| The Fragile | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | September 21, 1999 (1999-09-21) | |||
| Recorded | January 1997 – July 1999 | |||
| Studio | Nothing, New Orleans | |||
| Genre | ||||
| Length | 103:39 | |||
| Label | ||||
| Producer | ||||
| Nine Inch Nails chronology | ||||
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| Halo numbers chronology | ||||
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| Singles from The Fragile | ||||
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The Fragile is the third studio album by the Americanindustrial rock bandNine Inch Nails, released as adouble album byNothing Records andInterscope Records on September 21, 1999. It was produced by Nine Inch Nails frontmanTrent Reznor and the English producerAlan Moulder, a longtime Reznor collaborator. It was recorded throughout 1997 to 1999 inNew Orleans.
Looking to depart from the distorted production of their previous album,The Downward Spiral (1994), the album features elements ofambient andelectronic music within a wide variety of genres. The album continues some of the lyrical themes fromThe Downward Spiral, including depression and drug abuse. The album notably contains more instrumental sections than their previous work, with some entire tracks being instrumentals.The Fragile is also one of the band's longest studio releases, clocking in at nearly 1 hour and 45 minutes long. The record was promoted with three singles: "The Day the World Went Away", "We're in This Together", and "Into the Void", as well as the promotional single "Starfuckers, Inc." and an accompanying tour, theFragility Tour, which spanned two legs. Several accompanying recordings were also released, including a remix album,Things Falling Apart (2000), a live album,And All That Could Have Been (2002), as well as an alternate version of the record,The Fragile: Deviations 1 (2016).
Upon release, critics applauded the album's ambition and composition, although some criticized its length and perceived lack of lyrical substance. However, in the years following its release, it has come to be regarded by many critics and listeners to be among the band's best work. The album debuted at number one in the U.S. to become the band's first chart-topper, and was eventually certifieddouble platinum by theRIAA.
The Fragile was an album based a lot in fear, because I was afraid as fuck about what was happening to me ... That's why there aren't a lot of lyrics on that record. I couldn't fucking think. An unimaginable amount of effort went into that record in a very unfocused way.
The Fragile was produced byTrent Reznor andAlan Moulder at Nothing Studios inNew Orleans. There were some personnel changes within Nine Inch Nails after the Self-Destruct tour, which saw drummerChris Vrenna replaced byBill Rieflin andJerome Dillon, the latter of whom would become Nine Inch Nails' full-time drummer until late 2005.Charlie Clouser andDanny Lohner contributed occasional instrumentation and composition to several tracks although the album was predominantly written and performed by Reznor alone.The Fragile was mixed by Alan Moulder and mastered by Tom Baker. The packaging was created byDavid Carson andRob Sheridan.[2]
According to a February 2000 interview in Keyboard Magazine, two of the album's programmers,Charlie Clouser andKeith Hillebrandt, disclosed some synths used in the album's production, among them:Clavia Nord Lead 2,Waldorf Pulse and Microwave,Minimoog,Oberheim Xpander,Novation Bass Station,Sequential Circuits Prophet-VS, and theAccess Virus.[3]
Over a year before the album's release, Reznor suggested, perhaps with intentional or dismissive misdirection, that the album would "be irritating to people because it's not traditional Nine Inch Nails. Think of the most ridiculous music you could ever imagine withnursery rhymes over the top of it. A bunch of pop songs."[4]
In contrast to the heavily distorted instruments and grittyindustrial sounds of their previous album,The Downward Spiral,[5]The Fragile relies more onsoundscapes, electronic beats,ambient noise, rock-laden guitar, and the usage of melodies asharmonies. Several critics noted that the album was seemingly influenced byprogressive rock,art rock,electronica, andavant-garde music.[6][7] It is categorized as anart rock album byThe Rolling Stone Album Guide (2004),[8] Edna Gundersen ofUSA Today,[9] andWill Hermes ofEntertainment Weekly. Hermes views that, like "art-rockers"King Crimson andDavid Bowie, Reznor incorporates elements of20th-century classical music on the album, "mixing prepared piano melodies à la John Cage with thematic flavor fromClaude Debussy".[10] Music journalistAnn Powers observes elements of progressive rock bands King Crimson andRoxy Music, Reznor's influences, and the experimentation of electronica artists such asAutechre andSquarepusher, and writes thatThe Fragile usesfunk bass lines,North African minor-keymodalities, and the treatment oftonality bySymbolist composers like Debussy. The album also features several distorted guitar parts which Powers suggests that fans can enjoy.[11]Rob Sheffield observes a "prog-rock vibe" akin toPink Floyd's 1979 albumThe Wall and feels thatThe Fragile is similarly "a double album that vents ... alienation and misery into paranoid studio hallucinations, each track crammed with overdubs until there's no breathing room".[12]
"About 10 years ago or so I locked myself away in a house on the ocean, and I tried to... I said I was trying to write some music. Some of which wound up onThe Fragile. But what I was really doing was trying to kill myself. And the whole time I was away by myself, I managed to write one song, which is this song. So when I play it I feel pretty weird about it, because it takes me back to a pretty dark and awful time in my life. It's weird to think how different things are now: I'm still alive, I haven't died yet. And I'm afraid to go back to that place because it feels kind of haunting to me, but I'm going to go back. I'm going to get married [toMariqueen Maandig] there."
Described by Reznor as a sequel toThe Downward Spiral—an album with a plot detailing the destruction of a man—The Fragile is a concept album dealing with his personal issues, including depression, angst, and drug abuse. His vocals, for the most part, are more melodic and somewhat softer, a departure from his harsh and often angry singing in previous works. However, several music critics including Reznor noticed the lack of lyrics on the album.[14][1]The Bulletin interprets it as an industrial rock album about "fear and loathing that could compete with Pink Floyd'sThe Wall".[15] In some ways,The Fragile is a response toThe Downward Spiral. Reznor compared the lyrical content of the two albums:
I wanted this album to sound like there was something inherently flawed in the situation, like someone struggling to put the pieces together.The Downward Spiral was about peeling off layers and arriving at a naked, ugly end. This album starts at the end, then attempts to create order from chaos, but never reaches the goal. It's probably a bleaker album because it arrives back where it starts — (with) the same emotion. The album begins "Somewhat Damaged" and ends "Ripe (With Decay)".[14]
The song "I'm Looking Forward to Joining You, Finally" is credited in the album's booklet as"for clara", suggesting that the song's topic, like "The Day the World Went Away", is about Reznor's grandmother, Clara Clark.[citation needed]Fight Club authorChuck Palahniuk singled out "The Wretched" for comment: "I remember being amazed when I first heard this... This wasn't just ennui: this was an active, aggressive, angry lack of caring. It's not 'Let's kill ourselves'; it's 'Let's kill each other'... It's not rock 'n' roll and it's not classical. It's something in between."[16] According to aCIA document entitledGuidelines for Interrogation Methods the song "Somewhat Damaged" was one of 13 songs played to detainees atGuantanamo Bay, supposedly as a means of torture.[17]
_instrumental_cover.png)
The cover artwork was designed byDavid Carson. A section within his bookFotografiks[18][19] reveals that the top section of thealbum cover is from a photo of a waterfall and the bottom section is from a closeup photo of the inside of aseashell. Carson elaborated on this further in an image on his website:
[The] back [cover] was going to be the front until the last moment. Trent changed it saying 'it was kinda irritating' yet something about it we liked so maybe it fit the music. Front cover flowers I shot outside ofAustin, Texas. The 1 hour place called and said they messed up and used the wrong chemicals and the film was ruined. I said 'lemme see 'em anyway'. This is how they came out. Cover image isa waterfall in Iceland and a seashell in the West Indies.[20]
On September 10, 1998, at the1998 MTV Video Music Awards, a thirty-second teaser trailer was shown on television to promote the then untitled album.[21] It would be more than a year before the album was finally released.[21] The first single, "The Day the World Went Away", was released two months before the album. "Into the Void" and "We're in This Together" proved to be the album's most successful singles. TheB-side "Starfuckers, Inc." was released on the album as a track at the last minute[citation needed], and served as apromotional single forThe Fragile. In support ofThe Fragile, theNine Inch Nails live band reformed for theFragility tour. The tour began in late 1999 and lasted until mid-2000, spanning Europe, Japan, New Zealand, Australia, and North America.[22] The tour consisted of two major legs, labeled Fragility 1.0 and Fragility 2.0. The live band lineup remained largely the same from the previous tour in support ofThe Downward Spiral, featuringRobin Finck on guitar,Charlie Clouser on keyboards, andDanny Lohner on bass guitar.[23][24] Reznor held open auditions to find a new drummer, eventually picking then-unknownJerome Dillon.[25] Nine Inch Nails' record label at the time,Interscope Records, reportedly refused to fund the promotional tour followingThe Fragile's lukewarm sales. Reznor instead committed to fund the entire tour himself, which quickly sold out. He concluded that "the reality is, I'm broke at the end of the tour", but also added, "I will never present a show that isn't fantastic."[26] The tour featured increasingly large production values, including atriptych video display created by contemporary video artistBill Viola.[27]Rolling Stone magazine named Fragility the best tour of 2000.[28] In 2002, the tour documentaryAnd All That Could Have Been was released featuring performances from the Fragility 2.0 tour. While making the DVD, Reznor commented on the tour in retrospect by saying "I thought the show was really, really good when we were doing it",[29] but later wrote that "I can't watch it at all. I was sick for most of that tour and I really don't think it was Nine Inch Nails at its best."[30]
In the years leading up to the Fragility Tour, Reznor’s personal life had been complicated by addiction and grief. Following the commercial breakthrough ofThe Downward Spiral (1994), Reznor struggled privately withalcohol anddrug use, which intensified after the death of his grandmother, the woman who had raised him. The loss profoundly destabilized him, and he began using substances heavily to cope.[31]Cocaine and alcohol became central to his daily routine, with sessions often blurring into days ofself-destructive excess.[31] The recording ofThe Fragile took place during this period. Reznor later acknowledged that he was frequently incapable of writing lyrics or focusing on production because of withdrawal and intoxication.[31] AlthoughThe Fragile was widely acclaimed upon release in 1999,[32] Reznor himself could not appreciate its reception. In an interview cited byExclaim!, he admitted that during this era "nothing felt good anymore, not music, not success, not anything".[33] By the time the Fragility Tour began, Reznor was carrying the weight of his addictions into one of the most elaborate and demanding concert productions of his career.[34] The most serious crisis occurred in June 2000, during the European leg of the tour inLondon. According toThe Guardian, Reznor obtained what he thought was cocaine but which turned out to beheroin, specifically a highly potent form sometimes referred to as "China white", a type offentanyl.[34] After ingesting the drug, he collapsed and suffered a near-fataloverdose, requiring emergency medical care.[34] The episode forced the cancellation of concerts and marked the lowest point of Reznor's life.[34]
The overdose left Reznor shaken. Though he continued to downplay the severity of his addiction immediately afterward, the London episode planted the realization that he was no longer in control. Several planned European performances were canceled, and Nine Inch Nails temporarily withdrew from touring. By 2001, Reznor enteredrehabilitation, beginning the process of recovery. In interviews, he has repeatedly cited the 2000 overdose as the moment that forced him to confront the reality of his addictions.[35] In a 2005 conversation he stated: "If I drink again I’ll probably die. And I don’t want to die."[35]
"The Fragile occupies a very interesting and intimate place in my heart. I was going through a turbulent time in my life when making it and revisiting it has become a form of therapy for me. As an experiment, I removed all the vocals from the record and found it became a truly changed experience that worked on a different yet compelling level.The Fragile: Deviations 1 represents Atticus and I embellishing the original record with a number of tracks from those sessions we didn't use before. The result paints a complimentary but different picture we wanted to share."
On September 21, 2009—the tenth anniversary of the album's release—a Nine Inch Nails official Twitter update hinted that a deluxe5.1 surround audio reissue ofThe Fragile was in the works and was scheduled for a 2010 release.[37] During an interview withThe New York Times that was broadcast on January 7, 2011, after questioned about the album Reznor explained:
The Fragile is weird because when it came out it felt like everyone hated it to me, and now it feels like it's everyone's favorite album, fan-wise. I was probably going to save this for some other announcement, butAlan Moulder's spent a couple of months restoring all themultitracks, prepping for a surround mix, and we plan on doing that this spring, and I'm not sure when it's going to come out but it's just something I'd like to get done and there's no record better than that to get surround mixed. It has to be Alan Moulder, and we both look back at that record – I've just spent some time with him now, he's still a very good friend of mine – and the experience of doing it in the bound that we had in literally two years, every day working together on that, was one of the best times in our lives. I think, in hindsight, I should have had [The Fragile] two single records, muchRadiohead style withKid A andAmnesiac, recorded at once, broken into two digestible chunks. Hey, it is what it is, but I thought about going back, redoing bits that I would mess around with to see how it would be if I were to do that record now, but I don't know if I should phase. Sometime this year expect something to come out surround-wise.[38]
While on tour in 2014 in Australia and New Zealand, Reznor was interviewed by a local reporter and was quoted about the reissue stating:
Yeah, we've done a lot of the work for that. Really what it's come down to is with all the other stuff going on, theFragile thing in particular, I want to make sure I get it right. You know, we've mixed everything in surround, it sounds amazing, we have a great package ready to go. I just stumbled across 40-or-so demos that are from that era that didn't turn into songs, that range from sound effects to full-fledge pieces of music, and I kind of feel like - something should happen with that.And I think it has something to do with that package, and I just need the bandwidth to kind of calmly think about it, and decide how much effort I want to devote into that and what to do with it. I have a lot of ideas that could eat up immense amounts of time and I'm trying to weigh out - just think it through. I don't want to pull the trigger on something and go, 'Man, I should have done it in this way.' And I just haven't had a chance to be in a calm place where I can think it through completely and make that decision.[39]
In June 2015, an instrumental version of the album was released toApple Music.[40] This version of the album also includes alternative versions of "The Frail", "Just Like You Imagined", "Pilgrimage", "La Mer", "The Mark Has Been Made", and "Complication", the instrumental version of "The Day the World Went Away (Quiet)", an extended version of "+Appendage", a demo version of "10 Miles High" called "Hello, Everything Is Not OK", and two previously unreleased tracks fromThe Fragile ("The March" and "Can I Stay Here?")
In 2017 a reissue of the vinyl version ofThe Fragile was released, alongside an expanded, instrumental version, titledThe Fragile: Deviations 1. This version ofThe Fragile contains all songs in either instrumental or alternate formats, and combines them with newly released songs written and recorded during the sessions forThe Fragile.Deviations 1 consists of a one-off 4×LP pressing.[41]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [42] |
| Christgau's Consumer Guide | B[43] |
| Entertainment Weekly | A−[10] |
| The Guardian |  [44] |
| Los Angeles Times | [45] |
| NME | 5/10[46] |
| Pitchfork | |
| Rolling Stone | [12] |
| Spin | 9/10[11] |
| USA Today | [9] |
The Fragile received generally positive reviews from contemporary critics.[49]Mojo called it "an impressively multi-textured, satisfyingly violent sonic workout",[50] andAlternative Press found it "nothing short of astounding".[51]Edna Gundersen ofUSA Today called it "meticulously honed and twisted to baffle, tantalize, disarm and challenge the listener", and wrote that "the coats of polish ... can't camouflage Trent Reznor's perverse and subversive paths to musical glory."[9]Ann Powers ofSpin called the album "a good old-fashioned strap-on-your-headphones experience".[11]Jon Pareles ofThe New York Times wrote that, although he "doesn't approach suicide as he did on"The Downward Spiral, "Reznor can hide in the studio and piece together music that's as cunning, and disquieting, as his raw anger used to be."[6]Will Hermes ofEntertainment Weekly viewed that, even "if [Reznor's] emotional palette is limited, it remains broader than any of his metalhead peers", and that, "right now,hard rock simply doesn't get any smarter, harder, or more ambitious than this."[10]Robert Hilburn of theLos Angeles Times wrote that, despite its length, "this is a profoundly challenging and moving work that strikes at the hollowness of most contemporarypop-rock with bullwhip force."[45]The Guardian's Adam Sweeting praised it as "a fearsomely accomplished mix of monster riffing, brooding melodies and patches of minimalist soul-searching".[44]Rolling Stone writer Rob Sheffield felt that the album's "excess is Reznor's chosen shock tactic here, and what's especially shocking is how much action he packs into his digitalvia dolorosa."[12]
In a negative review,Pitchfork's Brent DiCrescenzo panned the album's lyrics as "overly melodramatic".[47] John Aizlewood ofQ felt that it is "let down by Reznor's refusal to trouble himself with melody and by some embarrassing lyrics".[52]NME's Victoria Segal panned its music as "background" and accused it of "chas[ing] 'crossover'", with "grey rock sleet masquerading as a storm beneath a haze of 'experimental' textures."[46] Scott Seward ofThe Village Voice facetiously commended Reznor for "once again ... pioneering the marriage of heavy guitars, moody atmospherics, electronic drones and beats, and aggressive singing. Just likeKilling Joke 20 years ago."[53]Village Voice criticRobert Christgau was even less receptive: "After six fucking years, genius-by-acclamation Trent Reznor delivers double-hoohah, every second remixed till it glistens like broken glass on a prison wall. Is the way he takes his petty pain out on the world a little, er, immature for a guy who's pushing 35? Never mind, I'm told—just immerse in the music. So I do. 'Dream job: emperor,' it says. 'More fun than death by injection.'"[43]
The Fragile was included on several magazines' "end-of-year" album lists, includingThe Village Voice (number 14),Rolling Stone (number four), andSpin (number one).[citation needed] In a retrospective review,The Rolling Stone Album Guide (2004) gave it three-and-a-half out of five stars and wrote that, as "NIN's monumental double-disc bid for the art-rock crown,The Fragile sounds fantastic from start to finish, but there aren't enough memorable tunes underneath the alluring surfaces."[8]AllMusic editorStephen Thomas Erlewine offered similar criticism, writing that "Reznor's music is immaculately crafted and arranged, with every note and nuance gliding into the next — but he spent more time constructing surfaces than songs. Those surfaces can be enticing but since it's just surface,The Fragile winds up being vaguely unsatisfying."[42] In 2005,The Fragile was ranked number 341 inRock Hard magazine's bookThe 500 Greatest Rock & Metal Albums of All Time.[54] In 2016,Exclaim! listedThe Fragile at number two on their "Essential Albums" list for Nine Inch Nails, citing it as their most ambitious work and "a tragic if not stunning portrait of depression."[55]Pitchfork would later reassess the album in their review of the album's 2017 "Definitive Edition", with a score change going from 2.0 to 8.7, describing it as Reznor's "magnum opus...The Fragile scrapes the sky like never before."[56]
InMetal Hammer, it was named one of the 10 bestindustrial metal albums as well as one of the 20 best metal albums of 1999.[57][58]
The Fragile debuted atop theBillboard 200 with first-week sales of 229,000 copies, earning the band their first number-one album on the chart.[59] The album fell to number 16 the following week, becoming thelargest drop from number one at the time.[60] On January 4, 2000, the album was certified double platinum by theRecording Industry Association of America (RIAA),[61] and by May 2005, it had sold 898,000 copies in the United States.[59]
Steven Hyden ofThe A.V. Club wrote that Reznor developed Nine Inch Nails from its role as a prominent rock act and by the time he finished recordingThe Fragile,alternative rock's overall popularity declined with several of Nine Inch Nails' contemporaries being disestablished or displaced by newer bands. Hyden also attributes the album's commercial performance to the rise of file-sharing on the Internet, which deviated from the alternative rock movement's emphasis on "fetishized vinyl" and "music festivals as peaceful places for young people to commune and dream of better futures."[62]
All tracks are written byTrent Reznor, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Somewhat Damaged" |
| 4:31 |
| 2. | "The Day the World Went Away" | 4:33 | |
| 3. | "The Frail" | 1:54 | |
| 4. | "The Wretched" | 5:25 | |
| 5. | "We're in This Together" | 7:16 | |
| 6. | "The Fragile" | 4:35 | |
| 7. | "Just Like You Imagined" | 3:49 | |
| 8. | "Even Deeper" |
| 5:47 |
| 9. | "Pilgrimage" | 3:31 | |
| 10. | "No, You Don't" | 3:35 | |
| 11. | "La Mer" | 4:37 | |
| 12. | "The Great Below" | 5:17 | |
| Total length: | 54:51 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "The Way Out Is Through" |
| 4:17 |
| 2. | "Into the Void" | 4:49 | |
| 3. | "Where Is Everybody?" | 5:40 | |
| 4. | "The Mark Has Been Made" (includes a hidden intro to "10 Miles High") | 5:15 | |
| 5. | "Please" | 3:31 | |
| 6. | "Starfuckers, Inc." |
| 5:00 |
| 7. | "Complication" | 2:31 | |
| 8. | "I'm Looking Forward to Joining You, Finally" | 4:14 | |
| 9. | "The Big Come Down" | 4:12 | |
| 10. | "Underneath It All" | 2:46 | |
| 11. | "Ripe (With Decay)" | 6:34 | |
| Total length: | 48:48 1:43:39 | ||
| The Fragile: Deviations 1 | ||||
|---|---|---|---|---|
.jpg) | ||||
| Compilation album by | ||||
| Released | December 23, 2016 (2016-12-23) | |||
| Studio | Nothing, New Orleans | |||
| Genre | ||||
| Length | 155:46 | |||
| Label | The Null Corporation | |||
| Producer | ||||
| Nine Inch Nails chronology | ||||
| ||||
| Halo numbers chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | [63] |
| Pitchfork | 6.6/10[64] |
The Fragile: Deviations 1 is an alternate version ofThe Fragile that contains all of the original songs in either instrumental or alternate forms, and combines them with newly released tracks written and recorded during the sessions forThe Fragile.Deviations 1 consists of a one-off, limited edition four-LP pressing that was not made available on CD.[41]
Neil Z. Yeung ofAllMusic recommended that fans listen to and understand the original album first before delving intoDeviations 1.[63] Ultimately, he said that the release "serves as both a sonic time capsule and a reminder of one of NIN's most rewarding and underrated efforts."[63] Writing forPitchfork, Sean T. Collins foundDeviations 1 interesting but simultaneously perplexing, saying "Far too many ofDeviations' freshly vocal-free songs sound like karaoke versions rather than instrumentals that can stand on their own. The result is a listening experience that outstays its welcome on a song-by-song basis, let alone over the course of its massive 150-minute running time."[64]
| No. | Title | Length |
|---|---|---|
| 1. | "Somewhat Damaged" (instrumental) | 4:53 |
| 2. | "The Day the World Went Away" (instrumental) | 5:29 |
| 3. | "The Frail" (alternate version) | 1:46 |
| 4. | "The Wretched" (instrumental) | 6:00 |
| Total length: | 18:08 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Missing Places" | 1:26 |
| 2. | "We're in This Together" (instrumental) | 6:50 |
| 3. | "The Fragile" (instrumental) | 4:48 |
| 4. | "Just Like You Imagined" (alternate version) | 3:46 |
| 5. | "The March" (instrumental) | 3:42 |
| Total length: | 20:32 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Even Deeper" (instrumental) | 6:19 |
| 2. | "Pilgrimage" (alternate version) | 3:04 |
| 3. | "One Way to Get There" | 2:44 |
| 4. | "No, You Don't" (instrumental) | 3:16 |
| 5. | "Taken" | 3:35 |
| Total length: | 18:58 | |
| No. | Title | Length |
|---|---|---|
| 1. | "La Mer" (alternate version) | 4:54 |
| 2. | "The Great Below" (instrumental) | 5:25 |
| 3. | "Not What It Seems Like" (instrumental) | 3:30 |
| 4. | "White Mask" | 3:22 |
| 5. | "The New Flesh" (instrumental) | 3:40 |
| Total length: | 20:51 | |
| No. | Title | Length |
|---|---|---|
| 1. | "The Way Out Is Through" (alternate version) | 4:26 |
| 2. | "Into the Void" (instrumental) | 4:44 |
| 3. | "Where Is Everybody?" (instrumental) | 4:55 |
| 4. | "The Mark Has Been Made" (alternate version) | 4:44 |
| Total length: | 18:49 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Was It Worth It?" (instrumental) | 5:03 |
| 2. | "Please" (instrumental) | 3:30 |
| 3. | "+Appendage" (instrumental) | 3:19 |
| 4. | "Can I Stay Here?" (instrumental) | 4:25 |
| 5. | "10 Miles High" (instrumental) | 5:16 |
| Total length: | 21:33 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Feeders" | 2:02 |
| 2. | "Starfuckers, Inc." (instrumental) | 5:33 |
| 3. | "Complication" (alternate version) | 2:55 |
| 4. | "Claustrophobia Machine (Raw)" | 2:39 |
| 5. | "Last Heard From" | 2:06 |
| Total length: | 15:15 | |
| No. | Title | Length |
|---|---|---|
| 1. | "I'm Looking Forward to Joining You, Finally" (instrumental) | 4:17 |
| 2. | "The Big Come Down" (instrumental) | 4:05 |
| 3. | "Underneath It All" (instrumental) | 3:21 |
| 4. | "Ripe (With Decay)" (instrumental) | 7:35 |
| Total length: | 19:18 2:35:46 | |
Credits taken fromThe Fragileliner notes.[65]
Weekly charts[edit]
| Year-end charts[edit]
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[83] | 2× Platinum | 200,000^ |
| United Kingdom (BPI)[84] | Silver | 60,000^ |
| United States (RIAA)[61] | 2× Platinum | 1,000,000‡[59] |
^ Shipments figures based on certification alone. | ||
The tour was promoting The Fragile, an industrial-rock odyssey of fear and loathing to rival Pink Floyd's The Wall.
{{cite news}}:|archive-url= is malformed: timestamp (help)CS1 maint: url-status (link)Critics have generally embraced The Fragile
Critics have generally embraced The Fragile
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