| To the Teeth | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | November 16, 1999 | |||
| Genre | Folk rock Indie rock | |||
| Length | 71:44 | |||
| Label | Righteous Babe | |||
| Producer | Ani DiFranco | |||
| Ani DiFranco chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| Alternative Press | |
| The A.V. Club | (mixed)[3] |
| Chicago Tribune | (average)[4] |
| Los Angeles Times | |
| musicOMH | (positive)[5] |
| Q | |
| Robert Christgau | |
| Rolling Stone | |
| Slant | |
| Spin | (7/10)[2] |
To the Teeth is singer-songwriterAni DiFranco's 10th studio album (excludingEPs, live albums and her collaborations withUtah Phillips), released in November 1999.
To the Teeth has a more political and self-questioning edge than many of her earlier works. It is also considerably more experimental, with "Freakshow", "Swing", "Carry You Around" and "The Arrivals Gate" branching out into genres such as blues, jazz and funk. She was also supported byPrince on the track "Providence".
It opens with the title track, an indictment of America's gun culture, and a response to theColumbine High School massacre. It also contains "Soft Shoulder", about two lovers missing their opportunity, and "Hello Birmingham", a sad, angry response to both the shooting murder of abortion doctorBarnett Slepian andthe bombing of a Birmingham, Alabama, abortion clinic.
To the Teeth reached No. 76 on theBillboard Music Chart Top 200, and No. 9 on their Top Internet Albums chart.
All songs by Ani DiFranco.
Album
| Year | Chart | Position |
|---|---|---|
| 1999 | The Billboard 200 | 76 |
| 1999 | Top Internet Albums | 9 |