had a son from a previous relationship named Jay. They divorced in the late 1990s.[62][page needed] Iommi confirmed in the sameGuitar World interview referenced above (a co-interview with Metallica's James Hetfield) that he has a son. He told Hetfield regarding the band's so-called "Black Album", that "my son gave me a copy of your latest album...".
In 2005, Iommi married Maria Sjöholm, formerly vocalist for Swedishalternative metal bandDrain STH. They met around 1998, when Tony was working on music for Drain STH. After a year of talking on the phone, in 1999, Maria relocated to England and moved into Tony's home. On 19 August 2005, without telling anyone, Maria and Tony married at the Sunset Marquis hotel. On page 312 of his book, Tony calls the low-key wedding the "Best thing I ever did!"[63]
During the mid-1980s Iommi was briefly engaged to rock musicianLita Ford, formerly ofthe Runaways.[64][65] Iommi co-produced her solo albumThe Bride Wore Black, which to date remains unreleased.[66][67] Ford herself has said that her involvement with him during that period was strictly personal and that he had no involvement in the half-finished album.[68] She said in a 1989Kerrang! interview that "there's a certain amount of bad blood between Tony and I."[citation needed]
In early 2012, Iommi was diagnosed with the early stages oflymphoma,[69] for which he underwentsuccessful treatment.Black Sabbath's 2013 tour dates were arranged so that Iommi was free to return to the UK once every six weeks to have anantibody administered.[70] On 3 January 2014, in a New Year message, Iommi announced that he would be finishing his regular treatment some time that year.[71] A few months later, Black Sabbath announced that due to Iommi's health issues, they were undertaking their final tour.[72] As of 11 August 2016[update] Tony Iommi announced that his cancer was in remission.[73]
According to a report inRolling Stone magazine from 9 December 2016, Iommi revealed that he was due to have an operation to remove alump from his throat. In an early 2017 interview with the UK radio showPlanet Rock, Iommi explained that the lump was not cancerous.[74]
Iommi said in 2016 that he believed in God and was aCatholic, but that he had not attended church services since childhood.[29] In January 2017, a choral work by Iommi entitled "How Good It Is" – with lyrics inspired byPsalm 133 – received its debut performance atBirmingham Cathedral.[75]Catherine Ogle, theDean of Birmingham, said, "This is a most wonderful gift Tony offered to the cathedral."[75] Despite this, Iommi clarified toNBC News that "How Good It Is" wasn't anything to do with religion: "I don't follow any religious path... religiously", he stated.[76]
In his autobiography, Iommi writes that his parents were Catholics but were not regular churchgoers. He continues, "I hardly go to church either. I wouldn't know what to do there. I actually do believe in a God, but I don't feel that I have to press the point."
Iommi is widely regarded as one of the greatest rock guitarists of all time. In 2005,Metal Hammer magazine ranked him number 1 on the poll of the "Riff Lords", praising his "highly distinctive style of fretsmanship that's economical yet crushingly effective".[77] In 2007,Classic Rock magazine ranked him number 6 on their list of the "100 Wildest Guitar Heroes".[78] In 2011,Rolling Stone magazine ranked him number 25 in their list of the "100 Greatest Guitarists of All Time".[79]Joel McIver ranked him the 6th greatest metal guitarist of all time. In 2012, readers ofGuitar World ranked Iommi the seventh-greatest rock guitarist of all time.[80] Editors of the same magazine ranked him the greatest heavy metal guitarist of all time.[81]
Ian Anderson ofJethro Tull said: "Tony managed to turn his physical impairment around into something that makes him one of the guitar legends – if not for his dexterity of playing but at least for the fact that his contribution to rock music is a unique one".[82]Gene Simmons ofKiss regarded him as "the man who came up with the riffs that launched an army of guitar players";[83] Ozzy Osbourne called him "the master of the metal riff" andRonnie James Dio called him "the ultimate riff master".[84]
Furthermore, Iommi is recognised by many as the main creator of heavy metal music.Brian May ofQueen considers him "the true father of heavy metal",[85]Eddie Van Halen stated that "without Tony, heavy metal wouldn't exist. He is the creator of heavy!"[85] andJames Hetfield ofMetallica, who was profoundly influenced by Iommi, defined him "the king of the heavy riff".[86]Rob Halford, vocalist forJudas Priest, when filling in for Ozzy Osbourne during an August 2004 concert in Philadelphia, introduced Iommi to the audience as "the man who invented the heavy metal riff".[87]Michael Amott ofCarcass andArch Enemy considers Iommi his "guitar hero"[88] and the world's greatest guitarist "because he invented the heavy tone and evil riff".[89] According toLamb of God singerRandy Blythe, "Iommi is the reason heavy metal exists".[88]HP Newquist of the National Guitar Museum stated that "his guitar playing has defined the sound of heavy metal for more than four decades, and he has influenced countless thousands– if not millions– of players."[90]
He has been credited as the forerunner of other styles:Martin Popoff defined him "the godfather ofstoner rock";[91] Jeff Kitts andBrad Tolinski ofGuitar World assert that "grunge,goth,thrash,industrial,death,doom... whatever. None of it would exist without Tony Iommi".[92] According toHawaii Public Radio: "it is hard to imagineNirvana,Soundgarden,Pearl Jam orAlice in Chains without Black Sabbath, and without Tony Iommi. Judas Priest,Iron Maiden,Scorpions, Metallica,Slayer,Pantera and essentially every metal band can be traced to the musical framework found in Iommi compositions".[93]
Many notable musicians count Iommi as a major influence on their own playing; some of them includeJeff Hanneman (Slayer),Dimebag Darrell (Pantera),[94]Slash (Guns N' Roses,Velvet Revolver),[95]Scott Ian (Anthrax),[96]Zakk Wylde (Ozzy Osbourne,Black Label Society),[97]Tom Morello (Rage Against the Machine),[98]Billy Corgan (the Smashing Pumpkins),[99]Kim Thayil (Soundgarden),[100] andNick Oliveri (Kyuss,Queens of the Stone Age).[101]Jerry Cantrell of Alice in Chains was strongly influenced by Iommi's darkbendings, which he uses often.[102]Andy LaRocque ofKing Diamond said that the clean guitar part of "Sleepless Nights" from theConspiracy album is inspired by Iommi's playing onNever Say Die!.[103]
Iommi has won a number of awards. These includeQ Awards (Gibson Les Paul Award, 2015),[104] the Lifetime Achievement Award from theNational Guitar Museum,[105]Kerrang! Awards (Icon, 2018),[106] as well as threeGrammy Awards.[107][108]In November 2008 Iommi had a star revealed on theBirmingham Walk of Stars.
On 19 November 2013, Iommi received an Honorary Doctorate of Arts degree fromCoventry University. The honorary degree came "in recognition of his contribution to the world of popular music", and recognised "his role as one of the founding fathers of heavy metal music and his status as one of the industry's most influential figures", the university said.[109] Iommi is also a visiting professor of music at Coventry University.[110]
One week before their farewell "Back to the Beginning" concert, Iommi and the other original members of Black Sabbath were each madeFreemen of the City of Birmingham.[111]
Iommi's deep and heavy sound was partly born out of necessity– his "revolutionary signature sound" being the result of the accident and the subsequent downtuning by threesemitones. He said that his "extreme volume" was likewise necessary, "because we were fed up with people talking over us while we were playing."[23]
"It was the same with 24-fret necks. I put money into a company because I couldn't get guitars built the way I wanted them. I had to prove it to the manufacturers. So I put money into John Birch guitars, and he built my guitars. I had to prove it worked. All of this was done by experimenting and trial and error. I paid for that myself in the early days to show it could be done. And I paid for all these companies to get the benefits nowadays. Back then they all said it couldn't be done. I also used locking nuts years and years ago without a tremolo, before locking nuts were the norm."
Built in Birmingham by luthier John Diggins sometime between 1975 and 1978, the guitar was first used for overdubs on the 'Heaven and Hell' album and later became one of Iommi's main guitars. The guitar is equipped with a 24 fret neck with custom cross inlays, four control knobs (three of which are functional), a disconnected second output jack, a hole for a master volume knob on the pick guard covered up with a black stopper and a highly distressed finish. He had two more built for him. One was made to the same specifications of his first Jaydee SG with a red finish. Another one was made and used during theBorn Again era, which can be seen on the music videos for "Trashed" and "Zero the Hero". The differences are the finish, headstock, use of a stoptail bridge, and use of rail humbuckers, as opposed to the 18-pole humbuckers on his two other versions.
A 1965 Gibson SG Special in red finish fitted with a GibsonP-90 pick-up in the bridge position and a custom-wound John Birch Simplux, a P-90 style single coil in the neck position. The guitar became Iommi's main instrument after his white Stratocaster's neck pick-up failed during the recording of Black Sabbath's self-titled album. It is currently on permanent display at the New York CityHard Rock Cafe .
The guitar was built by the Gibson Custom Shop in Nashville after Iommi's specifications and finished in 1997. The guitar is one of two made as prototypes for the Gibson Custom Shop Limited Edition Iommi Special SG. The guitar features a neck with 24 frets and four control knobs, of which only two are active (much like his old Jaydee Custom guitar).
On 11 August 2010, Iommi announced on his website that this guitar was stolen from the RJD tribute show that Heaven & Hell performed at High Voltage on 24 July 2010. He is asking that anyone with information or leads let them know. He is offering a reward for its safe return.[116]
A stockEpiphone SG signature model in black finish fitted with P-94 pick-ups which is a version of the GibsonP-90 pick-up designed to fit into existing humbucker housings.
A regular left-handed version of the SG fitted with two extra frets to give Iommi the full two octaves which he prefers. The guitar is equipped with his signature pick-up. Iommi was the first guitarist to have a signature pick-up designed and built byGibson. He also has another model fitted with aFloyd Rose floating tremolo.[118]
"I also came up with a guitar with interchangeable pickups you could slot in from the back. It was a John Birch guitar. We only sold one, andRoy Orbison bought it. I came up with that years ago and the first one was made for me to use in the studio. At the time I had a lot of problems tuning guitars because of the neck and the light strings on the Gibson. I decided to come up with a guitar that I could use in the studio with different sounds so that I didn't have to keep changing guitars. You could slot a pickup in it and get a Fender sound, then slot a different pickup in it and get a Gibson sound. That was the idea. I did use it for a while, but they were too expensive to mass-produce."
Iommi played a Fender Stratocaster that was spraypainted white by Iommi and his father during the early days with Black Sabbath. However, the neck pick-up malfunctioned during the recording of their first album, so Iommi quickly turned to his backup Gibson SG to finish the record. Currently Iommi owns two Stratocasters, one of which has been modified with his signature pick-up in the bridge position.
Custom built for Iommi by St. Moritz guitars, this is a replica of Iommi's Gibson SG "Monkey". It was used on the 13 album and for the tour.
Custom built for Iommi by BC Rich. Features include Dimarzio pick-ups, two built-in preamps, scalloped fretboard and Iommi's trademark cross inlays. This guitar can be seen in Tony'sStar Licks Video, forStar Licks Productions along with a left handed BC Rich mockingbird.
A rare left-handed version of the jazz guitaristBarney Kessel artist model, built sometime in the first half of the 1960s.
Originally a regular right-handed version in red finish that was converted byEpiphone to a left-handed version to fit Iommi.
Studio albums:
