| The Man Without a Past | |
|---|---|
 Theatrical release poster | |
| Directed by | Aki Kaurismäki |
| Written by | Aki Kaurismäki |
| Produced by | Aki Kaurismäki |
| Starring |
|
| Cinematography | Timo Salminen |
| Edited by | Timo Linnasalo |
| Music by | Leevi Madetoja |
Production companies | |
| Distributed by | United International Pictures (Finland) Sony Pictures Classics (United States) |
Release dates |
|
Running time | 97 minutes |
| Country | Finland |
| Language | Finnish |
| Budget | €1,206,000[1] |
| Box office | $9,564,237 |
The Man Without a Past (Finnish:Mies vailla menneisyyttä) is a 2002 Finnishcomedy-drama film produced, written, and directed byAki Kaurismäki. StarringMarkku Peltola,Kati Outinen, andJuhani Niemelä, it is the second installment in Kaurismäki's "Finland" trilogy, preceded byDrifting Clouds (1996) and followed byLights in the Dusk (2006). The film follows a man who arrives inHelsinki, is beaten so severely that he develops amnesia, and must reconstruct his life among the city's marginalized community living in shipping containers.
The film premiered in competition at the2002 Cannes Film Festival, where it won theGrand Prix and theBest Actress Award for Kati Outinen. It was nominated for theAcademy Award for Best Foreign Language Film at the75th Academy Awards, although Kaurismäki controversially boycotted the ceremony in protest of theIraq War. It is widely considered one of Kaurismäki's most significant works, praised for its deadpan humour, social commentary, and humanist optimism.
A nameless man arrives inHelsinki by train. After falling asleep on a park bench, he is mugged and beaten severely by three hoodlums. He is taken to a hospital where he is pronounced dead, but miraculously revives, fixes his broken nose, and wanders out. He collapses near the harbour and is found by a family living in anabandoned shipping container. The family—Nieminen, his wife Kaisa, and their two sons—nurse him back to health. The man has lost all memory of his identity, including his name and occupation.
He begins to rebuild a life among the poor and marginalized residents of the container village. Anttila, a corrupt but helpful security guard, rents him a container. The man tries to find employment but is rejected at the labour exchange because he cannot provide a name or social security number. He visits theSalvation Army for food and clothes, where he meets Irma, a lonely officer. They begin a shy, awkward romance. The man finds work at the Salvation Army's thrift store and revitalizes the organisation's band, introducing rhythm and rock and roll into their gloomy repertoire.
While watching workers at the shipyard, the man realizes he possesses welding skills. He secures a trial job but cannot be paid legally without a bank account. When he attempts to open one, a clerk refuses him. During the visit, bank robbers hold up the branch; the man is locked in the vault with the clerk. The police subsequently arrest the man for failing to identify himself. A Salvation Army lawyer assists him, ensuring his release, but the police publish his photo in the newspapers to seek his identity.
The man is recognized by his wife in the town ofNurmes, who contacts the police. Irma is heartbroken when she learns he is married. The man travels to Nurmes to meet his past. He learns his name is Jaakko Lujanen and that he was a metalworker. His wife tells him they had already divorced because of his gambling addiction and that she has a new partner. Relieved that he has not abandoned a happy family, he leaves his past behind for good.
He returns to Helsinki and Irma. In the harbour, he is confronted by the same thugs who beat him originally. This time, the community of homeless people and dock workers emerges to defend him, chasing the criminals away. The man and Irma walk away together towards the train station as the band plays "Muistatko Monrepos'n".
The Man Without a Past is the second film in Kaurismäki's "Finland" trilogy, which addresses the problems of unemployment and homelessness in Finnish society; it was preceded byDrifting Clouds (1996) and followed byLights in the Dusk (2006).[2] The film was co-produced by Kaurismäki's companySputnik withYle (Finland),Bavaria Film (Germany),Pandora Film (Germany), andPyramide Productions (France).
The film was shot on location inHelsinki, utilizing the neighbourhoods ofVerkkosaari and the harsh industrial landscapes of the harbour to reflect the characters' marginalization. Kaurismäki's longtime collaboratorTimo Salminen served as cinematographer, employing the director's signature static camera work and lighting style that emphasizes a nostalgic, timeless aesthetic despite the contemporary setting.[3]
The music plays a central role in the narrative, featuring performances by the band Marko Haavisto & Poutahoukat. The soundtrack includes Finnish tango and Schlager music, including the song "Muistatko Monrepos'n" ("Do You RememberMonrepos?"), performed by veteran singerAnnikki Tähti, who also has a role in the film.[4] The dog in the film, Hannibal, was played by Kaurismäki's own dog, Tähti, who won thePalm Dog Award at Cannes.[5]
The film premiered at the2002 Cannes Film Festival on 22 May 2002, where it received a standing ovation. It was released theatrically in Finland on 1 March 2002. It was distributed in the United States bySony Pictures Classics.
The film was nominated for Best Foreign Language Film at the75th Academy Awards in 2003. However, Kaurismäki refused to attend the ceremony in protest against the US-led invasion of Iraq. In a letter to the Academy, he stated: "We are not living in the most glamorous moment of the history of mankind. Therefore I nor anybody else from Sputnik Ltd. can participate in the Oscar gala at the same time as the government of the United States is preparing a crime against humanity for the purpose of shameless economic interests."[6][7]
The film received overwhelmingly positive reviews from critics. OnRotten Tomatoes, the film has a rating of 98% based on 99 reviews. The site's critical consensus reads: "Kaurismäki delivers another droll comedy full of his trademark humor."[8] OnMetacritic, the film has a score of 84 out of 100 based on 29 critics, indicating "universal acclaim".[9]
Roger Ebert awarded the film three-and-a-half stars out of four, describing a "deep but indefinable contentment" while watching it. He praised Kaurismäki's ability to make the audience care for the characters without manipulation.[10] Kirk Honeycutt ofThe Hollywood Reporter wrote that the film "contains not one false note. It is the work of an artist fully in control of his art."[11] InThe Guardian,Peter Bradshaw called it "bizarre, hilarious and lovely", noting that despite the bleak setting, the film is "gentle and affectionate".[12]
The film is one of the most awarded in Finnish history. At theJussi Awards (Finland's premier film awards) in 2003, it won six awards, including Best Film.
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