1832 first edition, printed byBradbury and Evans,Edward Moxon, London.1842 title page, with added poems "Queen Liberty" and "Song-To the Men of England",J. Watson, London.
The Masque of Anarchy (orThe Mask of Anarchy) is a British political poem written in1819 byPercy Bysshe Shelley following thePeterloo Massacre of that year. In his call for freedom, it is perhaps the first modern statement of the principle ofnonviolent resistance.
The poem was not published during Shelley's lifetime and did not appear in print until1832, when published byEdward Moxon in London with a preface byLeigh Hunt.[1] Shelley had sent the manuscript in 1819 for publication inThe Examiner. Hunt withheld it from publication because he "thought that the public at large had not become sufficiently discerning to do justice to the sincerity and kind-heartedness of the spirit that walked in this flaming robe of verse". The epigraph on the cover of the first edition is from Shelley'sThe Revolt of Islam (1818): "Hope is strong; Justice and Truth their winged child have found."
The poem’s use ofmasque andmask has been discussed by Morton Paley;[2] Shelley usedmask in the manuscript but the first edition usesmasque in the title. The poem has 372 lines, largely in four-linequatrains; two more quatrains appear in some manuscript versions.[3]
Political authors and campaigners such asRichard Holmes andPaul Foot, among others, describe it as "the greatest political poem ever written in English".[4][5] In his bookAn Encyclopedia of Pacifism,Aldous Huxley noted the poem's exhortation to the English to resist assault without fighting back, stating "The Method of resistance inculcated by Shelley inThe Mask of Anarchy is the method of non-violence".[6]
Author, educator, and activistHoward Zinn refers to the poem inA People's History of the United States. In a subsequent interview, he underscored the power of the poem, suggesting: "What a remarkable affirmation of the power of people who seem to have no power. Ye are many, they are few. It has always seemed to me that poetry, music, literature, contribute very special power."[7] In particular, Zinn uses "The Mask of Anarchy" as an example of literature that members of theAmerican labour movement would read to other workers to inform and educate them.
Jeremy Corbyn, the former leader of theBritish Labour Party, quoted the final stanza from the poem at his rally inIslington, on the final day of campaigning for the2017 general election. Corbyn subsequently quoted the final stanza again during his speech at thePyramid stage at the 2017Glastonbury Festival.[11] Academic and writerJohn Sutherland has suggested that the title of the party's 2017 manifesto, "For the Many, Not the few", was derived from the poem.[12] The phrase 'a community in which power, wealth and opportunity are in the hands of the many, not the few' also appears in the revised version ofClause IV of the Labour Party Constitution.[13]
The same variation, "For The Many, Not The Few", was the sub-title toRobert Reich's 2016 book,Saving Capitalism.[14] A translation of the phrase, "for det mange ikke for det få", was adopted by Norway'sSocialist Left Party as its slogan in the 2020s.[15]
The final verse quoted on the tombstone ofPaul Foot
Crampton, Daniel Nicholas. "Shelley's Political Optimism: 'The Mask of Anarchy' toHellas." PhD dissertation, University of Wisconsin-Madison, 1973.
Cross, Ashley J. "What a World we Make the Oppressor and the Oppressed": George Cruikshank, Percy Shelley, and the Gendering of Revolution in 1819."ELH, Volume 71, Number 1, Spring 2004, pp. 167–207.
Dick, Alex J. "The Ghost of Gold: Forgery Trials and the Standard of Value in Shelley'sThe Mask of Anarchy."European Romantic Review, Volume 18, Number 3, July 2007, pp. 381–400.
Edwards, Thomas R.Imagination and Power: A Study of Poetry on Public Themes. NY: Oxford University Press, 1971.
Forman, H. Buxton.Shelley, 'Peterloo' and 'The Mask of Anarchy'. London: Richard Clay & Sons, 1887.
Franta, Andrew. "Shelley and the Poetics of Political Indirection."Poetics Today, Volume 22, Number 4, Winter 2001, pp. 765–793.
Hendrix, Richard. "The Necessity of Response: How Shelley's Radical Poetry Works."Keats-Shelley Journal, Vol. 27, (1978), pp. 45–69.
Jones, Steven E. "Shelley's Satire of Succession and Brecht's Anatomy of Regression: 'The Mask of Anarchy' and Der anachronistische Zug oder Freiheit und Democracy."Shelley: Poet and Legislator of the World. Eds. Betty T. Bennett and Stuart Curran. Baltimore: Johns Hopkins UP, 1996. 193–200.
Jones. Steven E.Shelley's Satire: Violence and Exhortation. DeKalb: Northern Illinois University Press, 1994.
Keach, William. "Rise Like Lions? Shelley and the Revolutionary Left."International Socialism, 75, July 1997.
Kuiken, Kir. "Shelley's 'Mask of Anarchy' and the Problem of Modern Sovereignty."Literature Compass, Volume 8, Issue 2, pages 95–106, February 2011.
Paley, Morton D. "Apocapolitics: Allusion and Structure in Shelley's Mask of Anarchy."Huntington Library Quarterly, 54 (1991): 91–109.
Peterfreund, Stuart. "Teaching Shelley's Anatomy of Anarchy." Hall, Spencer (ed.).Approaches to Teaching Shelley's Poetry. New York: MLA, 1990. 90–92.
Scrivener, Michael Henry. "Reviewed work(s): Shelley's Satire: Violence and Exhortation by Steven E. Jones."Studies in Romanticism, Vol. 35, No. 3, Green Romanticism (Fall, 1996), pp. 471–473.