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The Pitchfork 500

From Wikipedia, the free encyclopedia
2008 music compilation book
The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present
EditorsScott Plagenhoef
Ryan Schreiber
Cover artistChris Capuozzo (illustration)
LanguageEnglish
SubjectMusic
PublisherFireside Books
Publication date
11 November 2008
Publication placeNew York
Media typePrint (paperback)
Pages208
ISBN978-1-4165-6202-3

The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present is a book compiling the greatest songs from 1977 to 2006, published in 2008 byPitchfork Media. The book focuses on specific genres includingindie rock,hip-hop,electronic,pop,metal, and experimental underground. The book is broken down into 9 chronological periods, each period beginning with a description of the music scene before the featured artists, and how those artists changed the music scene.[1]Time described the book as having "42 critics to cover 30 years of music, from 1977 punk to 2006 crunk, and all the starry-eyed, acoustic acts in between."[2]

Critical reception

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The book received attention and criticism frommainstream andalternative media.TIME commented that the book's record reviews "have been pleasantly stripped of their supercilious phrases" and that "its tributes to popular songs are exquisite" but concluded, "the project comes off like a personal message thatHigh Fidelity's Rob Gordon might obsessively attach to a mix-tape."[2] TheWashington City Paper called itPitchfork's "boomer-like shot at print-based respectability, a coffee-table book..."[3]Under the Radar gave the book a 7/10 rating, noting that Pitchfork "has emerged as arguably the preeminent music criticism source of its time while fashioning itself into a multimedia powerhouse".[4]

On the other hand, theHouston Press criticized the book for what it saw as its unwarranted disregard for Latin, country, funk, soul, and classic rock, opining thatPitchfork's "school of criticism has always relied more on trendy perceptions than actual musical merit and song structure."[5] AndTime Out Chicago called the book "a slow, meandering walk through the arbitrary tastes of the site's editors and authors" and "a wasted opportunity".[6]

Statistics

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Prince andTalking Heads had the most songs featured on the list with four each.The Cure,the Clash,New Order,OutKast,Pavement,Pixies,Radiohead, andthe Smiths received three spots each. 38 bands and artists had two songs listed.Björk is featured three times: twice in solo work, and once in Icelandic pop groupthe Sugarcubes. The surviving members ofJoy Division have five total when coupled with their work as New Order.

Brian Eno features once as a performer, twice as co-writer (David Bowie's"Heroes" and Talking Heads' "Born Under Punches (The Heat Goes On)"), four times as a producer (Talking Heads' "Memories Can't Wait" and "Born Under Punches",U2's "Bad" andDevo's "Mongoloid"), and two entries are cover versions of his songs (Bauhaus' "Third Uncle" andUilab's "St. Elmo's Fire").

The 1977–1979 period had the most songs on the list with 66, and 1997–1999 had the fewest with 38.

1977–1979

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1980–1982

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1983–1986

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1987–1990

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1991–1993

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1994–1996

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1997–1999

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2000–2002

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2003–2006

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References

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  1. ^[1]Archived February 27, 2009, at theWayback Machine
  2. ^abSuddath, Claire (2008-11-26)."Breaking News, Analysis, Politics, Blogs, News Photos, Video, Tech Reviews".Time.ISSN 0040-781X. Retrieved2024-02-10.
  3. ^Matthew Siblo,"Rank Bullshit: Pitchfork's list to end all lists should, in fact, end all lists."Washington City Paper, December 18, 2009.
  4. ^Evan Rytlewski,"Reviews",Under the Radar, November 1, 2008.
  5. ^Lomax, John Nova (November 12, 2008)."Get Lit: The Pitchfork 500".Houston Press. Archived fromthe original on July 7, 2012.
  6. ^Messinger, Jonathan (November 17, 2008)."Books: The Pitchfork 500".Time Out Chicago. Archived fromthe original on July 15, 2012.
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