Principal photography began on June 21, 2014, atLeavesden Studios in the United Kingdom and wrapped four months later. The film premiered at theDolby Theatre inLos Angeles on June 29, 2016, and was theatrically released in the United States on July 1, 2016, byWarner Bros. Pictures. It grossed $356.7 million worldwide against a budget of $180 million and received mixed reviews from critics.
At theBerlin Conference of 1884–1885,King Leopold II of Belgium claims theCongo Basin. Five years later, after accruing massive debts in exploiting the resources of theCongo Free State, Leopold sends his envoyLéon Rom to secure the fabled diamonds ofOpar. The expedition is massacred by warriors led by Chief Mbonga, who offers Rom diamonds in exchange forTarzan.
The man once called "Tarzan",The Rt Hon.John Clayton,Earl of Greystoke, has left Africa for his estate in Britain with his American wifeJane. John's parents survived a shipwreck only to die in Africa, where their child, as a baby, was adopted by theMangani, a race of apes.
John is offered an invitation from Leopold to visitBoma. ThePrime Minister,The 3rd Marquess of Salisbury, andGeorge Washington Williams (the American envoy) explain that Leopold is defaulting on his loans, and a visit from John – whose exploits as Tarzan made him a celebrity – would secure Britain's influence in theCongo. John, however, refuses and leaves the meeting. George later approaches John, reveals his suspicions that Leopold is sanctioning slavery and persuades John to accompany him to the Congo as a credible witness to discover the truth.
John, Jane, and George journey to the Congo, circumventing Rom and his corrupt financier Mr. Frum, and are welcomed by theKuba village of Clayton and Jane's youth. Rom and his men arrive during the night and capture the villagers, killing Chief Muviro, taking John prisoner, and taking the Chief's son Wasimbu along with other young men to serve as porters. George rescues John, but Jane and the captive villagers are taken aboard Rom's steamship. Rom turns out to have arranged John's invitation from Leopold to deliver him to Mbonga.
Pursuing the steamship, John, George, and the village's remaining warriors seize a train carrying Belgian and other European soldiers along with enslaved Congolese. An engineer informs them of Rom's plan to take over the Congo, sanctioned by Leopold: using slave labor, Rom has built forts across the region, linked by railway and river travel, for an army of 20,000 mercenaries soon to arrive. With Leopold bankrupt, Rom needs Opar's diamonds to pay for the army.
Finding documents that will expose Leopold, John and George leave the proof with the Kuba warriors and rescued enslaved people to deliver to Boma. They continue on through Mangani territory. Confronted by the Mangani, John is forced to fight his foster brother Akut, now the alpha male. John loses and is left injured, but he and George are permitted to travel on by Akut.
Jane and Wasimbu escape the steamship and flee into the jungle. Jane sends Wasimbu off to rally the other tribes, knowing that Rom's men will follow her. Jane encounters the Mangani, and Rom's men open fire on them. John arrives, saving some Mangani, including Akut, and pursues Rom, who takes Jane to Mbonga's tribe to collect the diamonds. Years before, Mbonga's son killed John's foster motherKala. Enraged, John killed him to avenge her. Mbonga attacks John, who wins the fight but spares the chief. George and the Mangani then arrive to stop the fighting, and the two foreigners convince Mbonga that Rom is their common enemy.
Rom takes Jane and the diamonds to Boma, where the mercenary army approaches shore. John and George send a stampede of wildebeest through the town, overrunning Rom's men, as the Kuba warriors arrive by train and free their families. John rescues Jane and pursues Rom, who prepares to deliver the diamonds to Frum and the mercenaries. George sinks the steamship, while Rom attempts to strangle John with hisrosary.
Using a mating call to summon crocodiles, John breaks free and leaves Rom to be devoured. As the vessel's boiler explodes, John escapes. Frum and the fleet of mercenaries depart. George returns to London and presents the prime minister with an open letter to Leopold exposing the slavery and abuses of the Congolese people.
One year later, John and Jane have relocated to Africa. They celebrate the birth of their son, and John returns to his rightful place among the great apes as Tarzan.
Alexander Skarsgård asJohn Clayton III, 5th Earl of Greystoke / Tarzan.[4] On his character Tarzan, Skarsgård said, "This is about a man who's holding back; and slowly, as you peel off the layers, he reverts back to a more animalistic state and lets that side of his personality out."[5] To get in Tarzan shape, Skarsgård spent 4 months in a training regimen before filming started and gained 24 pounds.[5][6] Part of his training was for movement work withchoreographer Wayne McGregor.[6][7]
Djimon Hounsou as Chief Mbonga,[13] the leader of theleopard men ofOpar (an African tribe that controls the diamond region), who wants revenge against Tarzan for the death of his son.
An updated version ofTarzan had been in the works since at least 2003, withJohn August writing[17] followed byJohn Collee in 2006[18] withGuillermo del Toro slated to direct. Del Toro dropped out to work onThe Hobbit[19][better source needed] and by 2008, it was reported that a different version ofTarzan, co-written byStephen Sommers and Stuart Beatle, that was said to resemble thePirates of the Caribbean series, was in development.[20][21] By 2011, Craig Brewer, who also rewrote a version of the script, was set to direct the film,[22] although this did not come to pass. Instead,David Yates was chosen to direct in 2012.[23] Other directors in the running includedSusanna White andGary Ross.[24] In April 2013, it was reported that the production was temporarily suspended due to budgetary concerns.[25]
For a while, producerJerry Weintraub wanted swimmerMichael Phelps to play the title role, feeling that he was the heir apparent toJohnny Weissmuller, the actor who had famously played Tarzan, and who was also a prominent competitive swimmer. Weintraub reportedly changed his mind after watching Phelps hostSaturday Night Live, for only two minutes.[26] Other early contenders for the role includedHenry Cavill,Tom Hardy, andCharlie Hunnam.[23][27] On November 14, 2012,Alexander Skarsgård was cast in the title role, the choice of director Yates, whileSamuel L. Jackson was being eyed to play Williams in the film.[4] Yates found Skarsgård to be the perfect Tarzan. He liked that he was born in Sweden but had found a career in America, so "he has this wonderful quality of not quite belonging to one or the other", he said.[5] On March 6, 2013, it was reported that Yates wantedJessica Chastain to playJane Porter.[28] On September 26, 2013,Christoph Waltz was in talks to play the villain in the film; he was later cast, as Captain Rom.[8]
Making Africa seem authentic was especially important to the filmmakers, since the film was shot in England, except for six weeks in Gabon, filming background by helicopter without the cast. A working waterfall and a 100-foot-long collapsible pier were assembled at Warner Bros.' Leavesden studios.[35][36] Seven versions of theAfrican jungle were constructed to show different scenery throughout the filming. Plants fromHolland were mixed with trees sculpted by the art department.Kedleston Hall inDerbyshire stood in for the Greystoke Manor, and a cedar tree on the grounds ofHighclere Castle served as the setting for an early pivotal scene between Tarzan and Jane.[36]
The film's score was composed byRupert Gregson-Williams. The soundtrack was released on June 24, 2016, byWaterTower Music and on CD on July 15, 2016. Tony Clarke,[37] Thomas Farnon,[38] and Tom Howe[39] are credited for additional music.Hozier provided a single, "Better Love", which is played at the film's end credits.[40]
The Legend of Tarzan grossed $126.6 million in the United States and Canada and $230.1 million in other territories, for a worldwide total of $356.7 million.[3] Given its $180 million production budget, it would have had to earn at least $400 million to break even and justify a sequel.Deadline Hollywood's financial analysts stated that Warner Bros. lost an estimated $40 million on the film, although the studio itself asserted the film broke even.[43][44]
In the United States and Canada,The Legend of Tarzan opened alongsideThe BFG andThe Purge: Election Year, and was projected to gross to $25–33 million in its opening weekend.[43][45][46] It opened Friday, July 1, 2016, across 3,561 theaters and 6,700 screens, and grossed $14 million on its opening day, including $1.4 million in IMAX showings.[47] This includes $2.6 million it made from Thursday night previews.[48] In its opening weekend, buoyed by positiveword of mouth, the film grossed a better-than-expected $38.5 million, of which IMAX contributed $3.9 million, and $46.6 million over its four-dayIndependence Day holiday frame, finishing second place at the box office behindFinding Dory, but first among new releases. However, despite its opening numbers,Deadline called the film a "dud", due to its lofty budget.[49][50]
Internationally,The Legend of Tarzan received a scattered release pattern, in order to take advantage of the competitive landscape surrounding theUEFA Euro 2016.[51] It is likely that a recoup of the film's hefty production budget will be dependent on international audiences and returns. Jeff Goldstein, Warner's executive vice president of domestic distribution, toldThe New York Times, "This property has always really been about the international opportunity."[52] The film opened across 19 markets on the same weekend it debuted in North America, including major territories like Russia and South Korea.[43] In its opening weekend, it grossed $19.3 million on about 6,700 screens, and an IMAX total of $1.2 million from 122 IMAX theaters.[51] In Russia and theCIS, it opened with $3.1 million, debuting in first place at the box office. However, it was the lowest No. 1 opening for a film since April,[53] while in South Korea it debuted at No. 2, with $4 million. In the latter market, it faced significant competition from local filmsFamilyhood andThe Hunt, both of which performed strongly.[51][54] In the United Kingdom and Ireland, it came in second place with $4.7 million, including previews, debuting behind the animatedThe Secret Life of Pets, and in Australia with $3.2 million, behindFinding Dory.[55] Elsewhere, Asia had No. 1 openings in India, Indonesia, Thailand and Malaysia. The studio also reported No. 1 debuts in Mexico ($4.6 million), Brazil ($3.4 million), Spain ($1.8 million), Italy ($1.6 million), the majority ofEastern European markets, and Puerto Rico.[51][55][56][57] Germany ($2 million), the UAE ($1.6 million), and Japan ($1.5 million) had similar opening figures.[58]
In China – the film's second biggest market – the film was granted a rare release date in the month of July, a peculiar move since July is typically the month whenChinese regulators ban foreign films (includingHollywood films) in order to protect and promote their own local films.[59][60] It opened on Tuesday, July 19, and made $7 million on its opening day. It went on to deliver a six-day opening of around $27 million and a three-day weekend opening of $12 million. Although the opening number was regarded strong, it came in second place, behindSkiptrace, which occupied a market share in excess of 56%, in comparison toThe Legend of Tarzan's 16%.[57][61]
In terms of total earnings, its biggest markets outside of the United States are China ($45.1 million), Mexico ($13.7 million) and the U.K. and Ireland ($11.9 million).[62]
OnRotten Tomatoes, the film has an approval rating of 36% based on 258 reviews with an average rating of 5.1/10. The website's critical consensus reads, "The Legend of Tarzan has more on its mind than many movies starring the classic character, but that isn't enough to make up for its generic plot or sluggish pace."[63] OnMetacritic, the film has a weighted average score of 44 out of 100 based on 41 critics, indicating "mixed or average reviews".[64] Audiences polled byCinemaScore gave the film an average grade of "A−" on an A+ to F scale.[65]
Manohla Dargis ofThe New York Times gave the film a positive review, stating "What makes it more enjoyable than a lot of recycled stories of this type is that the filmmakers have given Tarzan a thoughtful, imperfect makeover."[66] In his review,Peter Travers ofRolling Stone stated "At least it's watchable. In summer, baby, that's high praise."[67]
Peter Debruge ofVariety gave the film a negative review, stating "A talky and mostly turgid attempt by British director David Yates to build on the epic vision he brought to the final fourHarry Potter movies via another beloved literary hero."[68] Jordan Hoffman ofThe Guardian criticized the film for its story and writing, stating "Committed performances aren't enough to save this film from uncomfortable colonial optics, uninspiringCGI and tedious plotlines." He simultaneously called out for the film trying to make the source materialpolitically correct and for being awhite saviour narrative.[69]