| The Killer | |
|---|---|
 Release poster | |
| Directed by | David Fincher |
| Screenplay by | Andrew Kevin Walker |
| Based on | |
| Produced by |
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| Starring | |
| Cinematography | Erik Messerschmidt |
| Edited by | Kirk Baxter |
| Music by | |
Production companies |
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| Distributed by | Netflix |
Release dates |
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Running time | 118 minutes[3] |
| Country | United States |
| Language | English |
| Box office | $452,208[4] |
The Killer is a 2023 Americanaction thriller film[3] directed byDavid Fincher from a screenplay byAndrew Kevin Walker. It is based on the French graphic novel seriesThe Killer written byAlexis "Matz" Nolent and illustrated by Luc Jacamon.[5] The film starsMichael Fassbender alongsideArliss Howard,Charles Parnell,Kerry O'Malley,Sala Baker,Sophie Charlotte, andTilda Swinton in supporting roles. Fassbender plays an assassin who embarks on an international vendetta after a hit goes wrong.
Development on the graphic novel adaptation began in 2007 atParamount Pictures andPlan B Entertainment, with Fincher signed on as director andAlessandro Camon as screenwriter. In 2021, Fincher later moved the project over toNetflix withAndrew Kevin Walker replacing Camon as writer.
The Killer premiered at the80th Venice International Film Festival on September 3, 2023.[6] It received alimited theatrical release on October 27, 2023; it began streaming onNetflix on November 10, 2023. The film received positive reviews from critics.
A professionalhitman known only as The Killer stakes out aParisian hotel room. He prepares to use a sniper rifle to kill a target who will check into the hotel room at an unknown time. While waiting for the target, he eats, practices yoga, listens to music (exclusivelythe Smiths), and talks on the phone with his handler, Edward "Eddie" Hodges, who is an attorney and his former university law professor. The target arrives with adominatrix and The Killer shoots but misses, accidentally shooting the dominatrix. He flees, evading the police and disposing of his equipment. He then flies to the United States.
The Killer returns to his hideout in theDominican Republic to find it has been broken into and his girlfriend Magdala has been attacked. She is in theICU of a hospital, with her brother watching over her. He says that Magdala was interrogated and tortured by two assassins but managed to injure one of them and escape. The Killer tracks down Leo, the taxi driver who drove the assassins to The Killer's home. Leo identifies one of the assassins, a strong man with a limp leg, nicknamed "The Brute", and a woman who resembles aQ-Tip, known as "The Expert". The Killer shoots Leo and seeks to track down the two assassins.
The Killer travels to Hodges' office inNew Orleans,Louisiana, and enters the building disguised as a maintenance person. After forcing Dolores, Hodges' secretary, to restrain her boss and herself, The Killer destroys their electronics. As Hodges attempts to get The Killer to leave, The Killer shoots him in the chest with a nail gun to torture the names of the hitmen out of him. However, Hodges doesn't reveal the information and dies more quickly than The Killer anticipated. Dolores offers to show The Killer the assassins' identities in her paper files in her home, asking in return that The Killer give her a non-suspicious death so her children can claim a life insurance payout. After receiving the names at her home, The Killer breaks his rule not to show empathy; he snaps her neck and shoves her down a flight of stairs, making her death look like an accident, as she had requested. He then disposes of Hodges' body.
The Killer drives toSt. Petersburg,Florida, where he confronts The Brute, whom he identifies by his limp. At night, he breaks into The Brute's home to kill him, but he is blindsided and tackled. A fight ensues, during which The Brute realizes who The Killer is before The Killer fatally shoots him and sets his house on fire with aMolotov cocktail.
The Killer travels toBeacon,New York, and confronts The Expert "Q-Tip" assassin in a gourmet restaurant. Appearing to accept her fate, The Expert offers to share with him a "last supper" ofwhiskey, during which she questions The Killer's motivations. They leave the restaurant and go to a park. After The Expert appears to slip down a small flight of ice-covered stairs, she asks The Killer to help her up, but The Killer shoots her, revealing that she was concealing a knife.
The Killer travels toChicago, to kill billionaireventure capitalist Henderson "Clay" Claybourne, reflecting during his flight that police take more interest in the deaths of rich people. He uses tools bought onAmazon to enter Claybourne's penthouse. Confronting him, The Killer remains mostly silent. Claybourne says that he has no personal problem with The Killer and, as a first-time client of a hitman, agreed to pay Hodges for "the trail to be scrubbed", not knowing what that meant. The Killer spares Claybourne, but he promises him a slow death if Claybourne ever targets him again. The Killer returns to the Dominican Republic and sits next to a recovering Magdala.
In November 2007, it was reported thatDavid Fincher would be directing an adaptation of theMatz French comic bookThe Killer, with Allesandro Camon writing the script,Brad Pitt'sPlan B Entertainment producing, andParamount Pictures distributing.[7] By February 2021, Fincher had taken the project to Netflix, where he had signed an overall deal, withAndrew Kevin Walker now writing the script andMichael Fassbender circling the lead role.[5] By June, it was reported that Fincher was planning to begin filming in November 2021 in Paris, with cinematographerErik Messerschmidt.[8]Tilda Swinton joined the cast in October.[9]
David Fincher citedLe Samouraï’sJean-Pierre Melville as the most obvious reference to his film.[10][11][12][13]Michael Fassbender is inspired by the character played byAlain Delon.[14][15][16]
Principal photography began in November 2021 in Paris.[17] It continued in the Dominican Republic in December 2021, then moved to New Orleans later that month. It moved again to Chicago in February 2022,[18] and then toSt. Charles, Illinois (doubling for the city of Beacon, New York), in March 2022 for ten days, wrapping up later that month.[19][20]
In February 2023, it was reported thatTrent Reznor andAtticus Ross were composing for the film.[21] The film also includes the following songs from British rock bandThe Smiths (in order in which they appear in the film):[22]
| No. | Title | Length |
|---|---|---|
| 1. | "Well I Wonder" | 3:59 |
| 2. | "I Know It's Over" | 5:49 |
| 3. | "How Soon Is Now?" | 6:48 |
| 4. | "Hand in Glove" | 3:23 |
| 5. | "Bigmouth Strikes Again" | 3:13 |
| 6. | "Heaven Knows I'm Miserable Now" | 3:36 |
| 7. | "Girlfriend in a Coma" | 2:03 |
| 8. | "Shoplifters of the World Unite" | 2:58 |
| 9. | "Unhappy Birthday" | 2:45 |
| 10. | "This Charming Man" | 2:43 |
| 11. | "There Is a Light That Never Goes Out" | 4:05 |
| Total length: | 41:22 | |
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The Killer premiered in-competition at the80th Venice International Film Festival on September 3, 2023.[6] It was picked up for a surprise screening at the71st San Sebastián International Film Festival set for September 30, 2023.[23] It was also screened at the28th Busan International Film Festival in the "Icon" section on October 6, 2023.[24]
The film began alimited theatrical release on October 27, 2023, viaNetflix, before streaming on the platform on November 10, 2023.[25]
On thereview aggregator websiteRotten Tomatoes, 85% of 288 critics' reviews are positive, with an average rating of 7.4/10. The website's consensus reads: "The Killer finds director David Fincher on firm footing with a stylish and engaging thriller that proves a perfect match for leading man Michael Fassbender."[26]Metacritic, which uses aweighted average, assigned the film a score of 73 out of 100, based on 59 critics, indicating "generally favorable" reviews.[27]
Terming it a "horribly addictive samurai procedural,"Peter Bradshaw ofThe Guardian wrote that the film is "entertainingly absurd and yet the pure conviction and deadpan focus that Fassbender and Fincher bring to this ballet of anonymous professionalism makes it very enjoyable."[28]IndieWire's Ryan Lattanzio found it "as unfeeling as any Fincher thriller, at once predictable in its simplicity but also strangely daring because of it".[29]Time magazine's Stephanie Zacharek, noting the proliferation of thrillers about contract assassins, praised Fincher for simplifying his entry into the subgenre to its essence, which Zacharek felt expanded its possibilities rather than limiting them, especially with Fassbender's performance effectively realizing them.[30]
The New York Times was less positive, withManohla Dargis unmoved by character and plot but nonetheless impressed by the talents of Fincher and Fassbender. "The character is boring and so is this movie, but like the supremely skilled Fincher, who can't help but make images that hold your gaze even as your mind wanders, Fassbender does keep you watching."[31]
