Tobias Capwell | |
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![]() Capwell (left) and Dominic Sewell escortingRichard III of England forhis reinterment | |
Born | c. 1973 Petaluma, California, U.S. |
Occupation(s) | Curator,military historian,jouster |
Notable work | Armour of the English Knight 1400–1450 |
Tobias Emanuel ("Toby")CapwellFSA (bornc. 1973) is an American historian who lives and works in London. His principal interest is in Europeanarms andarmour of themedieval andRenaissance periods (roughly, the 12th century to the 16th). He was formerlyCurator of Arms and Armour at theWallace Collection in London.
He has written and spoken extensively on both the historical and the practical aspects of his subject. Capwell is also a skilledjouster, and has claimed to be the world's only jousting curator.[1]
Capwell's interest inchivalric combat was aroused when he visited theMetropolitan Museum of Art in New York at the age of four or five, and was so impressed by an exhibit of a man inplate armour on horseback that he knew that that was what he wanted to be when he grew up.[2] He began to learn to ride at the age of eleven. Eight years later, he faced his first opponent in front of three thousand people. He has since jousted many times in Europe and America, helping to revive jousting as a competitive sport and not just as areenactment spectacle. In 1996, he moved toEngland as a founding member of theRoyal Armouries jousting team. In 2002, that team won theSword of Honour at a competition organised by the Royal Armouries. In 2005, he was a founding member of the Order of the Crescent, another jousting team. That year, he won the 'Scottish Sword of Chivalry' in a three-weektournament held by theNational Trust for Scotland and the Royal Armouries. In 2006, he became 'Queen's Champion' by winning the Royal Armouries' Queen's Golden Jubilee joust. In 2008, he won a competition held at theBern Historical Museum in Switzerland designed to reproduce a 15th-centurypas d'armes; during which, over eleven days, he defended the field against three opponents; running 132 joust passes ('courses') on horseback and fighting 22longsword combats on foot.[3]
At the same time, he was pursuing an academic career. In 2004,Leeds University awarded him aPhD for athesis on early English armour.[4] Few individual pieces, let alone full suits, of such armour, either for warfare or for sport (tournaments), have survived. He therefore based his researches not only on those, but also on Continental armour of the time, documentary sources, illustrations, artworks, and especially Englishmonumental brasses andfunerary sculptures, the last of which often have highly accurate detail.[5]
In 2012, archaeologistsdiscovered the burial place of KingRichard III of England (1452–1485), who had been killed at theBattle of Bosworth Field. Capwell was a member of the multidisciplinary academic team which studied the remains.[6] In 2015, he was one of the two mountedmen in full armour who escorted the king's coffin to his reburial site inLeicester Cathedral.[7][8]
He was the Curator of Arms and Armour at the Wallace Collection, London, from 2006 to 2022.[9] He was elected aFellow of the Society of Antiquaries in 2011.[10]
Capwell has published several books relating to his speciality. Among them is an authoritative trilogy of works,Armour of the English Knight 1400–1450 (2015),Armour of the English Knight 1450–1500 (2021), andArmour of the English Knight: Continental Armour in England 1435–1500 (2022). Reviewing the first volume inThe English Historical Review,David Palliser wrote that it "...should revolutionise the study of early fifteenth-century armour, and it is one which document-based historians would neglect to their cost... [He] is that rare scholar, an internationally-renowned expert in his field, who is also a seasoned practitioner of combat in full plate armour, one who can speak with real authority on armour as a practical and functional aspect of medieval life".[5]
He has taken part in scientific experiments designed to measure the effectiveness of thecouched lance as a weapon in knightly combat.[11]
English sculptorHenry Moore (1898-1986) was a frequent visitor to the Wallace Collection, and drew inspiration from it. In his later years, he produced several sculptures based on helmets displayed in that museum. In 2019, Capwell and Hannah Higham, in a book titledThe Helmet Heads, analysed those sculptures from the perspective of the original helmets.[12]
His television appearances have includedTimewatch: The Greatest Knight (2008,BBC2, contributor),The Private Life of a Masterpiece: Caravaggio:The Taking of Christ (2010, BBC2, contributor),Metalworks: The Knight's Tale (2012,BBC4, writer and presenter),[13]Richard III: The New Evidence (2014,Channel 4, presenter and armour advisor), andA Stitch in Time (2018, BBC4, contributor).[7][9][14]
Capwell's publications include: