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The Fourth Kind

From Wikipedia, the free encyclopedia
2009 science fiction thriller film directed by Olatunde Osunsanmi
For the type of alien encounter, seeClose encounter.
The Fourth Kind
Theatrical release poster
Directed byOlatunde Osunsanmi
Screenplay byOlatunde Osunsanmi
Story by
  • Olatunde Osunsanmi
  • Terry Lee Robbins
Produced by
Starring
CinematographyLorenzo Senatore
Edited byPaul Covington
Music byAtli Örvarsson
Production
companies
Distributed by
Release dates
  • October 24, 2009 (2009-10-24) (Screamfest)
  • November 6, 2009 (2009-11-06) (U.S.)
Running time
98 minutes[1]
Countries
  • United States[1][3]
  • United Kingdom
LanguageEnglish
Budget$10 million[4]
Box office$49.5 million[4]

The Fourth Kind is a 2009science fictionhorrorthriller film[5][6][7] written and directed byOlatunde Osunsanmi and starringMilla Jovovich,Elias Koteas,Corey Johnson,Will Patton,Charlotte Milchard,Mia McKenna-Bruce,Julian Vergov, and Osunsanmi. The title is derived from the expansion ofJ. Allen Hynek's classification ofclose encounters with aliens, in which the fourth kind denotesalien abductions.[8]

The film is apseudodocumentary, purporting to be a dramaticre-enactment of true events that occurred inNome, Alaska, in which a psychologist useshypnosis to uncover memories of alien abduction from her patients and finds evidence suggesting that she may have been abducted as well. At the beginning of the film, Jovovich informs the audience this entire movie is actually real, that she will be playing a character based on a real person named Abigail Tyler, and that the film will feature archival footage of the real Tyler.[9] The "Abigail Tyler" seen in the archival footage is played by Milchard, and at various points throughout the film, the archival footage scenes and accompanying dramatic re-enactments are presented side by side.[10][11] Director Osunsanmi appears in the film himself as the interviewer of the "real" Tyler.

The Fourth Kind premiered at theScreamfest Horror Film Festival on October 24, 2009, before opening theatrically in the United States and United Kingdom on November 6, 2009. The film's marketing campaign, which featured fake news articles attributed to real Alaskan news outlets, drew notable controversy and resulted in the studio being sued, ending with a $20,000 settlement paid to theAlaska Press Club. The film received unfavorable reviews from critics but was a modest box-office success,[12] grossing $49.5 million worldwide. The film has gone on to attain acult following in the years since its release.[13]

Plot

[edit]

Chapman University hosts a televised interview withpsychologist Dr. Abigail "Abbey" Tyler, who describes a series of events that occurred inNome, Alaska, and culminated in an allegedalien abduction in October 2000.

In a re-enactment of events occurring in August 2000, Abbey's husband, Will, is murdered, leaving her to raise their two children, Ashley and Ronnie. Abbey tapes clinicalhypnotherapy sessions with patients with shared experiences of a white owl staring at them as they sleep before creatures attempt to enter their homes. That night, Abbey is called by the police because one of her patients is holding his wife and two children at gunpoint. He states that he remembers everything and asks what "Zimabu Eter" means. Despite Abbey's pleas, he murders his family and commits suicide.

Abbey suspects that these patients may have been victims of an alien abduction. There is evidence that she may have been abducted as well, when an assistant gives her atape recorder that plays the sound of something entering her home and attacking her. The attacker speaks an unknown language, and Abbey hasno memory of the incident. Abel Campos, a colleague fromAnchorage, is suspicious of the claims. Abbey calls upon Dr. Awolowa Odusami, a specialist inancient languages and a contact of her late husband, to identify the language on the tape. Odusami identifies it asSumerian.

Another patient, Scott, wishes to communicate. He admits that there was no owl and speaks of "them", but cannot remember anything further and begs Abbey to come to his home to hypnotize him. Underhypnosis, he begins hovering above his bed, while a voice speaking through Scott orders Abbey in Sumerian to end her study. Town sheriff August later arrives, telling her that Scott is paralyzed from the neck down. Believing Abbey to be responsible, August tries to arrest her, though Campos comes to Abbey's defense and confirms her story. August instead places Abbey under guard inside her house.

A police officer watches Abbey's house when a largesaucer-shaped object appears in the sky. The image distorts, but the officer is heard describing people being pulled out of the house and calling for backup. Deputies rush into the house, finding Ronnie and Abbey, who say Ashley was taken. A disbelieving and enraged August accuses Abbey of kidnapping and removes Ronnie from her custody.

Sometime later, Abbey undergoes hypnosis in an attempt to make contact with the beings responsible and reunite with her daughter. Hypnotized, Abbey recalls that she witnessed Ashley's abduction, and she was abducted as well. An alien presence communicates with Abbey, who begs for Ashley's return. It states Ashley will never come back before referring to itself as "God". When the encounter ends, Campos and Odusami rush over to the now unconscious Abbey and then notice something offscreen. The image distorts again as a voice yells "Zimabu Eter!" before resolving to show that all three are gone. Abbey wakes up in a hospital with a broken neck. August reveals that Will had committed suicide, and Abbey's belief that he was murdered was adelusion.

The re-enactment ends, and back in the present, Abbey states that she, Campos, and Odusami were abducted during the hypnosis session, but cannot recall their experiences. She is asked how anyone can take her claims of alien abduction seriously if she was proven to be delusional about her husband's death. Abbey states that she has no choice but to believe that Ashley is still alive before breaking down in tears.

Abbey is cleared of all charges against her and leaves Alaska for theEast Coast, where her health deteriorates to the point of requiring constant care. Campos remains a psychologist, and Odusami becomes a professor at a Canadian university. Both men and August refuse to be involved with the interview, while Ronnie remains estranged from Abbey, still blaming her for Ashley's disappearance.

Cast

[edit]

In addition, Jovovich provides opening and dialogue as herself, setting the pretext of thepseudo-documentary's "true" events; as a further pretext of the pseudo-documentary, "Dr. Abigail Emily Tyler" is shown in the closing tombstone credits as having "appeared" in the film. During the fictional "real" footage, the interviewer is played by the director-screenwriter of this entire endeavour,Olatunde Osunsanmi.

Production

[edit]

Development

[edit]

This is the first major film by writer and director Olatunde Osunsanmi, who is a protégé ofindependent film directorJoe Carnahan.[14] The movie is set up as a re-enactment of allegedly original documentary footage. It also uses supposedly "never-before-seen archival footage" that is integrated into the film.[15][11]

Basis

[edit]

The film is loosely inspired by a series of realmissing person cases on the west coast of Alaska along theBering Strait, which did in fact prompt an investigation by theFBI.[16] While the film suggests extraterrestrial abduction as a cause for the disappearances, the real investigation found alcohol use and frigid temperatures to be the cause of most of the reported incidents.[16] Of the disappearances, nine individuals were never recovered.[16]

Filming

[edit]

The Fourth Kind was shot inBulgaria andSquamish, British Columbia, Canada. The lush, mountainous setting of Nome in the film bears little resemblance to the actual Nome, Alaska, which sits amidst the fringes of the arctictree line, where trees can only grow about 8 feet (2.4 m) tall due to thepermafrost on the shore of theBering Sea.[citation needed]

Release

[edit]

The Fourth Kind premiered at theScreamfest Horror Film Festival in Los Angeles on October 24, 2009, as the festival's closing film.[17][18] It opened theatrically in the United States and United Kingdom two weeks later, on November 6, 2009.[19]

Marketing

[edit]

To promote the film,Universal Pictures created a website with fake news stories supposedly taken from real Alaska newspapers, including theNome Nugget and theFairbanks Daily News-Miner.[20][21] The campaign drew controversy and the newspapers sued Universal,[22] who admitted to using the names without permission.[23] A settlement was soon reached in which Universal agreed to remove the fake stories and pay $20,000 to theAlaska Press Club and a $2,500 contribution to a scholarship fund for theCalista Corporation.[20]

In the settlement, it was noted: "Universal agrees to the permanent disabling and removal of, and represents and warrants that it has already permanently disabled access to and removed from the Internet, all news articles."[23]

Home media

[edit]

Universal Pictures Home Entertainment releasedThe Fourth Kind onDVD andBlu-ray on March 16, 2010.[24] The film earned $9,626,544 in DVD sales, with an additional $974,737 in Blu-ray sales.[4]

Reception

[edit]

Box office

[edit]

The Fourth Kind earned $12,231,160 during its opening weekend at the U.S.box office across 2,527 theaters.[25] In the United Kingdom, it grossed £851,000 during its opening weekend.[19] By its second weekend, the film had grossed £1,813,458 at the British box office.[26] The film remained in theatrical exhibition through January 2010, totaling $25,486,040 in box office receipts in the United States.[25] The film's final worldwide gross was $49,486,874.[4]

Critical response

[edit]

The Fourth Kind received mainly negative reviews from critics. On thereview aggregator websiteRotten Tomatoes, 18% of 114 critics' reviews are positive, with an average rating of 3.5/10. The website's consensus reads: "While it boasts a handful of shocks,The Fourth Kind is hokey and clumsy and makes its close encounters seem eerily mundane."[27]Metacritic, which uses aweighted average, assigned the film a score of 34 out of 100, based on 27 critics, indicating "generally unfavorable" reviews.[28] Audiences polled byCinemaScore gave the film an average grade of "C+" on an A+ to F scale.[29]

CriticRoger Ebert gave it one and a half stars out of four, comparing it unfavorably toParanormal Activity andThe Blair Witch Project, though he did praise Jovovich's performance.[30]Stephen Holden ofThe New York Times panned the film as "a tediously dragged-out supernatural thriller with few chills, no satisfying payoff and many conceptual loose ends."[31]Owen Gleiberman ofEntertainment Weekly called the film "rote and listless,"[32] whileRichard Corliss ofTime wrote: "You’d do better downloading an oldArt Bell show — say, the one about the guy who put an alien in his freezer — than investigating this evidence of subnormal activity."[33]

Ian Buckwalter ofNPR likened the film to a "cinematic version of achain e-mail hoax," summarizing: "Osunsanmi makes a valiant effort to keep the ruse going, and some of his gambits... are nice touches. ButThe Fourth Kind's chief source of credibility is a presumably unintentional one: re-enactment dialogue so painfully stilted that the grainy "reality" video seems strikingly naturalistic in comparison."[34]CNN reviewer Breanna Hare criticizedThe Fourth Kind for "marketing fiction as truth."[16]Nome, Alaska Mayor Denise Michels called it "Hollywood hooey". According to Michels, "people need to realize that this is a science fiction thriller". Michels also compared the film toThe Blair Witch Project, saying, "we're just hoping the message gets out that this is supposed to be for entertainment."[16] According to theAnchorage Daily News, "Nomeites didn't much like the film exploiting unexplained disappearances of Northwest Alaskans, most of whom likely perished due to exposure to the harsh climate, as science fiction nonsense. The Alaska press liked even less the idea of news stories about unexplained disappearances in the Nome area being used to hype some "kind" of fake documentary".[35]

Rick Groen ofThe Globe and Mail awarded the film a favorable 3 out of 4 star-rating, commending its clever construction and concluding: "When we figure it out, the solution seems thin and the puzzle disappointing. But that's the way with most puzzles and, besides, it's not really the point ofThe Fourth Kind. Rather, the mission here is to demonstrate how, in this explosive age of dubious information, cynicism can be quickly trumped by gullibility."[36] Michael Gingold ofFangoria gave the film a favorable review, writing "for a viewer who walks in with the point of view that it’s all fictitious, and isn’t distracted by Osunsanmi’s editing-suite hocus-pocus, how doesThe Fourth Kind work on a basic creep-out level? Pretty well at a number of points."[37] Jenna Busch ofThe Huffington Post also found the film effective, declaring it "one of the scariest things I've seen in years."[38] Simon Abrams ofSlant Magazine likened the film to an extendedUnsolved Mysteries segment, noting that the film "let[s] your imagination run wild, just as the grainy real footage lets you see whatever monsters you want amid a blizzard of static-y snow. Osunsanmi knows that everybody secretly wants to believe and when it comes to giving the people what they want, he does not disappoint."[39]

Legacy

[edit]

Despite receiving unfavorable reviews at the time of its release,The Fourth Kind has gone on to develop acult following in the intervening years.[13] WriterJohn Kenneth Muir wrote inHorror Films of 2000-2009 (2023): "Many critics [at the time] found the "dramatizations" ofThe Fourth Kind to be cumbersome, and the Hollywood scenes over-designed. Yet this is the crux of the issue; it's the point of the movie. It's aleitmotif."[40]

Brendan Morrow, writing forBloody Disgusting in 2016, commended the film's ambiguous depiction of extraterrestrial abductions, noting that the film "manages to make alien abductions terrifying, something that only a handful of movies have accomplished. It does so by applying to aliens the same principles that are usually applied toghosts: they are kept off screen and ambiguous, and the audience never once sees a single alien."[41]

While available for streaming onNetflix in 2023, the film wentviral on social media platforms such asTikTok, with users remarking that the film had "traumatised" them and left them unable to sleep.[42] In a 2024 list compiled byIndieWire,The Fourth Kind was ranked as the sixth-scariest alien film of all time.[43]

References

[edit]
  1. ^abc"The Fourth Kind".AFI Catalog of Feature Films.American Film Institute.Archived from the original on April 7, 2025.
  2. ^abcMuir 2023, p. 601.
  3. ^Meehan 2023, p. 204.
  4. ^abcd"The Fourth Kind (2009) – Financial Information".The Numbers.Archived from the original on January 26, 2025.
  5. ^Muir 2023, pp. 600–602.
  6. ^Miska, Brad (October 10, 2009)."'The 4th Kind' Banners Go Through Step by Step".Bloody Disgusting.Archived from the original on March 15, 2018.
  7. ^"The Fourth Kind".TV Guide.Archived from the original on November 30, 2022.
  8. ^Donato, Matt; Evangelista, Chris (September 22, 2023)."One Of The Scariest Scenes In The Fourth Kind Is A Hoot"./Film.Archived from the original on October 5, 2023.
  9. ^Wallick, Bud (November 5, 2009)."Fourth Kind, The (2009)".Dread Central. Archived fromthe original on November 8, 2009.
  10. ^Wainio, Wade (October 3, 2018)."Sci-Fi: The Fourth Kind may bend truth, but it also bends minds".FanSided.Archived from the original on August 31, 2023.
  11. ^abWoerner, Meredith (June 27, 2014)."Fact Check: Are These Horror Films Really "Based On Actual Events"?".Gizmodo.Archived from the original on August 31, 2023.
  12. ^H. C., Luiz (April 7, 2022)."'The Fourth Kind' Blended Fiction and Reality for a Unique Experiment [The Silver Lining]".Bloody Disgusting.Archived from the original on March 22, 2024.
  13. ^abHaines, Samuel Wyatt (December 10, 2023)."No Horror Movie Has Blended Fiction and Reality Better Than This One".Collider.Archived from the original on May 20, 2024.
  14. ^Hart, Hugh (April 16, 2008)."Milla Gets a Thriller".Wired News. Archived fromthe original on January 15, 2011.
  15. ^Tyler, Josh (August 13, 2009)."The Fourth Kind Trailer: A Movie For Believers".Cinema Blend. Archived fromthe original on August 15, 2009.
  16. ^abcdeHare, Breanna (November 6, 2009)."'The Fourth Kind' of fake?".CNN. Archived fromthe original on November 8, 2009.
  17. ^"Milla Jovovich Film Closes Out Screamfest 2009".ComingSoon.net. 2009.Archived from the original on April 7, 2025.
  18. ^Barton, Steve (September 10, 2009)."The Fourth Kind to Close Screamfest LA".Dread Central.Archived from the original on April 7, 2025.
  19. ^abGrant, Charles (November 10, 2009)."Frugal Christmas arrives early for Disney at UK box office".The Guardian.Archived from the original on November 27, 2024.
  20. ^abRichardson, Jeff (November 11, 2008)."Alaska newspapers, movie studio reach settlement over 'Fourth Kind'".Fairbanks Daily News-Miner.Archived from the original on October 3, 2019.
  21. ^Raymond, Adam K. (November 12, 2009)."Universal's Fourth Kind Marketing Campaign Backfires".Vulture.Archived from the original on April 7, 2025.
  22. ^Ramella, Brynne (January 1, 2021)."The Fourth Kind: Why The Movie's Realistic Marketing Went Too Far".Screen Rant.Archived from the original on April 7, 2025.
  23. ^abVejvoda, Jim (November 12, 2009)."The Fourth Kind of Lawsuit".IGN.Archived from the original on April 7, 2025.
  24. ^Lussier, Germain (March 14, 2010)."The Fourth Kind Blu-ray Review".Collider.Archived from the original on April 7, 2025.
  25. ^ab"The Fourth Kind".Box Office Mojo. Archived fromthe original on August 31, 2023.
  26. ^Grant, Charles (November 17, 2009)."2012 brings Indian summer to UK box office".The Guardian.Archived from the original on January 20, 2025.
  27. ^"The Fourth Kind".Rotten Tomatoes.Fandango Media. RetrievedApril 6, 2025.Edit this at Wikidata
  28. ^"The Fourth Kind".Metacritic.Fandom, Inc. RetrievedApril 6, 2025.
  29. ^"Cinemascore". Archived fromthe original on 2018-12-20.
  30. ^Ebert, Roger (November 4, 2009)."The Fourth Kind".Chicago Sun-Times.Archived from the original on December 1, 2017 – viaRogerEbert.com.
  31. ^Holden, Stephen (November 5, 2009)."Even Insomniacs Can Have Nightmares".The New York Times.Archived from the original on January 26, 2021.
  32. ^Gleiberman, Owen (November 6, 2009)."The Fourth Kind".Entertainment Weekly.Archived from the original on April 28, 2024.
  33. ^Corliss, Richard (November 6, 2009)."The Fourth Kind: Subnormal Activity".Time.Archived from the original on April 7, 2025.
  34. ^Buckwalter, Ian (November 5, 2009)."'Fourth Kind': She Can See Aliens From Her House".NPR.Archived from the original on April 7, 2025.
  35. ^Medred, Craig (November 12, 2009)."'The Fourth Kind' pays for telling a big fib".Anchorage Daily News.Archived from the original on December 1, 2024.
  36. ^Groen, Rick (November 5, 2009)."In a balloon-boy world, what's real and what's alien?".The Globe and Mail. Archived fromthe original on November 8, 2009.
  37. ^Gingold, Michael (November 6, 2009)."Review: The Fourth Kind".Fangoria.Archived from the original on December 6, 2024.
  38. ^Busch, Jenna (March 18, 2010)."The Fourth Kind Review".The Huffington Post.Archived from the original on November 22, 2023.
  39. ^Abrams, Simon (November 4, 2009)."Review: The Fourth Kind".Slant Magazine.Archived from the original on April 7, 2025.
  40. ^Muir 2023, p. 603.
  41. ^Morrow, Brendan (August 12, 2016)."[It Isn't All Bad] 'The Fourth Kind' is a Highly Underrated Found-Footage Flick".Bloody Disgusting.Archived from the original on February 12, 2022.
  42. ^Freshwater, Paige (April 25, 2023)."Horror movie The Fourth Kind leaves fans 'too scared to sleep' in their own beds".Daily Mirror.Archived from the original on April 7, 2025.
  43. ^Chapman, Wilson (August 15, 2024)."The 32 Scariest Alien Movies, from 'Fire in the Sky' and 'Nope' to 'Save Yourselves!' and 'Species'".IndieWire.Archived from the original on April 7, 2025.

Sources

[edit]
  • Meehan, Paul (2023).Alien Abduction in the Cinema: A History from the 1950s to Today. Jefferson, North Carolina: McFarland.ISBN 978-1-476-64921-4.
  • Muir, John Kenneth (2023).Horror Films of 2000-2009. Jefferson, North Carolina: McFarland.ISBN 978-1-476-64450-9.

External links

[edit]
Films directed byOlatunde Osunsanmi
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