Logo used from 1979-97 | |
| Formerly | The Samuel Goldwyn Company (1978–91) Samuel Goldwyn Entertainment (1991–96) Goldwyn Entertainment Company (1996–97) Goldwyn Films (1997–99) G2 Films (1999) United Artists International (1999–00) |
|---|---|
| Company type | Subsidiary |
| Predecessor | Samuel Goldwyn Productions |
| Founded | June 16, 1978; 47 years ago (1978-06-16) |
| Founder | Samuel Goldwyn Jr. |
| Defunct | July 2000; 25 years ago (2000-07) |
| Fate | Folded byMetro-Goldwyn-Mayer |
| Successor | Studio: Samuel Goldwyn Films Library: Amazon MGM Studios |
| Owner | Metromedia (1996–1997) Metro-Goldwyn-Mayer (1997–2000) |
| Parent | Orion Pictures (1996–1997) United Artists (1999–2000) |
| Divisions | Samuel Goldwyn Television Samuel Goldwyn Home Entertainment Heritage Entertainment, Inc. |
The Samuel Goldwyn Company, later known as Samuel Goldwyn Entertainment, Goldwyn Entertainment Company, Goldwyn Films, G2 Films and United Artists International, was an Americanindependent film company founded bySamuel Goldwyn Jr., the son of the famousHollywoodmogul,Samuel Goldwyn, on June 16, 1978. It was folded intoMetro-Goldwyn-Mayer in July 2000.
The company originally distributed and acquired art-house films from around the world to U.S. audiences; they soon added original productions to their roster as well, starting withThe Golden Seal in 1983.[1]
In succeeding years, the Goldwyn company was able to obtain (from Samuel Sr.'s estate) the rights to all films produced under the elder Goldwyn's supervision, including the originalBulldog Drummond (1929),Arrowsmith (1931), andGuys and Dolls (1955). The company also acquired some distribution rights to several films and television programs that were independently produced but released by other companies, includingSayonara, theHal Roach–producedLaurel & Hardy–starring vehicleBabes in Toyland (1934), theFlipper television series produced byMGM Television, theAcademy Award–winningTom Jones (1963), and theRodgers and Hammerstein film productions ofSouth Pacific (1958) andOklahoma! (1955), as well as theCBS Television adaptation ofCinderella (1965).
Animated films includeSwan Lake,Aladdin and the Magic Lamp,The Care Bears Movie,The Chipmunk Adventure andRock-a-Doodle. Among the television programs in the Goldwyn company's library are the television seriesAmerican Gladiators,Gladiators (UK),Gladiators (Australia),Gladiators: Train 2 Win, andSteve Krantz's miniseriesDadah Is Death.
In 1991, after a merger with Heritage Entertainment, Inc., the company went public asSamuel Goldwyn Entertainment. Heritage and Goldwyn attempted to merge during late 1990, but the plans fell apart while Heritage went through a Chapter 11 bankruptcy.[2] The merger also allowed Goldwyn to inherit theLandmark Theatres chain, which was a unit of Heritage.
That company and its library were acquired byMetromedia on July 2, 1996, for US$125 million.[3][4] To coincide with the purchase, the Samuel Goldwyn Company was renamedGoldwyn Entertainment Company, and was reconstituted as a subsidiary of Metromedia'sOrion Pictures unit. That year, Orion and Goldwyn became part of the Metromedia Entertainment Group (MEG). Goldwyn became the specialty films unit of MEG, though they would seek out films with crossover appeal. While Orion and Goldwyn would share the overhead costs, the production/acquisition operations would operate independently from each other.[5]
In 1997, Metromedia sold its entertainment group toMetro-Goldwyn-Mayer (MGM) for $573 million, making that company's film library the largest at the time.[6] The Landmark Theatres group, which Metromedia did not sell to MGM, was taken over by Silver Cinemas, Inc. on April 27, 1998.[7]
In September 1997, Goldwyn Entertainment Company was renamed toGoldwyn Films and separated from Orion. The company remained a specialty films unit and an international sales holder. A month later, Samuel Goldwyn Jr. sued MGM and Metromedia, claiming that he was abruptly let go of the company despite promises that he would continue to run it under different ownership. Another concern in the lawsuit was the use of the Goldwyn name, with the defendants being accused of "palming off specialized films produced or acquired by" the unit as though the plaintiff was still involved in its management.[8] As part of the settlement, MGM agreed to change the name of the company toG2 Films in January 1999.[9]
In June 1999, MGM announced that it would restructureUnited Artists as an arthouse film producer/distributor to solely focus on competing withDisney'sMiramax Films. They also announced that G2 Films would be folded under UA and would be renamed asUnited Artists International, with the same management and staff. UAI's new role would be handling the international sales for UA films overseas.[10] In July 2000, MGM announced that it would close down United Artists International, with the possibility of forming a UK-based production operation in its place. MGM stated that the closure had been planned as early as December 1999, stating that lucrative international TV output deals had affected the box office results for UA's recent films internationally, and that it was easier to handle the distribution of the films under their new overseas distribution agreement with20th Century Fox that was due to begin in November of that year. After the agreement started, UAI was folded into MGM's own operations.[11]
The younger Goldwyn has since gone on to foundSamuel Goldwyn Films. This successor company has continued to release independent films such asWhat the Bleep Do We Know!? and the Academy Award–nominatedThe Squid and the Whale. Since the new Goldwyn company was formed, MGM currently holds much of the original Goldwyn Company's holdings (including, with few exceptions, the non-Goldwyn-produced properties) that would end up with the library ofOrion Pictures, now an MGM division. However, the Goldwyn Productions library is controlled by the Goldwyn family & licensed toWarner Bros.,[12] except forThe Hurricane, whose ownership returned to its original distributor,United Artists (also an MGM division).
| Release date | Title |
|---|---|
| June 1978 | Zero to Sixty |
| June 15, 1979 | The Water Babies |
| October 1979 | The Last Word |
| Release date | Title | Notes |
|---|---|---|
| February 8, 1981 | Spetters | North American distribution only |
| June 19, 1981 | Stevie | |
| July 23, 1981 | Swan Lake | North American distribution only; produced byToei Company, Ltd. andToei Animation Company, Ltd. |
| March 21, 1982 | Forbidden Zone | |
| May 26, 1982 | Gregory's Girl | U.S. distribution rights currently owned byFilm Movement |
| August 17, 1982 | Aladdin and the Magic Lamp | North American distribution only; produced byToei Company, Ltd. andToei Animation Company, Ltd. |
| November 1982 | Don't Cry, It's Only Thunder | |
| November 1982 | Time Walker | |
| February 27, 1983 | Bankers Also Have Souls | |
| August 12, 1983 | The Golden Seal | |
| September 4, 1983 | Lonely Hearts | |
| November 4, 1983 | Experience Preferred... But Not Essential | |
| January 1984 | Goodbye Pork Pie | |
| February 15, 1984 | That Sinking Feeling | |
| May 1984 | Another Time, Another Place | |
| August 17, 1984 | Secrets | |
| September 12, 1984 | A Joke of Destiny | |
| October 1, 1984 | Stranger Than Paradise | Inducted into theNational Film Registry in 2002 |
| October 19, 1984 | The Ploughman's Lunch | |
| November 1, 1984 | Not for Publication | |
| January 25, 1985 | The Perils of Gwendoline in the Land of the Yik-Yak | |
| March 29, 1985 | The Care Bears Movie | produced byNelvana |
| April 19, 1985 | Petit Con | |
| May 17, 1985 | Silver City | |
| June 2, 1985 | The Holy Innocents | |
| August 9, 1985 | Dance with a Stranger | North American distribution only |
| October 4, 1985 | Always | |
| November 8, 1985 | Bring On the Night | |
| November 18, 1985 | Once Bitten | |
| February 14, 1986 | Turtle Diary | |
| February 21, 1986 | Getting Even | |
| March 7, 1986 | Desert Hearts | currently owned by DD Productions with U.S. distribution rights currently licensed toJanus Films andThe Criterion Collection |
| April 25, 1986 | Three Men and a Cradle | |
| July 7, 1986 | The Girl in the Picture | |
| November 7, 1986 | Sid and Nancy | |
| January 30, 1987 | Malandro | |
| March 13, 1987 | Witchboard | international distribution only |
| March 20, 1987 | Hollywood Shuffle | |
| May 8, 1987 | Prick Up Your Ears | |
| May 22, 1987 | The Chipmunk Adventure | produced byBagdasarian Productions |
| July 17, 1987 | Ping Pong | |
| August 27, 1987 | Backlash | |
| August 28, 1987 | The Rosary Murders | |
| September 11, 1987 | A Prayer for the Dying | |
| November 13, 1987 | Hello Mary Lou: Prom Night II | |
| April 13, 1988 | Beatrice | |
| April 22, 1988 | Two Moon Junction | international distribution only |
| July 22, 1988 | Mr. North | |
| October 9, 1988 | Hôtel Terminus: The Life and Times of Klaus Barbie | |
| October 21, 1988 | Mystic Pizza | |
| March 3, 1989 | Heart of Midnight | |
| October 13, 1989 | Breaking In | |
| November 8, 1989 | Henry V | |
| December 8, 1989 | Fear, Anxiety & Depression |
| Release date | Title | Notes |
|---|---|---|
| February 2, 1990 | Stella | international distribution only; co-production withTouchstone Pictures |
| May 11, 1990 | Longtime Companion | |
| June 12, 1990 | The Misadventures of Mr. Wilt | |
| August 17, 1990 | Wild at Heart | owned byUniversal Pictures |
| October 12, 1990 | To Sleep with Anger | owned bySony Pictures |
| November 2, 1990 | C'est la vie | |
| March 1, 1991 | My Heroes Have Always Been Cowboys | |
| March 8, 1991 | La Femme Nikita | U.S. distribution rights currently owned bySony Pictures Classics |
| May 22, 1991 | Straight Out of Brooklyn | |
| May 24, 1991 | Truly, Madly, Deeply | |
| September 20, 1991 | Livin' Large | |
| October 4, 1991 | Black Robe | U.S. distribution only; produced byAlliance Atlantis andHoyts; U.S. distribution rights currently licensed toSamuel Goldwyn Films |
| October 11, 1991 | City of Hope | owned bySony Pictures |
| December 25, 1991 | Madame Bovary | |
| February 5, 1992 | Mississippi Masala | Owned byMirabai Films, with U.S. distribution rights currently licensed toJanus Films andThe Criterion Collection |
| April 3, 1992 | Rock-a-Doodle | North American distribution only; produced byGoldcrest andSullivan Bluth Studios |
| April 22, 1992 | The Playboys | |
| May 13, 1992 | The Waterdance | owned bySony Pictures |
| July 10, 1992 | The Best Intentions | distribution rights currently owned byFilm Movement |
| November 11, 1992 | Traces of Red | |
| November 14, 1992 | Flirting | |
| December 25, 1992 | Peter's Friends | |
| February 19, 1993 | Mac | owned bySony Pictures |
| March 3, 1993 | The Stolen Children | |
| May 7, 1993 | Much Ado About Nothing | distribution outside the U.K. and Ireland only |
| July 16, 1993 | Road Scholar | |
| August 7, 1993 | The Wedding Banquet | Inducted into theNational Film Registry in 2023 |
| September 24, 1993 | Baraka | |
| The Program | international distribution outside the U.K. and Ireland only; co-production withTouchstone Pictures | |
| October 15, 1993 | Mr. Wonderful | international distribution only; distributed in North America byWarner Bros. |
| November 5, 1993 | Wild West | |
| November 26, 1993 | Thirty Two Short Films About Glenn Gould | |
| December 21, 1993 | The Summer House | |
| January 28, 1994 | Golden Gate | |
| March 18, 1994 | Suture | |
| April 27, 1994 | You So Crazy | |
| May 15, 1994 | A Million to Juan | |
| June 3, 1994 | Fear of a Black Hat | |
| June 10, 1994 | Go Fish | |
| July 22, 1994 | Just Like a Woman | |
| August 3, 1994 | Eat Drink Man Woman | |
| September 9, 1994 | What Happened Was | U.S. distribution rights currently owned byOscilloscope Laboratories |
| October 6, 1994 | Ladybird, Ladybird | |
| November 4, 1994 | Oleanna | |
| November 18, 1994 | To Live | |
| December 28, 1994 | The Madness of King George | |
| February 3, 1995 | The Secret of Roan Inish | produced byFirst Look Pictures; U.S. distribution rights currently owned bySamuel Goldwyn Films |
| March 8, 1995 | The Sum of Us | |
| April 14, 1995 | The Last Good Time | |
| May 12, 1995 | The Perez Family | |
| May 19, 1995 | Rampo | |
| June 9, 1995 | Wigstock: The Movie | |
| November 17, 1995 | Reckless | |
| January 26, 1996 | Angels & Insects | |
| April 19, 1996 | August | |
| May 1, 1996 | I Shot Andy Warhol | co-production withBBC Arena; distributed in the U.S. byOrion Pictures |
| May 10, 1996 | Love Is All There Is | |
| August 23, 1996 | Foxfire | North American theatrical distribution only; produced byRysher Entertainment; distribution rights currently owned byParamount Pictures |
| September 13, 1996 | American Buffalo | |
| September 20, 1996 | Big Night | North American theatrical distribution only; produced byRysher Entertainment; distribution rights currently owned by Paramount Pictures |
| October 25, 1996 | Palookaville | |
| December 16, 1996 | The Preacher's Wife | co-production withTouchstone Pictures |
| February 28, 1997 | Hard Eight | credited in promotional material as Goldwyn Entertainment Company; North American theatrical distribution only; produced byRysher Entertainment; distribution rights currently owned by Paramount Pictures |
| April 11, 1997 | Kissed | as Goldwyn Films |
| May 30, 1997 | Rough Magic | as Goldwyn Entertainment Company |
| July 15, 1997 | Paperback Romance | as Goldwyn Entertainment Company |
| October 10, 1997 | Napoleon | as Goldwyn Films |
| November 7, 1997 | The Hanging Garden | as Goldwyn Films |
| November 26, 1997 | Bent | as Goldwyn Entertainment Company; U.S. distribution rights currently owned by Film Movement |
| January 16, 1998 | Live Flesh | as Goldwyn Films; U.S. distribution rights currently owned by Sony Pictures Classics |
| February 20, 1998 | I Love You, Don't Touch Me! | as Goldwyn Films |
| August 14, 1998 | The Chambermaid on the Titanic | |
| September 25, 1998 | Lolita | as Samuel Goldwyn Films; co-production withPathé |
| November 6, 1998 | Velvet Goldmine | as Goldwyn Films; distributed in the U.S. byMiramax Films; U.S. distribution rights currently owned by Sony Pictures Classics |
| November 13, 1998 | Welcome to Woop Woop | as Goldwyn Entertainment Company |
| November 27, 1998 | Immortality | as Goldwyn Films; distributed in the U.S. byMiramax Films |
| January 25, 1999 | Tinseltown | as Samuel Goldwyn Films |
| May 14, 1999 | Tea with Mussolini | as G2 Films |
| June 18, 1999 | Desert Blue | as Samuel Goldwyn Films |
| September 17, 1999 | Splendor | as Samuel Goldwyn Films; co-production withSummit Entertainment andNewmarket Capital Group |
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