Tommaso Inghirami | |
|---|---|
 Portrait of Tommaso Inghirami (ca. 1509) byRaphael (1483–1520) | |
| Born | 1470 |
| Died | 5 or 6 September 1516 (aged 45-46) |
| Other names | Phaedra, Phaedrus, Fedra |
| Occupation(s) | Deacon of thePapal Chapel,Prefect of thePalatine Library, |
Tommaso Inghirami (1470 – 5/6 September 1516), also known asPhaedra,Phaedrus, orFedra, was aRenaissance humanist and orator. He was prefect of theVatican Library for several years and secretary of theFifth Lateran Council.
Tommaso Inghirami was born inVolterra in 1470, the son of Paolo Inghirami and of his wife LucreziaBarlettani.[1] His father, a prominent man in Volterra, was killed in a political uprising in 1472.[1] After the murder, Paolo's children were taken toFlorence and raised under the protection ofLorenzo de' Medici, who soon recognized his scholarly potential and in 1483 sent him to Rome under the protection of two of his uncles, both well-placed clerics.[1]
In 1486, Inghirami playedPhaedra in the first performance ofSeneca'sPhaedra since ancient times, staged byGiovanni Sulpizio da Veroli andRaffaele Riario, with support from theRoman Academy ofJulius Pomponius Laetus.[1] After this performance, he was known by the nickname "Phaedra" for the rest of his life,[1] though he preferred the masculine form "Phaedrus".[a]
A member of the Roman intellectual elite, Inghirami was praised for his Latin oratory byLudovico Ariosto,Pietro Bembo,Baldassare Castiglione,Paolo Giovio,Niccolò Machiavelli, andAngelo Colocci.[1]
Inghirami wasordained as a deacon of thePapal Chapel in April 1493. In 1495, he was invited to deliver the address – he titled itPanegyricus in memoriam divi Thomae Aquinatis – for the annual celebration of the feast day of St.Thomas Aquinas held by theDominicanStudium generale, the futurePontifical University of St. Thomas Aquinas (Angelicum) at the Basilica ofSanta Maria sopra Minerva in Rome.[3]
In 1496, Inghirami was sent as part of a delegation fromPope Alexander VI toMaximilian I, Holy Roman Emperor, whom he met inInnsbruck on 14 March 1497. The emperor was so impressed by an oration Inghirami gave that he named himpoet laureate andcount palatine. On 16 January of the following year, he gave a much-noted eulogy in the presence of the entire papal court at aMemorial Mass for the youngJohn, Prince of Asturias, son ofKing Ferdinand and QueenIsabel of Spain, held at the Church ofSan Giacomo degli Spagnuoli.[3] In 1505, he eulogized his teacher, Pietro Menzi da Vicenza, with an oration that denounced the corruption of the papal court, praising by contrast both the deceased and the newly electedPope Julius II. This and other eulogies he delivered were published shortly after he delivered them.[4][b]
In 1508, Inghirami suffered injuries when the mule he was riding collided with an oxcart loaded with grain. The event was recorded in anex voto, a devotional offering he commissioned to express his gratitude for surviving the accident. Attributed to Raphael, it is a small oil painting on a panel; it depicts the accident, with Inghirami trapped under the cart's wheels. It originally hung in theLateran Cathedral.[2] And art historians credit Inghirami with authorship of the program for Raphael’s frescoes that decorate theStanza della Segnatura, which establishes a relationship between ancient Roman and Renaissance culture, between the rule of the Roman Emperor Augustus and his modern counterpart, Pope Julius II.[6]
Inghirami metDesiderius Erasmus in 1509 and they became lifelong friends and correspondents. Erasmus noted Inghirami was more famous as an orator than writer.[1] In 1528, long after Inghirami's death, Erasmus used Inghirami as an example of the danger of restricting one's use of Latin to that of Cicero, citing Inghirami's 1509 Good Friday sermon in which he eschewed Church Latin and treated Christ as a self-sacrificing hero rather than the Redeemer.[7]
As a humanist scholar engaged in celebrating the ancient world he became head of a new theater company in 1510. Two years later he organized the festivities surrounding the alliance between Pope Julius and the Holy Roman Emperor. The next year he directed a performance ofPlautus'Poenulus in Latin.[8]
In 1510, Inghirami was appointedPrefect of thePalatine Library. As secretary to theCollege of Cardinals he served as secretary for thepapal conclave of 1513 which electedPope Leo X.[1] About this time he commissioned Raphael to paint his portrait. He appears in the robes of a canon of St. Peter's Basilica. Raphael had already, in 1509, used Inghirami as the model for the Greek philosopherEpicurus in his frescoThe School of Athens for the papal apartments.[2][c]
He served as secretary of theFifth Lateran Council under Pope Julius II and, after his death, underPope Leo X.[2]
Inghirami was overweight at least in his final decades, as shown in Raphael's works. He suffered fromstrabismus, the failure of the eyes to align, a condition that Raphael disguised in his portrait by focusing his gaze away from the viewer at some unseen superior or inspiration.[10] Contemporary letters hint he was homosexual[1] or state it as fact,[8] an interpretation supported by Raphael's "School of Athens" where Inghirami is embraced from behind by a half-hidden male figure, and his unusual feminine nickname of Phaedra.[2]
Inghirami died on either 5 or 6 September 1516.[3]
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