| The Theme | |
|---|---|
 | |
| Directed by | Gleb Panfilov |
| Written by | Aleksandr Chervinsky Gleb Panfilov |
| Starring | Mikhail Ulyanov Inna Churikova Stanislav Lyubshin Yevgeni Vesnik |
| Distributed by | IFEX (US theatrical) |
Release dates |
|
Running time | 99 minutes |
| Country | Soviet Union |
| Language | Russian |
The Theme (Russian:Тема,romanized: Tema) is a1979Sovietcomedy film directed byGleb Panfilov. It tells the story of an egotistical playwright who thinks of himself as an artist, but who allows the system to make him write conformist plays.
The film was heavily censored on its release in 1979. The full version was not released until 1986; this version was awarded theGolden Bear at the37th Berlin International Film Festival.[1]
Popular playwright Kim Yesenin (Mikhail Ulyanov) with his mistress (Natalya Seleznyova) and friend (Yevgeni Vesnik) arrives inSuzdal on hisVolga, in the search of historical themes for his new play, inwardly tormented by his own bias and experiencing a spiritual crisis. In Suzdal, he runs into a family of an old teacher Maria Alexandrovna (Yevgeniya Nechayeva) with venerable, traditional notions of morality and honor. Kim tries to woo the art historian and local museum guide Sasha (Inna Churikova), a pupil of Maria Alexandrovna, but she just plainly imparts to him about how mediocre and immoral his plays are.
Later Kim Yesenin is a secret witness to a farewell conversation of Sasha with her lover, nicknamed as "The Hirsute" (Stanislav Lyubshin). The Hirsute is a frustrated scientist and writer, planning to emigrate to theUnited States (in the scene of parting with The Hirsute, Sasha shouts: "What are you going to do in this America?!").
At night, Yesenin is trying to depart for Moscow, but changes his mind midway, turns around and crashes his car on the slippery road. In the final scene, severely wounded, he gets to a phone booth and calls Sasha. Without being able to communicate anything sensible to her Yesenin loses consciousness. Lieutenant Sinitsyn (Sergey Nikonenko) who happens to pass by, picks him up onto hismotorcycle which has a sidecar attached - and on this frame the picture ends. The subsequent fate of Yesenin is unknown.
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