| The Last Sentence (Dom över död man) | |
|---|---|
 English language cinema poster | |
| Directed by | Jan Troell |
| Written by | Jan Troell Klaus Rifbjerg |
| Produced by | Francy Suntinger |
| Starring | Jesper Christensen Pernilla August Ulla Skoog Björn Granath |
| Cinematography | Mischa Gavrjusjov Jan Troell |
Production company | Filmlance International |
Release date |
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| Country | Sweden |
| Language | Swedish |
| Budget | 43 millionkr |
| Box office | $327,297[1] |
The Last Sentence (Swedish:Dom över död man; Judgement on the dead) is a 2012 Swedish film, directed byJan Troell and starringJesper Christensen,Pernilla August,Björn Granath andUlla Skoog. It is set between 1933 and 1945, and focuses on the life and career ofTorgny Segerstedt, a Swedish newspaper editor who was a prominent critic of Hitler and the Nazis during a period when the Swedish government and monarch were intent on maintaining Sweden's neutrality and avoiding tensions with Germany. The film also deals with Segerstedt's relations with his wife, his mistress, and his mistress's husband (who was a close friend of Segerstedt).
The film's Swedish title,Dom över död man, comes from a line in the Old Norse poemHávamál: "Cattle die, kinsmen die, thou wilt also die; but I know one thing that never dies: the judgment on the dead".[2]
After finishing his previous feature film,Everlasting Moments from 2008, directorJan Troell has said that he felt an emptiness and wondered whether he ever would get to make another film. Around that time he received a phonecall from the writerKenne Fant, who in 2007 had published a biography aboutTorgny Segerstedt, an early outspoken critic ofAdolf Hitler who before and duringWorld War II had been the editor-in-chief of the newspaperGöteborgs Handels- och Sjöfartstidning. Fant wondered whether Troell would be interested in making a film based on Segerstedt's life.[3] Troell accepted the offer when his friendKlaus Rifbjerg, a Danish writer, was enthusiastic about the project and wanted to be Troell's co-writer. Initially, Troell had problems finding an approach for the film's narrative, but soon read another biography about Segerstedt, written by his secretary Estrid Ancker. Troell also read Ancker's research material for the book, which included interviews with more than 300 people connected to Segerstedt.[4] Through this material Troell found out more about Segerstedt on a personal level, including his personal motivations and private relationships. The director then chose to make a film which focuses on Segerstedt as a human being more than as a public figure.[5] According to Troell it took "a couple of years" to form the narrative and write the screenplay with Rifbjerg.[3]
Production was led by Filmlance International. Co-producers includedFilm i Väst, Filmpool Nord,Sveriges Television,Nordisk Film and companies in Norway. The project received eleven millionkronor in support from theSwedish Film Institute and 450,000 euros fromEurimages, as well as funding from the Norwegian Film Institute and Nordisk Film- & TV Fond.[5][6][7] The production involved a total budget of 43 million kronor.[4]
Early in the production processMax von Sydow was considered for the role of Segerstedt. Soon however Troell decided to offer it to the Danish actorJesper Christensen. Both Troell and Christensen were initially worried about Christensen's Danish accent, which would be inconsistent with the role; this was eventually solved by changing the script to make Segerstedt's mother Danish. The casting choice was also motivated with the fact that Troell's earlier filmHamsun had starred Sydow, who there spoke Swedish in the role of the Norwegian authorKnut Hamsun.[5]
Principal photography commenced 21 February 2011 inLuleå where it continued for three weeks.[8][9] Filmpool Nord's Studio Kronan was used for studio scenes set inGöteborgs Handels- och Sjöfartstidning's office and Segerstedt's home. Also in Luleå, footage was taken of theLule River, which stands in forKlarälven in the film.[5] After that the team relocated toGothenburg for eight weeks of filming, which consisted of exterior scenes and on-location interiors. Finally they went to Stockholm for three days in May. The filming in Stockholm included a scene set inside theStorkyrkan Cathedral, which was staged as a homage to the 1947 short filmSymphony of a City byArne Sucksdorff, a filmmaker who was a major influence for Troell's earliest works.[5][9]The Last Sentence was recorded withArri Alexa cameras. It was the first feature-length fiction film Troell shot digitally, although he had previously directed digital short films and a documentary feature.[5][10]