| The Mattei Affair (Il Caso Mattei) | |
|---|---|
 Italianfilm poster | |
| Directed by | Francesco Rosi |
| Screenplay by | Francesco Rosi Tonino Guerra Nerio Minuzzo Tito Di Stefano |
| Story by | Francesco Rosi Tonino Guerra |
| Produced by | Franco Cristaldi |
| Starring | Gian Maria Volonté |
| Cinematography | Pasqualino De Santis |
| Edited by | Ruggero Mastroianni |
| Music by | Piero Piccioni |
Production companies | Vides Cinematografica Verona Produzione |
| Distributed by | Paramount Pictures |
Release dates |
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Running time | 116 minutes |
| Country | Italy |
| Language | Italian |
The Mattei Affair (Italian:Il Caso Mattei) is a 1972 Italiandrama film directed byFrancesco Rosi. It depicts the life and mysterious death ofEnrico Mattei, an Italian businessman who in the aftermath ofWorld War II managed to avoid the sale of the nascent Italian oil and hydrocarbon industry to US companies and developed them in theEni, a state-owned oil company which rivaled the "Seven Sisters" for oil and gas deals in Northern African and Middle Eastern countries.
The film shared theGrand Prix withThe Working Class Goes to Heaven at the1972 Cannes Film Festival.[1] Italian starGian Maria Volonté was the leading actor in both films.
The film is an innovative hybrid of documentary and fiction, representing Francesco Rosi's concept of cine-inchieste (film investigation).[2] The flashback structure shows the influence ofCitizen Kane and Rosi'sSalvatore Giuliano (1962).[2] Rosi remains faithful to hisneo-realist roots with on-location shooting and non-professional actors. The main plot is interwoven with a fictionalized account of the director's own investigation into the death of his friend, the journalistMauro De Mauro, who disappeared while doing research for the film.[3] He was killed by theSicilian Mafia, but like the death of Mattei, De Mauro's case was never solved.[4]
In 2008, the film was included among theItalian Ministry of Cultural Heritage’s100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."[5]
The film begins in 1962 with the recovery of the remains of Enrico Mattei, pilot Irnerio Bertuzzi, and American journalist William McHale, who crashed in Mattei's private plane inBascapè, nearPavia, under unclear circumstances after a trip toSicily. A flashback to 1945 reveals Mattei's appointment as commissioner ofAGIP, tasked with selling it, but he defies orders and strengthens the company, making it a major European player. In 1970, filmmaker Francesco Rosi investigates Mattei's life, exploring political protection and a meeting with a U.S. oil magnate.
In 1960, Mattei, cunning yet brilliant, brokers aSoviet oil deal, challenging the dominance of Anglo-American oil trusts. He aims to offer better terms to Arab and African oil-producing nations, straining relations with the "seven sisters." The film then returns to 1970, when journalistMauro De Mauro disappears. Authorities dismiss the Mattei connection, and the film recounts Mattei's final days in Sicily, including a crucial dinner and speech. In 1970, a suspect was arrested for De Mauro's disappearance, but journalists uncover a cover-up.
Rosi interviews experts suggesting Mafia sabotage or foreign intelligence involvement in Mattei's plane crash. Witnesses remain silent. The film concludes by revisiting the 1962 plane crash, connecting to the film's opening. Mattei's voice echoes his determination to challenge the oil monopoly worldwide.