| The Last Wave | |
|---|---|
 Australianfilm poster | |
| Directed by | Peter Weir |
| Screenplay by |
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| Produced by | Hal and Jim McElroy |
| Starring |
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| Cinematography | Russell Boyd |
| Edited by | Max Lemon |
| Music by | Charles Wain |
Production companies | |
| Distributed by | United Artists |
Release date |
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Running time | 106 minutes |
| Country | Australia |
| Language | English |
| Budget | A$818,000[2] |
| Box office |
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The Last Wave (also released in the United States asBlack Rain) is a 1977 Australianmysterydrama film directed byPeter Weir.[4][5] It is about a white solicitor inSydney whose seemingly normal life is disrupted after he takes on a murder case and discovers that he shares a strange, mystical connection with the small group of localAboriginal people accused of the crime.
The film opens with a montage of scenes of daily life in Australia in the 1970s— a rural school in the desert with children playing, the main street of anoutback town, a traffic jam in the city— all being affected by unusually adverse weather conditions that suddenly appear. These include heavy rainfall followed by unusually large chunks of hail breaking through the windows of the school injuring students, a frog infestation, and other anomalies. Only the local Aboriginal people seem to recognise thecosmological significance of these weather phenomena.
During one of these freak rainstorms inSydney, an altercation occurs among a group of Aboriginal people in apub, which results in a mysterious drowning death. At thecoroner's inquest, the death is ruled a homicide and four of the Aboriginal men are accused of murder. Through theAustralian Legal Aid system, a lawyer named David Burton (Richard Chamberlain) is procured for their defence. Due to internal politics and the eschatological divide between the European settlers and Indigenous people, the circumstances by which he was contacted and retained are unusual in that his law practice iscorporate taxation and notcriminal defence. He is reluctant at first but is intrigued by the challenge and takes on the case. Soon his professional and personal life begin to unravel.
Burton starts having bizarre dreams involving running water and drowned corpses. In another, he is visited in his home by one of the incarcerated Aboriginals, named Chris Lee (David Gulpilil), whom he had never met. When later introduced to the four accused men, he recognises Lee and begins to sense an otherworldly connection to him and to the increasingly strange weather phenomena besetting the city. His dreams intensify along with his obsession with the murder case. He comes to suspect that the murder was an Aboriginal tribal execution in which a curse is put on the victim simply bypointing a bone at him. Lee refuses to admit that he is tribal or reveal anything about the murder, but tells Burton that his dreams have meaning because he isMulkurul; descended from a race of spirits who came from the rising sun bringing sacred objects with them. After meeting with the shaman of Lee's tribe and learning more about Aboriginal practices and the concept ofDreamtime as a parallel world of existence, Burton comes to believe that his dreams and the strange heavy rain bode as signs of a comingapocalypse. After another intense dream, Burton senses danger. He persuades his wife to leave the city with their children right before a torrential storm causes a flooding disaster.
In the chaos of the flood, Lee manages to escape from prison to find Burton and take him down through subterranean tunnels under the city which lead to a sacred Aboriginal ritual site. Lee shows him the entrance to another ancient chamber nearby that is strangely familiar to him; Burton is sent off to find the answers that he seeks. In the chamber, Burton sees a painting on the ceiling depicting the arrival of European explorers from South America and a calendrical prophecy of a cataclysmic oceanic disaster. He finds a collection of ancient relics, a decayed corpse of a man wearing medieval Western garments, and a stone mask. After close inspection, he realises this bears a face identical to his own. He collects as many relics as he can carry but is suddenly confronted by the tribe'sshaman shouting and lunging at him. They struggle and Burton kills the shaman with one of the stone relics.
He tries to find his way back to the surface through the sewer tunnels, but he loses the relics along the way. He finally emerges through a drain pipe; exhausted, he collapses on the beach and stares at the horizon. Then we see the look of both shock and acceptance on his face as the screen is filled by footage of a surreal towering ocean wave. It remains unclear whether this is reality or Burton's final apocalyptic premonition.
In an interview on theCriterion Collection DVD release, director Peter Weir explains that the film explores the question, "What if someone with a very pragmatic approach to life experienced a premonition?"
Finance was provided by theAustralian Film Commission ($120,000), theSouth Australian Film Corporation ($120,000), Janus Films (US$50,000) andUnited Artists ($350,000). US based writer Petru Popescu worked on the script. Weir considered two Australian actors to play the lead but eventually decided to go with Richard Chamberlain. Filming started 24 February 1977 and took place in Adelaide and Sydney.[6]
The Last Wave was met with positive reviews from critics and audiences, earning an 87% approval rating onRotten Tomatoes. The film also holds an 85/100 onMetacritic.[7]
The film was entered in the 6th Tehran International Film Festival in November 1977, and won the Golden Ibex prize.
| Award | Category | Subject | Result |
|---|---|---|---|
| AACTA Awards (1977 AFI Awards) | Best Direction | Peter Weir | Nominated |
| Best Original Screenplay | Nominated | ||
| Tony Morphett | Nominated | ||
| Petru Popescu | Nominated | ||
| Best Actor | Richard Chamberlain | Nominated | |
| Best Cinematography | Russell Boyd | Won | |
| Best Editing | Max Lemon | Nominated | |
| Best Original Music Score | Charles Wain | Nominated | |
| Best Sound | Greg Bell | Won | |
| Don Connolly | Won | ||
| Phil Judd | Won |
The Last Wave was not as popular as Weir's 1975 filmPicnic at Hanging Rock, but still grossed $1,258,000 at the box office in Australia.[8]
United Artists decided not to release the film in the US but it was picked up by World Northal and distributed in the US asBlack Rain.[3]
In the United States and Canada,The Last Wave was released onDVD by theCriterion Collection as spine #142 and is available on their bespoke streaming service,The Criterion Channel.[9]
In Australia,The Last Wave was remastered and released onto DVD &Blu-ray byUmbrella Entertainment in September 2020 as the first film in theSunburnt Screens collection.[10]Umbrella later re-released the film onto4K Blu-ray in September 2023.[11]
Release Date: September 2020
Release Date: September 2023