In the 19th century, youngP. T. Barnum and his tailor father Philo work for the Hallett family. Barnum falls for their daughter, Charity. When Charity attends finishing school, Barnum and she write to each other until they reunite as adults ("A Million Dreams"). They eventually marry and raise two daughters, Caroline and Helen, in New York City. They live a humble life, and though Charity is happy, Barnum craves more ("A Million Dreams (Reprise)").
Barnum loses his shipping-clerk job when the company goes bankrupt due to a typhoon that sank all the firm's cargo vessels. He later secures a bank loan, deceptively using his former employer's lost ships as "collateral". He opensBarnum's American Museum, which features various wax figures, in downtownManhattan.
Ticket sales are slow, so Caroline and Helen suggest showcasing something "alive". Barnum adds "freak" performers, such asbearded lady Lettie Lutz anddwarf manCharles Stratton ("Come Alive"). This garners higher attendance, but also protests and poor reviews from well-known criticJames Gordon Bennett Sr.. Barnum renames his venture "Barnum's Circus" and recruits playwright Phillip Carlyle to help generate publicity ("The Other Side"). Phillip is mesmerized by the African-American trapeze artist Anne Wheeler, but he hides his feelings. Phillip arranges for Barnum and his troupe to meetQueen Victoria.
Barnum persuades famed Swedish singerJenny Lind to tour America with him as her manager. Lind's American debut is a success ("Never Enough"). During her song, Phillip's parents see Anne and him holding hands and he quickly lets go. As Barnum gains favor with aristocratic patrons, he distances himself from his troupe, advising them to work without him. Dejected, they decide to stand against their harassers ("This Is Me"). When Phillip and Anne attend the theater together, they run into Phillip's parents. They chastise him for "parading around with the help." Phillip tries to convince Anne that they can be together, but she disagrees saying they will never be accepted socially ("Rewrite the Stars").
As Barnum takes Lind on a U.S. tour, Charity stays home with the girls and feels isolated from her husband ("Tightrope"). While on tour, Lind becomes romantically attracted to Barnum. When he rejects her advances, she threatens to quit and later retaliates with a kiss at the end of her last show ("Never Enough (Reprise)") which is photographed by the press.
Barnum returns home to find his circus on fire caused by a fight between protesters and the troupe. Phillip runs into the burning building to save Anne, not knowing that she has already escaped. He suffers serious injuries before Barnum rescues him.
The next day, Bennett tells Barnum that the culprits have been caught and that Lind has cancelled her tour after Barnum's "scandal". Barnum's mansion isforeclosed. Having found out about the kiss, Charity berates Barnum for his obsessions and takes their daughters to her parents' home.
Devastated, Barnum retreats to a local bar. His troupe finds him there and says that despite their disappointments, they still consider themselves a family. Inspired, he resolves to build a new show and not let ambition blind him ("From Now On"). Phillip awakens in a hospital with Anne by his side while Barnum and Charity reconcile.
A recovering Phillip offers his share of the profits to help Barnum rebuild the circus in exchange for becoming a full partner, which Barnum readily accepts. To economize, Barnum transforms the enterprise into an open-air tent circus. The revamped circus is a huge success ("The Greatest Show"). Barnum has Phillip take his place as theringmaster so Barnum can spend more time with his family. Barnum leaves the circus early on anAfrican bush elephant to attend Caroline and Helen's ballet recital.
Will Swenson as Philo Barnum, a tailor and P. T. Barnum's late father
Radu Spinghel as Vasily "O'Clancy" Karpov, a stiltwalker and member of Barnum's troupe with the title "Irish Giant" who is based on circus giant "Captain" George Auger
Luciano Acuna Jr. as the Dog Boy, a man withhypertrichosis and member of Barnum's troupe who based onFedor Jeftichew
During rehearsals for the81st Academy Awards in 2009, producersLaurence Mark andBill Condon compared host Jackman to Barnum. After Jackman expressed interest in a Barnum project, Mark and Condon approachedJenny Bicks, a writer for the ceremony. She and Condon wroteThe Greatest Showman.[14] The project was first announced in 2009 under the titleThe Greatest Showman on Earth, with Jackman already set for the title role.[15] In August 2011,Michael Gracey was chosen to direct.[16] In 2013, Fox hired songwriting team ofBenj Pasek and Justin Paul to write the songs.[17]
In early 2016, the cast performed a read-through in front of producers togreen-light the film. Pasek and Paul approachedJeremy Jordan to sing the part of Carlyle, since Jordan recordeddemos for the film in 2015.[18] The day before the read-through, Jackman underwentnasal surgery and was ordered by his doctor not to sing. Pasek and Paul asked Jordan to also sing the part of Barnum, while Jackman acted out the scenes, to which Jordan agreed.[18] While the cast performed "From Now On", Jackman disobeyed orders and began singing along with Jordan. This brought the read-through to an emotional end, which resulted in the film being greenlit.[19]
On June 15, 2016, Zac Efron began negotiations to star in the film,[20] and in July 2016,Michelle Williams was cast.[21] The film was choreographed byAshley Wallen.[22]
The film took seven years to produce, and Jackman had 10 weeks of preparation before filming started.[23] Rehearsals on the film began in October 2016 in New York City, andprincipal photography began on November 22, 2016.[24]
In December 2017,James Mangold, who had worked with Jackman on several projects (including 2017'sLogan), reportedly had been brought in to serve as an executive producer during the film's post-production. In an interview, director Michael Gracey noted, "There were eight producers on this film, and it was amazing having one of them be a filmmaker."[25]
The soundtrack album is produced by Justin Paul,Benj Pasek,Greg Wells,Kevin Weaver, andPete Ganbarg, featuring the 11 tracks performed by the cast. In the United Kingdom, on March 23, 2018, it became only the second album in 30 years to achieve 11 consecutive weeks at number one, equaling the record set byAdele's21.[27][28] As of January 25, 2019[update], the album has spent the sixth-most time at number one at 28 nonconsecutive weeks, matching the Beatles'Sgt. Pepper's Lonely Hearts Club Band.[29]
Hugh Jackman at the film's Japanese premiere on February 13, 2018
The Greatest Showman held its premiere on December 8, 2017, aboardRMSQueen Mary 2, while she was docked in New York City. The film was originally scheduled to be released on December 25, 2016, in the United States and Canada, but was moved to avoid competition withLa La Land. The release date was pushed back a year from its original release date of December 25, 2016, to December 25, 2017, before then being moved up one week from December 25, 2017, to December 20, 2017.[32][33]
As with Disney's live-actionBeauty and the Beast, a sing-along version of the film was released in the United Kingdom on February 23, 2018.[34] The film had a limitedIMAX release on February 2, 2018.[citation needed]
On June 28, 2017, 20th Century Fox released the first internationaltrailer to promote the film. On November 13, 2017, the second trailer was released.[35]
In the United States, the film was released via digital download on March 20, 2018, and was released on DVD, Blu-ray, and 4K Ultra HD on April 10, 2018.[38]
In the United Kingdom, the film was released first on digital download on April 27, 2018, while DVD, Blu-ray, and 4K Ultra HD copies went on sale on May 14, 2018. These versions included the sing-along version, two hours of behind-the-scenes footage, and music machine jukebox features.[39]
The Greatest Showman was released on the US and Canada version ofDisney's streaming serviceDisney+ on August 14, 2020,[40] following Disney's acquisition of20th Century Fox in 2019.[41]
In its original release,The Greatest Showman grossed $174.3million in the United States and Canada and $260.6million in other territories, for a worldwide total of $435 million against a production budget of $84million.[3] It is the third-highest-grossing musical ever in North America and also the third-highest globally, andDeadline Hollywood estimated the film would turn a profit of $50–100 million.[42]
In the United States and Canada,The Greatest Showman was released alongsideJumanji: Welcome to the Jungle, and was projected to gross around $21million from 3,006 theaters over its first six days.[43][44] It took in $2.5million on its first day and $2.1million on its second. Over the three-day weekend, it grossed $9million (for a six-day total of $19million), finishing fourth at the box office, behindStar Wars: The Last Jedi,Jumanji: Welcome to the Jungle andPitch Perfect 3.[45] In its second weekend, the film grossed $15.5million, again finishing 4th at the box office.[46] The weekend-to-weekend increase of 76.3% marked the largest ever for a film playing in over 3,000 theaters, and the fourth biggest ever.[47][48] In its third week, the film dropped 11% to $14million.[49] The film made $13million in its fourth weekend and $11million in its fifth, finishing 4th and 5th at the box office, respectively.[50] The film continued to hold well in its sixth week of release, grossing $9.5million and returning to 4th place,[51] and again finished fourth in its seventh week, this time grossing $7.8million (a drop of just 18%).[52] It is the 14th-highest-grossing film that never reached first place at the American box office.[53]
The film received mixed reviews from critics upon release.[54][55][56] As reported byEntertainment Weekly, critics feltThe Greatest Showman embraces the spectacle and showmanship of Barnum via vibrant musical numbers and lavish visuals, but its superficial approach to character development and historical nuance makes it more an extravagant diversion than a substantive biographical portrait.[57] Onreview aggregatorRotten Tomatoes, 56% of 263 reviews are positive, and the average rating is 6/10. The website's critical consensus reads, "The Greatest Showman tries hard to dazzle the audience with a Barnum-style sense of wonder—but at the expense of its complex subject's far more intriguing real-life story."[58] OnMetacritic, the film has a weighted average score of 48 out of 100, based on reviews from 43 critics, indicating "mixed or average reviews".[59] Audiences polled byCinemaScore gave the film an average grade of "A" on an A+ to F scale, while those atPostTrak gave it 4.5 out of 5 stars and a 70% "definite recommend".[45]
Owen Gleiberman ofVariety gave the film a positive review, writing, "The Greatest Showman is a concoction, the kind of film where all the pieces click into place, yet at an hour and 45 minutes it flies by, and the link it draws between P.T. Barnum and the spirit of today is more than hype."[60]Richard Roeper of theChicago Sun-Times gave the film 3 out of 4 stars, saying, "With all that corn and cheese and old-timey sentiment,The Greatest Showman ends up scoring some very timely social arguments. P.T. Barnum himself would have approved the dramatic sleight of hand."[61] Steve Persall ofTampa Bay Times gave the film an 'A', and said, "The Greatest Showman is the feel-good movie the holiday season needs,"[62] while William Bibbiani ofIGN gaveThe Greatest Showman a score of 7.9 out of 10, and called the film, "wildly entertaining".[63]
Britton Peele ofThe Dallas Morning News said, "The story is interesting and the beats are well acted, but it's the musical numbers that makeThe Greatest Showman."[64]Jackie K. Cooper ofHuffPost gave the film a score of 10/10 and wrote, "You will be overwhelmed by the music and magic that explode on the screen. The film has a message that should resonate with today's world concerning acceptance and courage."[65] Hugh Armitage ofDigital Spy said, "The Greatest Showman is a broad and solid crowd-pleaser. An undemanding spectacle for all the family."[66] Alan Jones of theRadio Times called it "A joyously uplifting potpourri of visual resplendence, stylish choreography and solid gold magic, one engineered to approximate the lavish spectacle the movie musical once offered."[67]
Sheila O'Malley ofRogerEbert.com gave it 3.5 out of 4, stating,"The Greatest Showman is an unabashed piece of pure entertainment punctuated by memorable songs."[68]James Berardinelli of ReelViews gave the film 3 out of 4, and said, "The film has show-stopping well-choreographed numbers with catchy tunes,"[69] and Calvin Wilson of theSt. Louis Post-Dispatch called the film "highly enjoyable."[70]
Carl Kozlowski ofPasadena Weekly gave the film an 'A', calling it "Groundbreaking & grandly innovative."[71] Sean P. Means ofThe Salt Lake Tribune gaveThe Greatest Showman 3.5 out of 4, stating, "A strong cast give emotional power to this romanticized, tune-filled biography."[72] Manuela Lazic ofLittle White Lies gave it 4 out of 5, saying, "The Greatest Showman deserves to become a Christmas classic. The film's severe romanticism and ridiculous but affecting enthusiasm make it irresistibly life-affirming."[73] Pete Hammond ofDeadline Hollywood gave the film 4 out of 5 stars and called it, "A fantasia of song and dance, a joyous exercise in pure entertainment that is made for the holiday crowd."[74]
Conversely,Mick LaSalle of theSan Francisco Chronicle gave the film a negative review, criticizing the songs and characters, and saying, "There's idiotic, and there's magnificent, butThe Greatest Showman is that special thing that happens sometimes. It's magnificently idiotic. It's an awful mess, but it's flashy. The temptation is to cover your face and watch it through your fingers because it's so earnest and embarrassing and misguided—and yet it's well made."[75] In a negative review forThe Hollywood Reporter, David Rooney wrote "This ersatz portrait of American big-top tent impresario P.T. Barnum is all smoke and mirrors, no substance. It hammers pedestrian themes of family, friendship and inclusivity while neglecting the fundaments of character and story."[76]
Writing forRolling Stone,Peter Travers gave the film 1.5 out of 4 stars, saying, "How do you cast a virtuoso Hugh Jackman as P.T. Barnum, spare no expense in production values, add a score by Oscar and Tony winners Benj Pasek and Justin Paul, and still end up with the shrill blast of nothing that isThe Greatest Showman? Ask first-time director Michael Gracey, who cut his teeth on commercials and music videos without ever mastering the crucial knack of building snippets of musical comedy and drama into a satisfying whole."[77] Justin Chang of theLos Angeles Times wrote that the film's failures "are rooted in something deeper: a dispiriting lack of faith in the audience's intelligence, and a dawning awareness of its own aesthetic hypocrisy. You've rarely seen a more straight-laced musical about the joys of letting your freak flag fly."[78]
In February 2025,The Washington Post ranked the film at number 20 on its list of "The 25 best movie musicals of the 21st century," with Naveen Kumar writing "Songwriters Benj Pasek and Justin Paul ushered in an era of deeply affecting and earworm-y Broadway pop with theirTony-winning musicalDear Evan Hansen. Their score for this fictionalized biopic of circus mastermind P.T. Barnum is full of undeniable bops."[79]
The Greatest Showman included many historical inaccuracies and omissions.Vanity Fair called it "a highly fictionalized musical biopic".[80]The New Yorker said, "there's a sort of poetic injustice in the fact that 'The Greatest Showman,' the new musical... based on the life of P. T. Barnum, the long-famed 'Prince of Humbug,' should be largely fabricated out of synthetic cloth".[81] The Smithsonian magazine wrote that "P.T. Barnum isn't the hero the 'Greatest Showman' wants you to think", highlighting that "his path to fame and notoriety began by exploiting an enslaved woman, in life and in death, as entertainment for the masses".[82] The Smithsonian refers to Barnum's first theatrical foray in 1835, where he exhibited an African-American slave woman namedJoice Heth and claimed she had raisedGeorge Washington and was 161 years old, while she was actually in her late 70s. At the time, owning slaves in New York was illegal, but Barnum got around this by "renting" Heth. After she died in 1836, Barnum arranged a public autopsy of Heth, for which he charged admission. In her bookMedical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present,Harriet A. Washington included this as an example of the way African Americans were treated as subhuman in terms of medical procedures and testing.[83] Another Barnum hoax was theFiji mermaid which in reality was the body of a monkey and the tail of a fish stitched together.[84] Barnum's shows were also notorious for the cruelty inflicted on the animals, which resulted in the death of at least two whales.[85][86]Rhoda Roberts, arts director of theSydney Opera House, criticized the film for not addressing that Barnum coerced and kidnapped native peoples to perform inhuman zoos as a form of entertainment.[87]
In addition to leaving out many aspects of Barnum's career, the people and events depicted in the movie were heavily fictionalized. The two lead characters, Phillip Carlyle and Anne Wheeler, were completely fictional. The character of Jenny Lind is portrayed as a glamorous woman who becomes infatuated with Barnum and, when he does not respond to her overtures, quits the show. In her final performance, she lured Barnum out to the stage for a public kiss in an attempt to flame rumors about their romance. In reality, Lind dressed plainly and was known for her charitable donations both in her home country and to various charities in the United States. Neither Lind nor Barnum displayed any romantic interest in each other. Lind found Barnum to be crude, and Barnum was more interested in money than romance. Lind broke off her successful tour with Barnum early because she was unhappy with Barnum's marketing.[88]
In September 2019, a sequel for the film was already in development, with Jackman confirmed to reprise his role.[114] However, the sequel's future is now uncertain after Disney chose to end a distribution deal for Chernin Entertainment's films by20th Century Fox in early 2020.[115]
In September 2022, Jackman stated that he was still interested in a sequel being produced if both companies could come to an agreement.[116]
In August 2024, theDisney Theatrical Group announced at theD23 fan convention that astage musical adaptation of the film was in development, making it the company's first stage adaptation of a 20th Century Fox film. The production will be directed byCasey Nicholaw from a libretto byTim Federle adapted from the film's screenplay. It is expected to include all the songs from the film, in addition to five new songs written by Pasek and Paul.[117]
On March 5, 2025, it was confirmed that the show will premiere in theBristol Hippodrome in Spring 2026.[118]
^Pittman, Hayden (December 30, 2017)."Movie Review: The Greatest Showman".WFAA. RetrievedMarch 7, 2025.Although the newly released film is receiving overall mixed reviews
^Washington, Harriet (January 8, 2008).Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present. Anchor; Illustrated edition.ISBN978-0767915472.
^Kunhardt, Philip B. Jr.; Kunhardt, Philip B.; Kunhardt, Peter W. (1995).P.T. Barnum: The Greatest Showman. Alfred A. Knopf.ISBN978-0-679-43574-7.
.jpg)
