| The Insider | |
|---|---|
 Theatrical release poster | |
| Directed by | Michael Mann |
| Written by |
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| Based on | "The Man Who Knew Too Much" byMarie Brenner |
| Produced by |
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| Starring | |
| Cinematography | Dante Spinotti |
| Edited by | |
| Music by | |
Production companies |
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| Distributed by | Buena Vista Pictures Distribution |
Release date |
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Running time | 158 minutes |
| Country | United States |
| Language | English |
| Budget | $68–90 million[1] |
| Box office | $60.3 million[2] |
The Insider is a 1999 Americanbiographical drama film directed byMichael Mann and written by Mann andEric Roth, based onMarie Brenner's 1996Vanity Fair article "The Man Who Knew Too Much". The film starsAl Pacino,Russell Crowe,Christopher Plummer,Bruce McGill,Diane Venora andMichael Gambon.
A fictionalized account of a true story, it centers on the controversial60 Minutes segment aboutJeffrey Wigand, a whistleblower in thetobacco industry,[3] covering his andCBS producerLowell Bergman's struggles as they defend his testimony against efforts to discredit and suppress it by CBS and Wigand's former employer.
Althoughnot a box-office success,The Insider received acclaim from critics, who praised Crowe's portrayal of Wigand and Mann's direction. It was nominated for sevenAcademy Awards, includingBest Picture andBest Actor in a Leading Role (for Russell Crowe).
CBS producer Lowell Bergman convinces the founder ofHezbollah,Sheikh Fadlallah, to grant an interview toMike Wallace for60 Minutes. Wallace and Bergman firmly stand their ground against the Sheikh's armed and hostile bodyguards, who attempt to intimidate and disrupt their interview preparations.
Later, Bergman approaches Jeffrey Wigand—a former executive at theBrown & Williamson tobacco company—for help explaining technical documents. Wigand agrees but intrigues Bergman when he insists that he will not discuss anything else, citing aconfidentiality agreement.
Brown & Williamson coerces Wigand into a more restrictive agreement, leading Wigand to accuse Bergman of betraying him. Bergman subsequently visits Wigand to defend himself and investigate the potential story. Although Wigand apparently possesses very damaging information, he hesitates to reveal anything, fearing that it will jeopardize hisseverance package from Brown & Williamson. Wigand's family moves into a more modest house, and Wigand begins working as a teacher. One night, Wigand finds evidence oftrespass and receives a sinister phone call.
Meanwhile, Bergman contactsRichard Scruggs, an attorney representingMississippi in a lawsuit against the tobacco industry. Bergman suggests that if theydepose Wigand, making his information public, it can give CBS cover to broadcast the information; Scruggs expresses interest.
Wigand receives an emailed death threat and finds a bullet in his mailbox. He contacts theFBI, but the agents who visit him are hostile and confiscate his computer. Furious, Wigand demands that Bergman arrange an interview, during which Wigand states that he was fired after objecting to Brown & Williamson intentionally making their cigarettes more addictive.
Bergman arranges a security detail for Wigand's home, and the Wigands experience marital stress. Wigand testifies in Mississippi, despite attempts of intimidation andlegal suppression by Brown & Williamson attorneys. After returning home, he discovers that his wife Liane has left him and taken their daughters.
Eric Kluster, the president ofCBS News, decides not to broadcast Wigand's interview after CBS legal counsel Helen Caperelli warns that the network is at risk of legal action from Brown & Williamson. Bergman confronts Kluster, accusing him of sacrificing journalistic integrity to protect the impending sale of CBS toWestinghouse, which would enrich both Kluster and Caperelli. Wallace and their executive producerDon Hewitt both side with Kluster. Wigand, learning of this, is appalled and terminates contact with Bergman.
Investigators probe Wigand's personal history and publish their findings in a 500-page dossier. Bergman learns thatThe Wall Street Journal intends to use it in a piece questioning Wigand's credibility. He convinces theJournal's editor to delay publication and assign journalists to investigate the dossier, claiming that it falsely quotes its sources.
After infighting at CBS over the Wigand segment, Bergman is ordered to take a "vacation" as the abridged60 Minutes segment airs. Bergman contacts Wigand, who is both dejected and furious, accusing Bergman of manipulating him. Bergman defends himself and praises Wigand and his testimony. Scruggs urges Bergman to air the full segment to draw public support for their lawsuit, which is under threat from a lawsuit by Mississippi's governor. Bergman, frozen out, is unable to assist and privately questions his own motives pursuing the story.
Bergman contacts an editor atThe New York Times, disclosing the full story and events at CBS. TheTimes prints the story on the front page and condemns CBS in a scathing editorial. TheJournal dismisses the dossier ascharacter assassination and prints Wigand's deposition. Hewitt accuses Bergman of betraying CBS, but finds that Wallace now agrees that bowing to corporate pressure was a mistake.60 Minutes finally airs the original segment, including the full interview with Wigand. Bergman tells Wallace that he has resigned, believing that60 Minutes's credibility and integrity are now permanently tarnished.
For the scene in which the deposition hearing takes place, the filmmakers used the actual courtroom inPascagoula, Mississippi, where the deposition was given.[4]
The Insider is adapted from "The Man Who Knew Too Much", an influential article ontobacco industrywhistleblowerJeffrey Wigand, written by journalistMarie Brenner for the May 1996 issue ofVanity Fair.[5]
Mike Wallace said that two-thirds of the film was quite accurate, but he disagreed with the film's portrayal of his role in the events. In particular, he objected to the impression that he would have taken a long time to protest CBS's corporate policies.[6]
The Insider was released in 1,809 theaters on November 5, 1999, where it grossed a total of $6,712,361 on its opening weekend and ranked fourth in the country for that time period. It went on to earn $29.1 million in North America, and $31.2 million in the rest of the world, for a total of $60.3 million worldwide, significantly lower than its $90 million budget.[2] The film was considered to be a commercial disappointment.Disney executives had hoped that Mann's film would have the same commercial and critical success asAll the President's Men, a film in the same vein.
However,The Insider had limited appeal to younger moviegoers—studio executives reportedly said that the prime audience was over age 40—and the subject matter was "not notably dramatic", according to marketing executives. Then-Disney chairmanJoe Roth said, "It's like walking up a hill with a refrigerator on your back. The fact of the matter is we're really proud we did this movie. People say it's the best movie they've seen this year. They say, 'Why don't we make more movies like this?'"[7]
After the film received sevenAcademy-Award nominations but won none, Joe Roth said, "Everyone is really proud of the movie. But it's one of those rare times when adults loved a movie, yet they couldn't convince their friends to go see it, any more than we could convince people in marketing the film."[8]
The Insider received some of the best reviews of 1999 and of Michael Mann's career. OnRotten Tomatoes, it has a 96% rating, based on 138 reviews, with an average rating of 8.10/10. The website's critical consensus reads: "Intelligent, compelling, and packed with strong performances,The Insider is a potent corporate thriller."[9] OnMetacritic, it has a score of 84 out of 100, based on reviews from 34 critics, indicating "universal acclaim".[10] Audiences surveyed byCinemaScore gave the film a grade of "A−" on a scale of A+ to F.[11]
Roger Ebert of theChicago Sun-Times gave the film three-and-a-half stars out of four, and praised "its power to absorb, entertain, and anger".[12]
Newsweek magazine'sDavid Ansen wrote, "Mann could probably make a movie about needlepoint riveting. Employing a big canvas, a huge cast of superb character actors and his always exquisite eye for composition, he's made the kind of current-events epic that Hollywood has largely abandoned to TV—and shows us how movies can do it better."[13]
In her review forThe New York Times,Janet Maslin praised Russell Crowe as "a subtle powerhouse in his wrenching evocation of Wigand, takes on the thick, stolid look of the man he portrays", and felt that it was "by far Mann's most fully realized and enthralling work".[14]
Time magazine'sRichard Corliss wrote, "When Crowe gets to command the screen,The Insider comes to roiled life. It's anAll the President's Men in whichDeep Throat takes center stage, an insider prodded to spill the truth."[15]
Rolling Stone magazine'sPeter Travers wrote, "With its dynamite performances, strafing wit and dramatic provocation,The Insider offers Mann at his best—blood up, unsanitized, and unbowed."[16]
Entertainment Weekly gave the film a "B" rating, and felt that it was "a good but far from great movie because it presents truth telling in America as far more imperiled than it is".[17]
DirectorQuentin Tarantino includedThe Insider in his list of top 20 films released since 1992 (the year he became a director).[18]
In 2006,Premiere ranked Crowe's performance #23 of the 100 Greatest Performances of All Time.[20] Eric Roth and Michael Mann won theHumanitas Prize in the Feature Film category in 2000.
| The Insider (Music from the Motion Picture) | |
|---|---|
| Soundtrack album by Various artists | |
| Released | October 26, 1999 |
| Recorded | 1999 |
| Genre | Soundtrack |
| Label | Sony |
| Producer | Lisa Gerrard andPieter Bourke Graeme Revell |
All tracks are written byLisa Gerrard andPieter Bourke, unless otherwise stated. All tracks are also performed by Gerrard and Bourke, unless otherwise stated.
| No. | Title | Writer(s) | Performer(s) | Length |
|---|---|---|---|---|
| 1. | "Tempest" |
| 2:50 | |
| 2. | "Dawn of the Truth" | 1:59 | ||
| 3. | "Sacrifice" | 7:41 | ||
| 4. | "The Subordinate" | 1:17 | ||
| 5. | "Exile" | 1:39 | ||
| 6. | "The Silencer" | 1:36 | ||
| 7. | "Broken" | 2:03 | ||
| 8. | "Faith" | 3:01 | ||
| 9. | "I'm Alone On This" | Graeme Revell | Revell | 2:02 |
| 10. | "LB in Montana" | Revell | Revell | 0:50 |
| 11. | "Palladino Montage" | Revell | Revell | 0:43 |
| 12. | "Iguazu" | Gustavo Santaolalla | Santaolalla | 3:10 |
| 13. | "Liquid Moon" | 4:05 | ||
| 14. | "Rites" (Edit) | Jan Garbarek | Garbarek | 5:33 |
| 15. | "Safe from Harm" (Perfecto Mix) | 8:11 | ||
| 16. | "Meltdown" | 5:40 | ||
| Total length: | 52:29 | |||
Although based on a true story, certain elements in this motion picture have been fictionalized for dramatic effect.
