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The Victory of Faith (painting)

From Wikipedia, the free encyclopedia
Oil painting by Saint George Hare
For the Nazi propaganda film, seeThe Victory of Faith.
The Victory of Faith
ArtistSaint George Hare
Year1891
MediumOil on canvas
Dimensions123.3 cm × 200 cm (48.5 in × 79 in)
LocationNational Gallery of Victoria,Melbourne
Accession201-2
Websitewww.ngv.vic.gov.au/explore/collection/work/4011/

The Victory of Faith is anoil on canvas painting by Irish artistSaint George Hare that was completed in 1891.[a] It is now in theNational Gallery of Victoria,Melbourne, Australia. It depicts two sleepingnude women, one shackled, apparently intended asChristian martyrs sentenced todeath by beasts.[2]

The Victory of Faith is one of several paintings by Hare showing shackled and under-dressed women, another notable example beingThe Gilded Cage. A contemporary article inThe Homiletic Review called it an "impressive depiction of Christian faith and steadfastness" and described the two women to be in a "sisterly embrace":[3] A modern interpretation byKobena Mercer named the work as an example of an interraciallesbian couple, likening it toLes Amis byJules Robert Auguste.[4]

The Victory of Faith was exhibited at theRoyal Academy Summer Exhibition of 1891[5] and at theWorld's Columbian Exposition in 1893.[3] It is currently at theNational Gallery of Victoria inMelbourne, having been donated to the gallery in 1905.[1]

Notes

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  1. ^1891 is cited by most sources, but theNational Gallery of Victoria where the painting is held also gives 1890 as a possibility.[1]

References

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  1. ^ab"The victory of faith".National Gallery of Victoria. Retrieved28 February 2022.
  2. ^Roach, Joseph (1996).Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press. pp. 223–224.ISBN 0-231-10460-X.
  3. ^abEarnshaw, J. Westby (November 1894). "Homiletic Helps from the Fine Arts of the Columbian Fair".The Homiletic Review. Vol. 28, no. 5. New York:Funk & Wagnalls Company. p. 409.
  4. ^Mercer, Kobena (2016). "5. Avid Iconographies: Isaac Julien".Travel & See: Black Diasporic Art Practices Since the 1980s. Durham: Duke University Press. p. 138.ISBN 978-0-8223-7451-0.
  5. ^Capes, Bernard; Eglington, Charles, eds. (1 July 1891). "Art Notes".The Theatre. Vol. 27. London: Eglington & Co. p. 42.
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