| The Girl Who Leapt Through Time | |||||
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 Theatrical release poster | |||||
| Japanese name | |||||
| Kanji | 時をかける少女 | ||||
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| Directed by | Mamoru Hosoda | ||||
| Screenplay by | Satoko Okudera | ||||
| Based on | The Girl Who Leapt Through Time byYasutaka Tsutsui | ||||
| Produced by |
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| Starring |
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| Cinematography | Yoshihiro Tomita | ||||
| Edited by | Shigeru Nishiyama | ||||
| Music by | Kiyoshi Yoshida | ||||
Production company | |||||
| Distributed by | Kadokawa Herald Pictures | ||||
Release date |
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Running time | 98 minutes[1] | ||||
| Country | Japan | ||||
| Language | Japanese | ||||
| Box office | ¥300 million (Japan)[2] ₩665 million (South Korea)[3] | ||||
The Girl Who Leapt Through Time (時をかける少女,Toki o Kakeru Shōjo) is a 2006Japanese animatedscience fictionromance film, directed byMamoru Hosoda, written bySatoko Okudera, and produced byMadhouse. It is a loosesequel to the 1967novel of the same name byYasutaka Tsutsui and shares the basic premise, but with a different story and characters than the novel.
The protagonist is Makoto Konno, a teenage girl who learns the power oftime travel from Kazuko Yoshiyama, her aunt and the protagonist to the original story. She begins using the time-leaps frivolously to fix problems, and repeatedly relives the same day in atime loop. Makoto is voiced byRiisa Naka, who would later portray Makoto's cousin, Akari Yoshiyama, the protagonist of the 2010 live-action filmTime Traveller: The Girl Who Leapt Through Time, which follows a different story.
The Girl Who Leapt Through Time was released byKadokawa Herald Pictures on July 15, 2006, and received positive reviews. It won numerous awards, including theJapan Academy Film Prize for Animation of the Year. The English version was licensed and produced byKadokawa Pictures U.S., withdubbing supplied byOcean Productions, and released byBandai Entertainment in 2008 and re-released byFunimation in 2016.[4]
At Kuranose High School in Tokyo, Japan, 17-year-old Makoto Konno discovers a message written on ablackboard that reads "Time waits for no one" and ends up inadvertently falling onto a walnut-shaped object. On her way to theTokyo National Museum to meet with her aunt, Kazuko Yoshiyama, she is ejected into a railroad crossing when the brakes on her bicycle fail and hit by an oncoming train, but finds herself transported back in time when she was riding her bicycle right before the accident. After telling Kazuko what happened, she helps Makoto realise she now has the power to "time-leap", the ability to literally travel through time. At first, Makoto uses her powers to avoid being late, achieve perfect grades, avoid mishaps and even relive a singlekaraoke session for several hours, but soon discovers her actions can adversely affect others.
Consequently, Makoto uses most of her leaps frivolously to prevent undesirable situations from happening, including an awkward love confession from her best friend, Chiaki Mamiya. Makoto realises she has a numbered tattoo on her arm indicating the limited number of times she can time-leap. Using her remaining time-leaps, Makoto attempts to make things right for everyone. When Chiaki calls Makoto to ask if she has been time-leaping, she uses her final time-leap to prevent Chiaki's call. In the meantime, Makoto's friend Kōsuke Tsuda and his new girlfriend, Kaho Fujitani, borrow her faulty bike. Makoto attempts to stop them, but as she had just used her final leap, she is unable to rescue them from being hit by the train.
A moment later, Chiaki freezes time. Telling Makoto he is from the future, he explains the walnut-shaped object is his time-traveling device, and used it to time-leap hoping to see a painting that Kazuko is restoring, as it has been destroyed in the future. While walking with Makoto in the frozen city, Chiaki explains why he stayed longer in her time than he originally planned. Consequently, he has used his final leap to prevent Kōsuke and Kaho from the train accident and he has stopped time only to explain to Makoto he is unable to return to his own time period, and having broken the rules by revealing his origins and the nature of the item that allowed Makoto to leap through time, Chiaki must leave. Makoto then realises she is in love with him.
True to his words, Chiaki disappears once time resumes. Initially distraught by Chiaki's disappearance, Makoto discovers Chiaki's time-leap inadvertently restored her final time-leap: Chiaki leaped back to the time before Makoto used it. Makoto uses it to safely leap back to the moment right after she originally gained her powers; Chiaki would still have his one remaining time-leap. Recovering the used-up time-travel device, she explains her knowledge of everything as she shows it to Chiaki. Makoto vows to ensure the painting's existence so Chiaki can see it in his era. Before Chiaki departs, he tells Makoto he will be waiting for her in the future. When Kōsuke asks her where Chiaki went, she tells him Chiaki went to study abroad. She has made a decision about her own future.
The Girl Who Leapt Through Time was released to a small number of theatres inJapan, taking in approximately¥300 million ($3 million).[2] The film received limited advertising as opposed to other animation features, but word of mouth and positive reviews[5] generated interest. At Theatre Shinjuku for days in a row, filmgoers filled the theatre with some even standing to watch the film. Following this, distribution companyKadokawa Herald Pictures increased the number of theatres showing the film across Japan, and submitted the film for international festival consideration.
North American distributor Bandai Entertainment premiered the film in North America on November 19, 2006, at theWaterloo Festival for Animated Cinema and on March 3, 2007, at the 2007 New York International Children's Film Festival. The movie received a limited release in theUnited States, being shown subtitled inLos Angeles in June, and inSeattle in September. Also, an English dubbed version was shown in New York City in July. Its Boston area showings in August were subtitled. The film has also premiered in the UK as part of theLeeds Young People's Film Festival on April 2, 2008. The film was made available onCable VOD on December 1, 2010, throughout the United States on numerous major cable systems, such asComcast,Time Warner, andCox, among others, by VOD distributor Asian Media Rights, under the Asian Crush label.
InSouth Korea, it released in June 2007. The film grossed ₩664,964,500 in South Korea.[3]
The film returned to Japanese cinemas on4DX screens on April 2 for the 10th anniversary ofStudio Chizu, the Studio Hosoda set up to produce his newer works, and the 15th anniversary of the film. An updated poster of classic visual has been released alongside a new trailer.[6] The 2021 release was screened nationwide (excluding some cinemas) withUnited Cinemas as the distributor.[7]
Thereview aggregation websiteRotten Tomatoes reports an 84% approval rating based on 19 reviews, with an average rating of 6.6/10. The website's consensus reads: "An imaginative and thoughtfully engaging anime film with a highly effective visual design. This coming-of-age comedy drama has mad inventiveness to spare."[8] OnMetacritic, the movie has an average score of 66 out of 100, which indicates "generally favorable reviews".[9]
Justin Sevakis ofAnime News Network praised the film for its "absolute magic." Sevakis felt that the film has "more in common with the best shoujo manga than [author Yasutaka] Tsutsui's other workPaprika". He said that the voice acting has "the right amount of realism [for the film]".[10]Ty Burr ofThe Boston Globe praised the film's visuals and pace. He also compared the film to the works ofStudio Ghibli.[11] Nick Pinkerton ofThe Village Voice said, "there's real craftsmanship for how [the film] sustains its sense of summer quietude and sun-soaked haziness through a few carefully reprised motifs: three-cornered games of catch, mountainous cloud formations, classroom still-lifes." Pinkerton also said that the film is the "equivalent of a sensitively wrought read from the Young Adult shelf, and there's naught wrong with that."[12] Author Yasutaka Tsutsui praised the film as being "a true second-generation" of his book at theTokyo International Anime Fair on March 24, 2006.[13]
| Year | Award | Category | Winner/Nominee | Result | Ref. |
|---|---|---|---|---|---|
| 2006 | Sitges Film Festival | Best Animated Film | The Girl Who Leapt Through Time | Won | [14] |
| Nihon SF Taisho Award | Grand Prize | The Girl Who Leapt Through Time | Nominated | [15] | |
| The 10thJapan Media Arts Festival | Grand Prize | The Girl Who Leapt Through Time | Won | [16] | |
| 2007 | Japan Academy Prize | Animation of the Year | The Girl Who Leapt Through Time | Won | [17] |
| Tokyo Anime Awards | Animation of the Year | The Girl Who Leapt Through Time | Won | [18] | |
| Director Award | Mamoru Hosoda | Won | |||
| Best Original Story/Work | The Girl Who Leapt Through Time: Yasutaka Tsutsui | Won | |||
| Scriptwriting Award | Satoko Okudera | Won | |||
| Achievement in Art Direction | Nizo Yamamoto | Won | |||
| Character Design Award | Yoshiyuki Sadamoto | Won | |||
| 2009 | Young Artist Awards | Best Performance in a Voice-over Role | Emily Hirst | Won | [19] |
It won the Animation Grand Award, given to the year's most entertaining animated film, at the prestigious sixty-first AnnualMainichi Film Awards. It received the Grand Prize in the animation division at the 2006Japan Media Arts Festival.[20] It won the Special Distinction for Feature Film at France's thirty-firstAnnecy International Animated Film Festival on June 16, 2007. It played to full-house theatres during a screening in August 2007 at the ninthCinemanila International Film Festival inManila, Philippines.
All music byKiyoshi Yoshida, except where noted. Piano played by Haruki Mino.
The film's theme song is "Garnet" (ガーネット,Gānetto), and the insert song used in the film is "Kawaranai Mono" (変わらないもの,lit.Unchanging Thing(s)). Both songs were written, composed, and performed by singer-songwriterHanako Oku. "Garnet" wasarranged by Jun Satō and "Kawaranai Mono (Strings Version)" was arranged by Yoshida.
The film was adapted into a manga by Ranmaru Kotone and was serialised inShōnen Ace a few months before the film's theatrical release. It received a 2009 English-language release for the Australian region with licensing by Bandai Entertainment and distribution by Madman Entertainment. The manga largely follows the same story as the film with some slight differences. Notably, the manga opens differently, with Makoto Konno dreaming of stumbling in on Kazuko Yoshiyama and Kazuo Fukamachi—the main characters of the original novel—parting ways, and ends with an epilogue of a young Kazuko waking up after Kazuo leaves in her proper time.
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