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The Revolution Will Not Be Televised

From Wikipedia, the free encyclopedia
1971 song performed by Gil Scott-Heron
For other uses, seeThe Revolution Will Not Be Televised (disambiguation).

"The Revolution Will Not Be Televised"
Single byGil Scott-Heron
from the albumPieces of a Man
A-side"Home Is Where the Hatred Is"
Released1971
Recorded
  • April 19, 1971
StudioRCA Studios,New York City
Genre
Length3:07
LabelFlying Dutchman
SongwriterGil Scott-Heron
ProducerBob Thiele
Gil Scott-Heron singles chronology
"The Revolution Will Not Be Televised"
(1971)
"The Bottle"
(1974)
Audio sample

"The Revolution Will Not Be Televised" is a satirical poem andBlack Liberation song byGil Scott-Heron. Scott-Heron first recorded it for his 1970 albumSmall Talk at 125th and Lenox, on which he recited the lyrics, accompanied bycongas andbongo drums. A re-recorded version, with a three-piece band, was theB-side to Scott-Heron's first single, "Home Is Where the Hatred Is", from his albumPieces of a Man (1971). This recording was still sparsely instrumented, but now, in addition to drums, featured a driving bassline played byRon Carter and, somewhat unconventionally, ajazz-infused flute line byHubert Laws throughout, acting as a countermelody to Heron's passionately delivered spoken word vocal. This sparse and rhythm-driven backdrop to Heron's incisive vocal, held down byBernard Purdie's tight and explosivefunk drumming, and eschewing thick chordal accompaniment, foreshadowed musical developments inhip-hop in the decade to come.

It was also included on his compilation album,The Revolution Will Not Be Televised (1974). All these releases were issued on theFlying Dutchman Productions record label.

The song's lyrics either mention or allude to several television series, advertising slogans and icons of entertainment and news coverage that serve as examples of what "the revolution will not" be or do. The song is a response to thespoken-word piece "When the Revolution Comes" byThe Last Poets, from theireponymous debut album, which opens with the line "When the revolution comes some of us will probably catch it on TV".[2]

It was inducted to theNational Recording Registry in 2005.[3]

In 2021, it was ranked at No. 258 onRolling Stone's "500 Greatest Songs of All Time".[4] In 2025, the publication ranked the song at number 14 on its list of "The 100 Best Protest Songs of All Time."[5]

Cultural references in the poem

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Each verse has several cultural references:[6]

In popular culture

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See also

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References

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  1. ^Gorton, TJ (July 30, 2018)."BeatCaffeine's 100 Best Jazz-Funk Songs".BeatCaffeine. Archived fromthe original on August 25, 2018. RetrievedSeptember 19, 2021.
  2. ^Al Nasir, Abdul Malik (June 6, 2018)."Jalal Mansur Nuriddin: farewell to the 'grandfather of rap'".The Guardian.Archived from the original on June 21, 2018. RetrievedJune 21, 2018.
  3. ^"The National Recording Registry 2005". The Library of Congress. October 25, 2006.Archived from the original on February 2, 2007. RetrievedFebruary 9, 2007.
  4. ^"The 500 Greatest Songs of All Time".Rolling Stone. September 15, 2021. RetrievedJuly 18, 2022.
  5. ^"The 100 Best Protest Songs of All Time". Rolling Stone. January 27, 2025. RetrievedJanuary 29, 2025.
  6. ^Taylor, Tom (April 1, 2023)."Every reference in 'The Revolution Will Not Be Televised'".Far Out Magazine. RetrievedJune 22, 2023.
  7. ^Mansnerus, Laura (June 1, 1996)."Timothy Leary, Pied Piper Of Psychedelic 60's, Dies at 75".The New York Times.Archived from the original on November 18, 2021. RetrievedOctober 2, 2009.
  8. ^Green, Jonathon (2005).Cassell's Dictionary of Slang.Sterling Publishing. p. 1232.ISBN 978-0-304-36636-1.Archived from the original on November 18, 2021. RetrievedSeptember 1, 2021.
  9. ^Dex (May 31, 2005)."Why are the police called cops, pigs, or the fuzz?". The Straight Dope.Archived from the original on April 15, 2012. RetrievedApril 24, 2012.
  10. ^"Definition of CONK".Merriam-Webster.Archived from the original on February 22, 2022. RetrievedFebruary 22, 2022.
  11. ^Marconi, Joe (1999).The Brand Marketing Book. McGraw-Hill Professional. pp. 108–9.ISBN 0-8442-2257-7.
  12. ^Mahon, Maureen (2020).Black Diamond Queens: African American Women and Rock and Roll. Duke University Press. p. 118.ISBN 978-1-4780-1277-1.Archived from the original on May 22, 2021. RetrievedMay 22, 2021.
  13. ^Mackintosh, Thomas (February 10, 2025)."Taylor Swift, Lionel Messi, Jay-Z and Trump among big names at Super Bowl". BBC News.Archived from the original on February 10, 2025. RetrievedFebruary 10, 2025.
  14. ^Jokic, Natasha."17 Easter Eggs And Small Details From Kendrick Lamar's Super Bowl Halftime Show". BuzzFeed. RetrievedFebruary 10, 2025.
  15. ^"Every surprise celebrity guest in Kendrick Lamar's Super Bowl halftime show".The Independent. February 10, 2025. RetrievedFebruary 11, 2025.
  16. ^Turner, Jake (October 16, 2025)."'One Battle After Another' is a defining work, but is it truly revolutionary? | The Daily Nexus".The Daily Nexus. RetrievedNovember 22, 2025.

External links

[edit]
Studio albums
Co-billed with Brian Jackson
with Jamie xx
with Makaya McCraven
  • We’re New Again - A Reimagining By Makaya McCraven (2020)
Live albums
Compilations
  • The Revolution Will Not Be Televised (1974)
  • The Best of Gil Scott-Heron (Arista) (1984)
  • Tales of Gil Scott-Heron (1990)
  • Glory: The Gil Scott-Heron Collection (1990)
  • Ghetto Style (1998)
  • The Gil Scott-Heron Collection: Sampler 1974-1975 (1998)
  • Evolution (And Flashback): The Very Best of Gil Scott-Heron (1999)
  • Save the Children (2004)
  • Anthology: Messages (2005)
  • The Revolution Begins: The Flying Dutchman Masters (2011)
Singles
Other songs
Related topics
Authority control databasesEdit this at Wikidata
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